333’s reign of digi fiyah hails Gumbae Culture’s 1985 debut - a big Jah Shaka selection - flowing cool and breezy on a hard rhythm by Ricky “Mad Man” Myrie.
Taking its first excursion on a 45rpm cut, ‘Take It Easy’ is now super spenny, if you can find it, on original pressing. This reissue squares up the OG vocal performance - Gumbae Culture’s first, a call to Black brothers and sisters to take it easy, don’t let the bullshit get you down - on a sparkling xylophone and pendulous snare crack, weighted with massive subbass tremors and rendered in crystal digital clarity. The version dubs it out to the rafters with loads of room to indulge the quaking subs and webs of echo chamber FX, originally mastered at Jah Tubbys in the UK and never sounding better.
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333’s reign of digi fiyah hails Gumbae Culture’s 1985 debut - a big Jah Shaka selection - flowing cool and breezy on a hard rhythm by Ricky “Mad Man” Myrie.
Taking its first excursion on a 45rpm cut, ‘Take It Easy’ is now super spenny, if you can find it, on original pressing. This reissue squares up the OG vocal performance - Gumbae Culture’s first, a call to Black brothers and sisters to take it easy, don’t let the bullshit get you down - on a sparkling xylophone and pendulous snare crack, weighted with massive subbass tremors and rendered in crystal digital clarity. The version dubs it out to the rafters with loads of room to indulge the quaking subs and webs of echo chamber FX, originally mastered at Jah Tubbys in the UK and never sounding better.
333’s reign of digi fiyah hails Gumbae Culture’s 1985 debut - a big Jah Shaka selection - flowing cool and breezy on a hard rhythm by Ricky “Mad Man” Myrie.
Taking its first excursion on a 45rpm cut, ‘Take It Easy’ is now super spenny, if you can find it, on original pressing. This reissue squares up the OG vocal performance - Gumbae Culture’s first, a call to Black brothers and sisters to take it easy, don’t let the bullshit get you down - on a sparkling xylophone and pendulous snare crack, weighted with massive subbass tremors and rendered in crystal digital clarity. The version dubs it out to the rafters with loads of room to indulge the quaking subs and webs of echo chamber FX, originally mastered at Jah Tubbys in the UK and never sounding better.
333’s reign of digi fiyah hails Gumbae Culture’s 1985 debut - a big Jah Shaka selection - flowing cool and breezy on a hard rhythm by Ricky “Mad Man” Myrie.
Taking its first excursion on a 45rpm cut, ‘Take It Easy’ is now super spenny, if you can find it, on original pressing. This reissue squares up the OG vocal performance - Gumbae Culture’s first, a call to Black brothers and sisters to take it easy, don’t let the bullshit get you down - on a sparkling xylophone and pendulous snare crack, weighted with massive subbass tremors and rendered in crystal digital clarity. The version dubs it out to the rafters with loads of room to indulge the quaking subs and webs of echo chamber FX, originally mastered at Jah Tubbys in the UK and never sounding better.
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333’s reign of digi fiyah hails Gumbae Culture’s 1985 debut - a big Jah Shaka selection - flowing cool and breezy on a hard rhythm by Ricky “Mad Man” Myrie.
Taking its first excursion on a 45rpm cut, ‘Take It Easy’ is now super spenny, if you can find it, on original pressing. This reissue squares up the OG vocal performance - Gumbae Culture’s first, a call to Black brothers and sisters to take it easy, don’t let the bullshit get you down - on a sparkling xylophone and pendulous snare crack, weighted with massive subbass tremors and rendered in crystal digital clarity. The version dubs it out to the rafters with loads of room to indulge the quaking subs and webs of echo chamber FX, originally mastered at Jah Tubbys in the UK and never sounding better.