Discwoman co-founder Emma Olsen aka Umfang makes strong moves with the raw, etheric techno fundamentalisms in Symbolic Use Of Light; the Brooklyn-based artist’s 3rd album and first for Technicolor, placing her in good company amidst the label’s roster of Peggy Gou, Jay Daniel, Hieroglyphic Being a.o.
Across Symbolic Use of Light she weaves and delineates her sound in two distinct strands, teasing oscillating piquant, weightless arpeggios in Full 1, the frothier pulse of Path, and the hazy, levitating organ tones of Full 2, whilst merging those strands with variously graded degrees of techno pressure elsewhere, at best in the pensile pulses of Weight, with the power dome slammer, Where Is She, and a light-headed touch in the spare dimensions of Pop and the shimmering Wingless Victory.
View more
Discwoman co-founder Emma Olsen aka Umfang makes strong moves with the raw, etheric techno fundamentalisms in Symbolic Use Of Light; the Brooklyn-based artist’s 3rd album and first for Technicolor, placing her in good company amidst the label’s roster of Peggy Gou, Jay Daniel, Hieroglyphic Being a.o.
Across Symbolic Use of Light she weaves and delineates her sound in two distinct strands, teasing oscillating piquant, weightless arpeggios in Full 1, the frothier pulse of Path, and the hazy, levitating organ tones of Full 2, whilst merging those strands with variously graded degrees of techno pressure elsewhere, at best in the pensile pulses of Weight, with the power dome slammer, Where Is She, and a light-headed touch in the spare dimensions of Pop and the shimmering Wingless Victory.
Discwoman co-founder Emma Olsen aka Umfang makes strong moves with the raw, etheric techno fundamentalisms in Symbolic Use Of Light; the Brooklyn-based artist’s 3rd album and first for Technicolor, placing her in good company amidst the label’s roster of Peggy Gou, Jay Daniel, Hieroglyphic Being a.o.
Across Symbolic Use of Light she weaves and delineates her sound in two distinct strands, teasing oscillating piquant, weightless arpeggios in Full 1, the frothier pulse of Path, and the hazy, levitating organ tones of Full 2, whilst merging those strands with variously graded degrees of techno pressure elsewhere, at best in the pensile pulses of Weight, with the power dome slammer, Where Is She, and a light-headed touch in the spare dimensions of Pop and the shimmering Wingless Victory.
Discwoman co-founder Emma Olsen aka Umfang makes strong moves with the raw, etheric techno fundamentalisms in Symbolic Use Of Light; the Brooklyn-based artist’s 3rd album and first for Technicolor, placing her in good company amidst the label’s roster of Peggy Gou, Jay Daniel, Hieroglyphic Being a.o.
Across Symbolic Use of Light she weaves and delineates her sound in two distinct strands, teasing oscillating piquant, weightless arpeggios in Full 1, the frothier pulse of Path, and the hazy, levitating organ tones of Full 2, whilst merging those strands with variously graded degrees of techno pressure elsewhere, at best in the pensile pulses of Weight, with the power dome slammer, Where Is She, and a light-headed touch in the spare dimensions of Pop and the shimmering Wingless Victory.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Discwoman co-founder Emma Olsen aka Umfang makes strong moves with the raw, etheric techno fundamentalisms in Symbolic Use Of Light; the Brooklyn-based artist’s 3rd album and first for Technicolor, placing her in good company amidst the label’s roster of Peggy Gou, Jay Daniel, Hieroglyphic Being a.o.
Across Symbolic Use of Light she weaves and delineates her sound in two distinct strands, teasing oscillating piquant, weightless arpeggios in Full 1, the frothier pulse of Path, and the hazy, levitating organ tones of Full 2, whilst merging those strands with variously graded degrees of techno pressure elsewhere, at best in the pensile pulses of Weight, with the power dome slammer, Where Is She, and a light-headed touch in the spare dimensions of Pop and the shimmering Wingless Victory.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Discwoman co-founder Emma Olsen aka Umfang makes strong moves with the raw, etheric techno fundamentalisms in Symbolic Use Of Light; the Brooklyn-based artist’s 3rd album and first for Technicolor, placing her in good company amidst the label’s roster of Peggy Gou, Jay Daniel, Hieroglyphic Being a.o.
Across Symbolic Use of Light she weaves and delineates her sound in two distinct strands, teasing oscillating piquant, weightless arpeggios in Full 1, the frothier pulse of Path, and the hazy, levitating organ tones of Full 2, whilst merging those strands with variously graded degrees of techno pressure elsewhere, at best in the pensile pulses of Weight, with the power dome slammer, Where Is She, and a light-headed touch in the spare dimensions of Pop and the shimmering Wingless Victory.