Synthesize the Soul: Astro-Atlantic Hypnotica from the Cape Verde Islands 1973-1988
Enlightening , infectious and mesmerising showcase of grooves from the islands of the coast of West Africa - a strong look for anyone tracing the roots of Lisbon’s current, amazing sound found on the Príncipe label!
“In Cape Verde, we had no access to electronic instruments, said Tchiss Lopes, a Cape Verdean singer baed in Rome. In Europe, we had access, but we had to adapt. Audiences expected electronic sounds, but we still stayed true to our sound. At first, the music was just to cater to Cape Verdean immigrants, but soon, people of Napoli especially started feeling it, then Rome. In the 1980s, that feeling transpired across Lisbon, Paris, Rotterdam, and Boston, as one the largest waves of migration from a single country, propelled by political instability and economic uncertainty, sent thousands of Cape Verdeans to the West's cities.
Through 18 diverse tracks, this compilation reveals how immigration from the Cape Verde Islands to Europe and the United States gave us an alternate history of the electronic music that dominated hearts and minds across the world in the late 1990s. But the story doesn't start in a major Western cultural hub, rather in the small cluster of islands 400 miles off the Senegalese coast, and offers an unparalleled insight into the longterm cultural splendor catalyzed by migration.
Movement and mobility are intrinsic aspirations of the human condition. What we've come to know as immigration is as old as civilization. Yet today we measure immigration through a series of cold data. Immigrants are either condemned as disposable threats or celebrated as entrepreneurial treasures, rarely occupying a space in between.”
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2LP housed in gatefold jacket
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Enlightening , infectious and mesmerising showcase of grooves from the islands of the coast of West Africa - a strong look for anyone tracing the roots of Lisbon’s current, amazing sound found on the Príncipe label!
“In Cape Verde, we had no access to electronic instruments, said Tchiss Lopes, a Cape Verdean singer baed in Rome. In Europe, we had access, but we had to adapt. Audiences expected electronic sounds, but we still stayed true to our sound. At first, the music was just to cater to Cape Verdean immigrants, but soon, people of Napoli especially started feeling it, then Rome. In the 1980s, that feeling transpired across Lisbon, Paris, Rotterdam, and Boston, as one the largest waves of migration from a single country, propelled by political instability and economic uncertainty, sent thousands of Cape Verdeans to the West's cities.
Through 18 diverse tracks, this compilation reveals how immigration from the Cape Verde Islands to Europe and the United States gave us an alternate history of the electronic music that dominated hearts and minds across the world in the late 1990s. But the story doesn't start in a major Western cultural hub, rather in the small cluster of islands 400 miles off the Senegalese coast, and offers an unparalleled insight into the longterm cultural splendor catalyzed by migration.
Movement and mobility are intrinsic aspirations of the human condition. What we've come to know as immigration is as old as civilization. Yet today we measure immigration through a series of cold data. Immigrants are either condemned as disposable threats or celebrated as entrepreneurial treasures, rarely occupying a space in between.”