The end level boss of new US club music, Leonce turns out a devilishly future-proofed debut album on his Morph Tracks, galvanising classic house and techno forms with inch-tight, signature production suss - big RIYL Junior Vasquez, Todd Terry, Bok Bok, Sissy Nobby, Armand Van Helden, Karizma, Levon Vincent
Born in NOLA, raised in ATL, Leonce has steadily risen to become an emblematic figure of queer, black dance music since his earliest chops on Fade to Mind - sister label of Night Slugs - in 2016. Aside to a couple of physical releases, Leonce has mostly self-released his work via Morph Tracks, which also doubles as a party in his home city and beyond, hosting other no-nonsense DJs and performers. With ’System Of Objects’ Leonce firms up a definitive statement of the deadly style and pattern that’s earned him a resounding reputation as party starter and producer of fine-tuned, heavyweight club bullets. In its aerodynamic sleekness and sinuous minimalism it’s a sound that’s pushed our buttons hard ever since the mini-LP ‘Insurgency’, and has utterly snagged us on the artist’s steady development over the intervening years, leaving us at the seat-edge waiting for new bangers from his lab.
Trust ‘System of Objects’ delivers in spades for proper dancers and DJs with a job to do, laying down seven top shelf examples that take the LP format as a playground for his sound. Between his crystallised lattice of Todd Terry vamps, ruggedest subs and steel-tipped drums on ‘Not Here For It’, the ruthless pace-setter ‘Closing In’, and almost Kuduro-style triplet wiggle and shearing electro arps of ‘Third Time’s The Charm’ Leonce animates limbs like a techgnostic shaman, shepherding club lambs between the bolshy carnival shunt of ‘Amyl Nitrate’ to strong-back swang in ‘Kundle Dub’ and the bugged-out ohrwurm of ’Tuff Talk’ with a pressure and verve that comes from a place that’s only properly understood with full body immersion via a rig that can handle his pressure.
Huge.
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The end level boss of new US club music, Leonce turns out a devilishly future-proofed debut album on his Morph Tracks, galvanising classic house and techno forms with inch-tight, signature production suss - big RIYL Junior Vasquez, Todd Terry, Bok Bok, Sissy Nobby, Armand Van Helden, Karizma, Levon Vincent
Born in NOLA, raised in ATL, Leonce has steadily risen to become an emblematic figure of queer, black dance music since his earliest chops on Fade to Mind - sister label of Night Slugs - in 2016. Aside to a couple of physical releases, Leonce has mostly self-released his work via Morph Tracks, which also doubles as a party in his home city and beyond, hosting other no-nonsense DJs and performers. With ’System Of Objects’ Leonce firms up a definitive statement of the deadly style and pattern that’s earned him a resounding reputation as party starter and producer of fine-tuned, heavyweight club bullets. In its aerodynamic sleekness and sinuous minimalism it’s a sound that’s pushed our buttons hard ever since the mini-LP ‘Insurgency’, and has utterly snagged us on the artist’s steady development over the intervening years, leaving us at the seat-edge waiting for new bangers from his lab.
Trust ‘System of Objects’ delivers in spades for proper dancers and DJs with a job to do, laying down seven top shelf examples that take the LP format as a playground for his sound. Between his crystallised lattice of Todd Terry vamps, ruggedest subs and steel-tipped drums on ‘Not Here For It’, the ruthless pace-setter ‘Closing In’, and almost Kuduro-style triplet wiggle and shearing electro arps of ‘Third Time’s The Charm’ Leonce animates limbs like a techgnostic shaman, shepherding club lambs between the bolshy carnival shunt of ‘Amyl Nitrate’ to strong-back swang in ‘Kundle Dub’ and the bugged-out ohrwurm of ’Tuff Talk’ with a pressure and verve that comes from a place that’s only properly understood with full body immersion via a rig that can handle his pressure.
Huge.
The end level boss of new US club music, Leonce turns out a devilishly future-proofed debut album on his Morph Tracks, galvanising classic house and techno forms with inch-tight, signature production suss - big RIYL Junior Vasquez, Todd Terry, Bok Bok, Sissy Nobby, Armand Van Helden, Karizma, Levon Vincent
Born in NOLA, raised in ATL, Leonce has steadily risen to become an emblematic figure of queer, black dance music since his earliest chops on Fade to Mind - sister label of Night Slugs - in 2016. Aside to a couple of physical releases, Leonce has mostly self-released his work via Morph Tracks, which also doubles as a party in his home city and beyond, hosting other no-nonsense DJs and performers. With ’System Of Objects’ Leonce firms up a definitive statement of the deadly style and pattern that’s earned him a resounding reputation as party starter and producer of fine-tuned, heavyweight club bullets. In its aerodynamic sleekness and sinuous minimalism it’s a sound that’s pushed our buttons hard ever since the mini-LP ‘Insurgency’, and has utterly snagged us on the artist’s steady development over the intervening years, leaving us at the seat-edge waiting for new bangers from his lab.
Trust ‘System of Objects’ delivers in spades for proper dancers and DJs with a job to do, laying down seven top shelf examples that take the LP format as a playground for his sound. Between his crystallised lattice of Todd Terry vamps, ruggedest subs and steel-tipped drums on ‘Not Here For It’, the ruthless pace-setter ‘Closing In’, and almost Kuduro-style triplet wiggle and shearing electro arps of ‘Third Time’s The Charm’ Leonce animates limbs like a techgnostic shaman, shepherding club lambs between the bolshy carnival shunt of ‘Amyl Nitrate’ to strong-back swang in ‘Kundle Dub’ and the bugged-out ohrwurm of ’Tuff Talk’ with a pressure and verve that comes from a place that’s only properly understood with full body immersion via a rig that can handle his pressure.
Huge.
The end level boss of new US club music, Leonce turns out a devilishly future-proofed debut album on his Morph Tracks, galvanising classic house and techno forms with inch-tight, signature production suss - big RIYL Junior Vasquez, Todd Terry, Bok Bok, Sissy Nobby, Armand Van Helden, Karizma, Levon Vincent
Born in NOLA, raised in ATL, Leonce has steadily risen to become an emblematic figure of queer, black dance music since his earliest chops on Fade to Mind - sister label of Night Slugs - in 2016. Aside to a couple of physical releases, Leonce has mostly self-released his work via Morph Tracks, which also doubles as a party in his home city and beyond, hosting other no-nonsense DJs and performers. With ’System Of Objects’ Leonce firms up a definitive statement of the deadly style and pattern that’s earned him a resounding reputation as party starter and producer of fine-tuned, heavyweight club bullets. In its aerodynamic sleekness and sinuous minimalism it’s a sound that’s pushed our buttons hard ever since the mini-LP ‘Insurgency’, and has utterly snagged us on the artist’s steady development over the intervening years, leaving us at the seat-edge waiting for new bangers from his lab.
Trust ‘System of Objects’ delivers in spades for proper dancers and DJs with a job to do, laying down seven top shelf examples that take the LP format as a playground for his sound. Between his crystallised lattice of Todd Terry vamps, ruggedest subs and steel-tipped drums on ‘Not Here For It’, the ruthless pace-setter ‘Closing In’, and almost Kuduro-style triplet wiggle and shearing electro arps of ‘Third Time’s The Charm’ Leonce animates limbs like a techgnostic shaman, shepherding club lambs between the bolshy carnival shunt of ‘Amyl Nitrate’ to strong-back swang in ‘Kundle Dub’ and the bugged-out ohrwurm of ’Tuff Talk’ with a pressure and verve that comes from a place that’s only properly understood with full body immersion via a rig that can handle his pressure.
Huge.