Take Refuge in Clean Living
More than ever, Grails' doomy krautrock experimentation is charged with a muscular, stoneage potency on pieces like 'Take Refuge' or the slow moving pentatonic riffs and Eastern instrumental flourishes that prop up on the illustratively titled 'Stoned At The Taj Again'.
The likes of 'PTSD' and '11th Hour' carry more of a pensive, atmospheric feel, with the latter fashioning a sinister, baroque mood while the former comes across as slightly less structured, but heavier on the (dare I say it) 'vibes'. Almost a polar opposite of the avant-garde gloom that colours much of this, the glistening, undistorted guitar tones and vaporous soundscaping qualities of 'Clean Living' sound lighter than air, floating on a bed of strings and pianos that hint towards discordance but never quite go that far.
Grails have delivered five great instrumental pieces - as detailed and thorough as they are unclassifiable. It's another masterful album from one of the great undiscovered bands.
Highly Recommended.
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More than ever, Grails' doomy krautrock experimentation is charged with a muscular, stoneage potency on pieces like 'Take Refuge' or the slow moving pentatonic riffs and Eastern instrumental flourishes that prop up on the illustratively titled 'Stoned At The Taj Again'.
The likes of 'PTSD' and '11th Hour' carry more of a pensive, atmospheric feel, with the latter fashioning a sinister, baroque mood while the former comes across as slightly less structured, but heavier on the (dare I say it) 'vibes'. Almost a polar opposite of the avant-garde gloom that colours much of this, the glistening, undistorted guitar tones and vaporous soundscaping qualities of 'Clean Living' sound lighter than air, floating on a bed of strings and pianos that hint towards discordance but never quite go that far.
Grails have delivered five great instrumental pieces - as detailed and thorough as they are unclassifiable. It's another masterful album from one of the great undiscovered bands.
Highly Recommended.
More than ever, Grails' doomy krautrock experimentation is charged with a muscular, stoneage potency on pieces like 'Take Refuge' or the slow moving pentatonic riffs and Eastern instrumental flourishes that prop up on the illustratively titled 'Stoned At The Taj Again'.
The likes of 'PTSD' and '11th Hour' carry more of a pensive, atmospheric feel, with the latter fashioning a sinister, baroque mood while the former comes across as slightly less structured, but heavier on the (dare I say it) 'vibes'. Almost a polar opposite of the avant-garde gloom that colours much of this, the glistening, undistorted guitar tones and vaporous soundscaping qualities of 'Clean Living' sound lighter than air, floating on a bed of strings and pianos that hint towards discordance but never quite go that far.
Grails have delivered five great instrumental pieces - as detailed and thorough as they are unclassifiable. It's another masterful album from one of the great undiscovered bands.
Highly Recommended.
More than ever, Grails' doomy krautrock experimentation is charged with a muscular, stoneage potency on pieces like 'Take Refuge' or the slow moving pentatonic riffs and Eastern instrumental flourishes that prop up on the illustratively titled 'Stoned At The Taj Again'.
The likes of 'PTSD' and '11th Hour' carry more of a pensive, atmospheric feel, with the latter fashioning a sinister, baroque mood while the former comes across as slightly less structured, but heavier on the (dare I say it) 'vibes'. Almost a polar opposite of the avant-garde gloom that colours much of this, the glistening, undistorted guitar tones and vaporous soundscaping qualities of 'Clean Living' sound lighter than air, floating on a bed of strings and pianos that hint towards discordance but never quite go that far.
Grails have delivered five great instrumental pieces - as detailed and thorough as they are unclassifiable. It's another masterful album from one of the great undiscovered bands.
Highly Recommended.
Remastered for vinyl and reissued for the first time in nearly a decade in a handsome, thick Gatefold sleeve.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
More than ever, Grails' doomy krautrock experimentation is charged with a muscular, stoneage potency on pieces like 'Take Refuge' or the slow moving pentatonic riffs and Eastern instrumental flourishes that prop up on the illustratively titled 'Stoned At The Taj Again'.
The likes of 'PTSD' and '11th Hour' carry more of a pensive, atmospheric feel, with the latter fashioning a sinister, baroque mood while the former comes across as slightly less structured, but heavier on the (dare I say it) 'vibes'. Almost a polar opposite of the avant-garde gloom that colours much of this, the glistening, undistorted guitar tones and vaporous soundscaping qualities of 'Clean Living' sound lighter than air, floating on a bed of strings and pianos that hint towards discordance but never quite go that far.
Grails have delivered five great instrumental pieces - as detailed and thorough as they are unclassifiable. It's another masterful album from one of the great undiscovered bands.
Highly Recommended.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
More than ever, Grails' doomy krautrock experimentation is charged with a muscular, stoneage potency on pieces like 'Take Refuge' or the slow moving pentatonic riffs and Eastern instrumental flourishes that prop up on the illustratively titled 'Stoned At The Taj Again'.
The likes of 'PTSD' and '11th Hour' carry more of a pensive, atmospheric feel, with the latter fashioning a sinister, baroque mood while the former comes across as slightly less structured, but heavier on the (dare I say it) 'vibes'. Almost a polar opposite of the avant-garde gloom that colours much of this, the glistening, undistorted guitar tones and vaporous soundscaping qualities of 'Clean Living' sound lighter than air, floating on a bed of strings and pianos that hint towards discordance but never quite go that far.
Grails have delivered five great instrumental pieces - as detailed and thorough as they are unclassifiable. It's another masterful album from one of the great undiscovered bands.
Highly Recommended.