First reissue of a super rare bubblegum boogie side from South Africa, 1985 - OGs now trade for around £300 on the 2nd hand market
Next in Afrosynth’s illustrious bounty of burners from Apartheid era South Africa, E&S Brothers’ ‘Taduma’ is an ideal example of the optimistic sound of the townships running counter to colonialist bullshit. Dripping with synthi colour and infectious groove, all seven songs are built for better times, updating traditional melody and vocal themes with a plugged-in palette of keyboards and drum machines deployed in a way that, with the benefit of hindsight, we can hear paralleled prevailing club trends from USA and Europe, but with their own lilt and cool sweat that makes this sound so enduring.
Make sure to check for the pendulous boogie swang of ’Sikele Masike’ with its whacked out top line, and the balmy drive of ‘Mapantsula’, the dive in deeper if you’re feeling it.
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First reissue of a super rare bubblegum boogie side from South Africa, 1985 - OGs now trade for around £300 on the 2nd hand market
Next in Afrosynth’s illustrious bounty of burners from Apartheid era South Africa, E&S Brothers’ ‘Taduma’ is an ideal example of the optimistic sound of the townships running counter to colonialist bullshit. Dripping with synthi colour and infectious groove, all seven songs are built for better times, updating traditional melody and vocal themes with a plugged-in palette of keyboards and drum machines deployed in a way that, with the benefit of hindsight, we can hear paralleled prevailing club trends from USA and Europe, but with their own lilt and cool sweat that makes this sound so enduring.
Make sure to check for the pendulous boogie swang of ’Sikele Masike’ with its whacked out top line, and the balmy drive of ‘Mapantsula’, the dive in deeper if you’re feeling it.
First reissue of a super rare bubblegum boogie side from South Africa, 1985 - OGs now trade for around £300 on the 2nd hand market
Next in Afrosynth’s illustrious bounty of burners from Apartheid era South Africa, E&S Brothers’ ‘Taduma’ is an ideal example of the optimistic sound of the townships running counter to colonialist bullshit. Dripping with synthi colour and infectious groove, all seven songs are built for better times, updating traditional melody and vocal themes with a plugged-in palette of keyboards and drum machines deployed in a way that, with the benefit of hindsight, we can hear paralleled prevailing club trends from USA and Europe, but with their own lilt and cool sweat that makes this sound so enduring.
Make sure to check for the pendulous boogie swang of ’Sikele Masike’ with its whacked out top line, and the balmy drive of ‘Mapantsula’, the dive in deeper if you’re feeling it.
First reissue of a super rare bubblegum boogie side from South Africa, 1985 - OGs now trade for around £300 on the 2nd hand market
Next in Afrosynth’s illustrious bounty of burners from Apartheid era South Africa, E&S Brothers’ ‘Taduma’ is an ideal example of the optimistic sound of the townships running counter to colonialist bullshit. Dripping with synthi colour and infectious groove, all seven songs are built for better times, updating traditional melody and vocal themes with a plugged-in palette of keyboards and drum machines deployed in a way that, with the benefit of hindsight, we can hear paralleled prevailing club trends from USA and Europe, but with their own lilt and cool sweat that makes this sound so enduring.
Make sure to check for the pendulous boogie swang of ’Sikele Masike’ with its whacked out top line, and the balmy drive of ‘Mapantsula’, the dive in deeper if you’re feeling it.
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First reissue of a super rare bubblegum boogie side from South Africa, 1985 - OGs now trade for around £300 on the 2nd hand market
Next in Afrosynth’s illustrious bounty of burners from Apartheid era South Africa, E&S Brothers’ ‘Taduma’ is an ideal example of the optimistic sound of the townships running counter to colonialist bullshit. Dripping with synthi colour and infectious groove, all seven songs are built for better times, updating traditional melody and vocal themes with a plugged-in palette of keyboards and drum machines deployed in a way that, with the benefit of hindsight, we can hear paralleled prevailing club trends from USA and Europe, but with their own lilt and cool sweat that makes this sound so enduring.
Make sure to check for the pendulous boogie swang of ’Sikele Masike’ with its whacked out top line, and the balmy drive of ‘Mapantsula’, the dive in deeper if you’re feeling it.