Take Care, It's A Desert Out There
A new album of exclusive, previously unreleased material from The Caretaker released in memory of and for Mark Fisher, the legendary writer, cultural theorist and pioneering blogger (k-punk) who passed away on the 13th January 2017. Copies of this release were given to all attendees of The Caretaker's Barbican performance for Unsound Disclocation last week. There are now 400 more copies available - please noite that ths edition isn't numbered or signed. 100% of proceeds from this release will be donated to MIND, the mental health charity - so if yr thinking of flipping these - please don't.
Ever since he wrote the extensive liner notes for The Caretaker’s Theoretically Pure Anterograde Amnesia boxset in 2005, Mark Fisher was instrumental in contextualising the complex, abstract nature of The Caretaker’s music to beguiled listeners across the world. Along with the music of Burial and Broadcast, for example, The Caretaker’s output fell under what Fisher described as “Hauntology” - a portmanteau of haunting and ontology which is rooted in Derrida’s study of the failure of Marxism and the left - which Fisher applied to contemporary culture, distinguishing merely “nostalgic” and revivalist culture from hauntological art and culture which is typified by its “refusal to give up on the desire for the future.”
The Caretaker’s work, including this billowing new longform piece, has always resonated with and fed into Fisher’s ideas, so we could hardly think of a more fitting send off from Leyland Kirby’s cherished vessel. We wholeheartedly recommend this CD, and also reading all of Fisher’s work - from his collected writings for The Wire and other publications, to his daringly seminal Capitalist Realism: Is there no alternative?, which proposes a direct link between increased diagnoses of mental health problems and the incessant trudge of capitalism, and suggest a way beyond the assertion that “it is easier to imagine an end to the world than an end to capitalism”.
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Second edition of 400 copies. Mastered by Stephan Mathieu. Cover features the painting "Blame Shines Within The Demise" by Ivan Seal. 100% of sales from this release will be donated to the mental health charity MIND
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A new album of exclusive, previously unreleased material from The Caretaker released in memory of and for Mark Fisher, the legendary writer, cultural theorist and pioneering blogger (k-punk) who passed away on the 13th January 2017. Copies of this release were given to all attendees of The Caretaker's Barbican performance for Unsound Disclocation last week. There are now 400 more copies available - please noite that ths edition isn't numbered or signed. 100% of proceeds from this release will be donated to MIND, the mental health charity - so if yr thinking of flipping these - please don't.
Ever since he wrote the extensive liner notes for The Caretaker’s Theoretically Pure Anterograde Amnesia boxset in 2005, Mark Fisher was instrumental in contextualising the complex, abstract nature of The Caretaker’s music to beguiled listeners across the world. Along with the music of Burial and Broadcast, for example, The Caretaker’s output fell under what Fisher described as “Hauntology” - a portmanteau of haunting and ontology which is rooted in Derrida’s study of the failure of Marxism and the left - which Fisher applied to contemporary culture, distinguishing merely “nostalgic” and revivalist culture from hauntological art and culture which is typified by its “refusal to give up on the desire for the future.”
The Caretaker’s work, including this billowing new longform piece, has always resonated with and fed into Fisher’s ideas, so we could hardly think of a more fitting send off from Leyland Kirby’s cherished vessel. We wholeheartedly recommend this CD, and also reading all of Fisher’s work - from his collected writings for The Wire and other publications, to his daringly seminal Capitalist Realism: Is there no alternative?, which proposes a direct link between increased diagnoses of mental health problems and the incessant trudge of capitalism, and suggest a way beyond the assertion that “it is easier to imagine an end to the world than an end to capitalism”.