Synrise - Early Tape Recordings 1981-83
Legendary german DIY synthesist, instrument builder and pharmacist Rüdiger Lorenz is given further Bureau B flowers with a first reissue of rare works, after various reissues and compilations have surfaced over the years since his passing in 2000.
Perhaps best known for his kosmische classic ‘Southland’ (1984/2015), and also as father of Hamburg mainstay Tim Lorenz (aka Superdefekt, co-founder of the world’s longest running electronica night MFOC, at Golden Püdel), Rüdiger Lorenz is also notable as a godfather of german synth music, who left banks of custom kit to his lad, including a trio of self-built modular rigs.
On ‘Synrise’ Bureau B hail Rüdiger’s enduring legacy with seven pieces that epitomise both the fresh optimism of the artist and that of a new generation of germans seeking to create their own traditions in the 2nd of the C.20th, fuelled by a synergy of pharmaceuticals and circuitry to imagine and project new horizons of music and entertainment.
Lifted from rare tapes that also lent material to Vinyl-on-Demand’s ‘The Syntape Years 1981-1983’, all pieces on this set appears on digital format for the first time. It spans a particular pungent bouquet of melody driven impulses that place him in a bracket with the everyone from Conrad Schnitzler and Cluster to Klaus Schulze and Kraftwerk, but is distinguished by its maker’s certain starry-eyed wonder.
It’s a real treat for synth fetishists, retro-futurist romantics and psychonauts alike, hailing the swaying pulses, fanfare and distant vocoder of ’38-17-34’, a sizzling ‘Chamomilla Sabinae’, and the glorious ‘Dreaming of Saba’, thru to a standout 10’ head-trip and statement of intent with the majestic ‘Independence’, and a blissed ‘Promis of Sigma’, before sailing off into an infinite lysergic sunset with ‘Anigre’.
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Legendary german DIY synthesist, instrument builder and pharmacist Rüdiger Lorenz is given further Bureau B flowers with a first reissue of rare works, after various reissues and compilations have surfaced over the years since his passing in 2000.
Perhaps best known for his kosmische classic ‘Southland’ (1984/2015), and also as father of Hamburg mainstay Tim Lorenz (aka Superdefekt, co-founder of the world’s longest running electronica night MFOC, at Golden Püdel), Rüdiger Lorenz is also notable as a godfather of german synth music, who left banks of custom kit to his lad, including a trio of self-built modular rigs.
On ‘Synrise’ Bureau B hail Rüdiger’s enduring legacy with seven pieces that epitomise both the fresh optimism of the artist and that of a new generation of germans seeking to create their own traditions in the 2nd of the C.20th, fuelled by a synergy of pharmaceuticals and circuitry to imagine and project new horizons of music and entertainment.
Lifted from rare tapes that also lent material to Vinyl-on-Demand’s ‘The Syntape Years 1981-1983’, all pieces on this set appears on digital format for the first time. It spans a particular pungent bouquet of melody driven impulses that place him in a bracket with the everyone from Conrad Schnitzler and Cluster to Klaus Schulze and Kraftwerk, but is distinguished by its maker’s certain starry-eyed wonder.
It’s a real treat for synth fetishists, retro-futurist romantics and psychonauts alike, hailing the swaying pulses, fanfare and distant vocoder of ’38-17-34’, a sizzling ‘Chamomilla Sabinae’, and the glorious ‘Dreaming of Saba’, thru to a standout 10’ head-trip and statement of intent with the majestic ‘Independence’, and a blissed ‘Promis of Sigma’, before sailing off into an infinite lysergic sunset with ‘Anigre’.
Legendary german DIY synthesist, instrument builder and pharmacist Rüdiger Lorenz is given further Bureau B flowers with a first reissue of rare works, after various reissues and compilations have surfaced over the years since his passing in 2000.
Perhaps best known for his kosmische classic ‘Southland’ (1984/2015), and also as father of Hamburg mainstay Tim Lorenz (aka Superdefekt, co-founder of the world’s longest running electronica night MFOC, at Golden Püdel), Rüdiger Lorenz is also notable as a godfather of german synth music, who left banks of custom kit to his lad, including a trio of self-built modular rigs.
On ‘Synrise’ Bureau B hail Rüdiger’s enduring legacy with seven pieces that epitomise both the fresh optimism of the artist and that of a new generation of germans seeking to create their own traditions in the 2nd of the C.20th, fuelled by a synergy of pharmaceuticals and circuitry to imagine and project new horizons of music and entertainment.
Lifted from rare tapes that also lent material to Vinyl-on-Demand’s ‘The Syntape Years 1981-1983’, all pieces on this set appears on digital format for the first time. It spans a particular pungent bouquet of melody driven impulses that place him in a bracket with the everyone from Conrad Schnitzler and Cluster to Klaus Schulze and Kraftwerk, but is distinguished by its maker’s certain starry-eyed wonder.
It’s a real treat for synth fetishists, retro-futurist romantics and psychonauts alike, hailing the swaying pulses, fanfare and distant vocoder of ’38-17-34’, a sizzling ‘Chamomilla Sabinae’, and the glorious ‘Dreaming of Saba’, thru to a standout 10’ head-trip and statement of intent with the majestic ‘Independence’, and a blissed ‘Promis of Sigma’, before sailing off into an infinite lysergic sunset with ‘Anigre’.
