Ted K (Original Motion Picture Score)
Benjamin John Power meets environmental terrorist the Unabomber on his moody synth-led soundtrack to Tony Stone's "Ted K".
Power was inspired by the usual suspects on his latest soundtrack, citing Ennio Morricone's Sergio Leone scores as the inspiration for the "good vs. evil" battle raging in Ted Kaczynski's mind. He definitely evokes the 1970s with the searing analog synth basses and clipped percussion on 'Montana', the movie's main theme, but prob echoes Carpenter more than Morricone.
Elsewhere, things get more complicated: on 'Pesticides', Power's plasticky synth sounds more in line with Michael Mann's canon, while 'Revenge' isn't a million miles from Trent Reznor and Atticus Ross's work with David Fincher. It's convincing material, that manages to retain Power's electronic outlook while still sounding fully Hollywood-ready.
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Benjamin John Power meets environmental terrorist the Unabomber on his moody synth-led soundtrack to Tony Stone's "Ted K".
Power was inspired by the usual suspects on his latest soundtrack, citing Ennio Morricone's Sergio Leone scores as the inspiration for the "good vs. evil" battle raging in Ted Kaczynski's mind. He definitely evokes the 1970s with the searing analog synth basses and clipped percussion on 'Montana', the movie's main theme, but prob echoes Carpenter more than Morricone.
Elsewhere, things get more complicated: on 'Pesticides', Power's plasticky synth sounds more in line with Michael Mann's canon, while 'Revenge' isn't a million miles from Trent Reznor and Atticus Ross's work with David Fincher. It's convincing material, that manages to retain Power's electronic outlook while still sounding fully Hollywood-ready.
Benjamin John Power meets environmental terrorist the Unabomber on his moody synth-led soundtrack to Tony Stone's "Ted K".
Power was inspired by the usual suspects on his latest soundtrack, citing Ennio Morricone's Sergio Leone scores as the inspiration for the "good vs. evil" battle raging in Ted Kaczynski's mind. He definitely evokes the 1970s with the searing analog synth basses and clipped percussion on 'Montana', the movie's main theme, but prob echoes Carpenter more than Morricone.
Elsewhere, things get more complicated: on 'Pesticides', Power's plasticky synth sounds more in line with Michael Mann's canon, while 'Revenge' isn't a million miles from Trent Reznor and Atticus Ross's work with David Fincher. It's convincing material, that manages to retain Power's electronic outlook while still sounding fully Hollywood-ready.
Benjamin John Power meets environmental terrorist the Unabomber on his moody synth-led soundtrack to Tony Stone's "Ted K".
Power was inspired by the usual suspects on his latest soundtrack, citing Ennio Morricone's Sergio Leone scores as the inspiration for the "good vs. evil" battle raging in Ted Kaczynski's mind. He definitely evokes the 1970s with the searing analog synth basses and clipped percussion on 'Montana', the movie's main theme, but prob echoes Carpenter more than Morricone.
Elsewhere, things get more complicated: on 'Pesticides', Power's plasticky synth sounds more in line with Michael Mann's canon, while 'Revenge' isn't a million miles from Trent Reznor and Atticus Ross's work with David Fincher. It's convincing material, that manages to retain Power's electronic outlook while still sounding fully Hollywood-ready.
Black vinyl edition.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Benjamin John Power meets environmental terrorist the Unabomber on his moody synth-led soundtrack to Tony Stone's "Ted K".
Power was inspired by the usual suspects on his latest soundtrack, citing Ennio Morricone's Sergio Leone scores as the inspiration for the "good vs. evil" battle raging in Ted Kaczynski's mind. He definitely evokes the 1970s with the searing analog synth basses and clipped percussion on 'Montana', the movie's main theme, but prob echoes Carpenter more than Morricone.
Elsewhere, things get more complicated: on 'Pesticides', Power's plasticky synth sounds more in line with Michael Mann's canon, while 'Revenge' isn't a million miles from Trent Reznor and Atticus Ross's work with David Fincher. It's convincing material, that manages to retain Power's electronic outlook while still sounding fully Hollywood-ready.
Limited edition opaque red vinyl.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Benjamin John Power meets environmental terrorist the Unabomber on his moody synth-led soundtrack to Tony Stone's "Ted K".
Power was inspired by the usual suspects on his latest soundtrack, citing Ennio Morricone's Sergio Leone scores as the inspiration for the "good vs. evil" battle raging in Ted Kaczynski's mind. He definitely evokes the 1970s with the searing analog synth basses and clipped percussion on 'Montana', the movie's main theme, but prob echoes Carpenter more than Morricone.
Elsewhere, things get more complicated: on 'Pesticides', Power's plasticky synth sounds more in line with Michael Mann's canon, while 'Revenge' isn't a million miles from Trent Reznor and Atticus Ross's work with David Fincher. It's convincing material, that manages to retain Power's electronic outlook while still sounding fully Hollywood-ready.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Benjamin John Power meets environmental terrorist the Unabomber on his moody synth-led soundtrack to Tony Stone's "Ted K".
Power was inspired by the usual suspects on his latest soundtrack, citing Ennio Morricone's Sergio Leone scores as the inspiration for the "good vs. evil" battle raging in Ted Kaczynski's mind. He definitely evokes the 1970s with the searing analog synth basses and clipped percussion on 'Montana', the movie's main theme, but prob echoes Carpenter more than Morricone.
Elsewhere, things get more complicated: on 'Pesticides', Power's plasticky synth sounds more in line with Michael Mann's canon, while 'Revenge' isn't a million miles from Trent Reznor and Atticus Ross's work with David Fincher. It's convincing material, that manages to retain Power's electronic outlook while still sounding fully Hollywood-ready.