Legendary german DIY synthesist, instrument builder and pharmacist Rüdiger Lorenz is given further Bureau B flowers with a first reissue of rare works, after various reissues and compilations have surfaced over the years since his passing in 2000.
Perhaps best known for his kosmische classic ‘Southland’ (1984/2015), and also as father of Hamburg mainstay Tim Lorenz (aka Superdefekt, co-founder of the world’s longest running electronica night MFOC, at Golden Püdel), Rüdiger Lorenz is also notable as a godfather of german synth music, who left banks of custom kit to his lad, including a trio of self-built modular rigs.
On ‘Synrise’ Bureau B hail Rüdiger’s enduring legacy with seven pieces that epitomise both the fresh optimism of the artist and that of a new generation of germans seeking to create their own traditions in the 2nd of the C.20th, fuelled by a synergy of pharmaceuticals and circuitry to imagine and project new horizons of music and entertainment.
Lifted from rare tapes that also lent material to Vinyl-on-Demand’s ‘The Syntape Years 1981-1983’, all pieces on this set appears on digital format for the first time. It spans a particular pungent bouquet of melody driven impulses that place him in a bracket with the everyone from Conrad Schnitzler and Cluster to Klaus Schulze and Kraftwerk, but is distinguished by its maker’s certain starry-eyed wonder.
It’s a real treat for synth fetishists, retro-futurist romantics and psychonauts alike, hailing the swaying pulses, fanfare and distant vocoder of ’38-17-34’, a sizzling ‘Chamomilla Sabinae’, and the glorious ‘Dreaming of Saba’, thru to a standout 10’ head-trip and statement of intent with the majestic ‘Independence’, and a blissed ‘Promis of Sigma’, before sailing off into an infinite lysergic sunset with ‘Anigre’.
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Legendary german DIY synthesist, instrument builder and pharmacist Rüdiger Lorenz is given further Bureau B flowers with a first reissue of rare works, after various reissues and compilations have surfaced over the years since his passing in 2000.
Perhaps best known for his kosmische classic ‘Southland’ (1984/2015), and also as father of Hamburg mainstay Tim Lorenz (aka Superdefekt, co-founder of the world’s longest running electronica night MFOC, at Golden Püdel), Rüdiger Lorenz is also notable as a godfather of german synth music, who left banks of custom kit to his lad, including a trio of self-built modular rigs.
On ‘Synrise’ Bureau B hail Rüdiger’s enduring legacy with seven pieces that epitomise both the fresh optimism of the artist and that of a new generation of germans seeking to create their own traditions in the 2nd of the C.20th, fuelled by a synergy of pharmaceuticals and circuitry to imagine and project new horizons of music and entertainment.
Lifted from rare tapes that also lent material to Vinyl-on-Demand’s ‘The Syntape Years 1981-1983’, all pieces on this set appears on digital format for the first time. It spans a particular pungent bouquet of melody driven impulses that place him in a bracket with the everyone from Conrad Schnitzler and Cluster to Klaus Schulze and Kraftwerk, but is distinguished by its maker’s certain starry-eyed wonder.
It’s a real treat for synth fetishists, retro-futurist romantics and psychonauts alike, hailing the swaying pulses, fanfare and distant vocoder of ’38-17-34’, a sizzling ‘Chamomilla Sabinae’, and the glorious ‘Dreaming of Saba’, thru to a standout 10’ head-trip and statement of intent with the majestic ‘Independence’, and a blissed ‘Promis of Sigma’, before sailing off into an infinite lysergic sunset with ‘Anigre’.
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Legendary german DIY synthesist, instrument builder and pharmacist Rüdiger Lorenz is given further Bureau B flowers with a first reissue of rare works, after various reissues and compilations have surfaced over the years since his passing in 2000.
Perhaps best known for his kosmische classic ‘Southland’ (1984/2015), and also as father of Hamburg mainstay Tim Lorenz (aka Superdefekt, co-founder of the world’s longest running electronica night MFOC, at Golden Püdel), Rüdiger Lorenz is also notable as a godfather of german synth music, who left banks of custom kit to his lad, including a trio of self-built modular rigs.
On ‘Synrise’ Bureau B hail Rüdiger’s enduring legacy with seven pieces that epitomise both the fresh optimism of the artist and that of a new generation of germans seeking to create their own traditions in the 2nd of the C.20th, fuelled by a synergy of pharmaceuticals and circuitry to imagine and project new horizons of music and entertainment.
Lifted from rare tapes that also lent material to Vinyl-on-Demand’s ‘The Syntape Years 1981-1983’, all pieces on this set appears on digital format for the first time. It spans a particular pungent bouquet of melody driven impulses that place him in a bracket with the everyone from Conrad Schnitzler and Cluster to Klaus Schulze and Kraftwerk, but is distinguished by its maker’s certain starry-eyed wonder.
It’s a real treat for synth fetishists, retro-futurist romantics and psychonauts alike, hailing the swaying pulses, fanfare and distant vocoder of ’38-17-34’, a sizzling ‘Chamomilla Sabinae’, and the glorious ‘Dreaming of Saba’, thru to a standout 10’ head-trip and statement of intent with the majestic ‘Independence’, and a blissed ‘Promis of Sigma’, before sailing off into an infinite lysergic sunset with ‘Anigre’.