LA’s 1st Balearic-styled supergroup - revolving members Mi Ami, Suzanne Kraft, Baba Stiltz, and Geo Rip - channel a halcyon late ‘80s / early ‘90s vibe on a low-slung, effusive debut album with Miami’s Open Space label.
Slotting sweetly between your Mood Hut and Benedek sides in terms of rose-tinted retro-vintage allure, Puli cut a charming figure on eight swirling grooves wreathed in tumescent dub-wise pads and slanted with a sun-dazed pop appeal. Helmed by drummer/producer Damon Palermo (Mi Ami, 100% Silk) and counting DJ Phil Cho (promoter of hillside soirées as Third Place), plus guitarist John Jones (AV Moves, Suzanne Kraft, Baba Stiltz), Puli deftly nail the fabled, debated, sound of Ibizan terraces with a sexy finesse that we imagine would sound very much at home in LA.
Opener ‘Ramona’ shimmers with a slinky blue-eyed soul suss akin to early Junior Boys, and the splashy dub of ‘Swirling’ reminds to Paul St. Hilaire via Co La, whilst a dusky Californian G-funk is in subtle effect on the in-the-pocket vamps and sultry groove of ‘Havana Jam’. It’s hard not to be sudeced by the cool breeze of breathy choral pads and sizzling drum programming to ‘Leech Sand Dub’, and ‘Captain & Steve’ registers a rude highlight somewhere adjacent a.s.o. and the Wild Bunch, are pointing to a warmly satisfying suite for downbeat heads.
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LA’s 1st Balearic-styled supergroup - revolving members Mi Ami, Suzanne Kraft, Baba Stiltz, and Geo Rip - channel a halcyon late ‘80s / early ‘90s vibe on a low-slung, effusive debut album with Miami’s Open Space label.
Slotting sweetly between your Mood Hut and Benedek sides in terms of rose-tinted retro-vintage allure, Puli cut a charming figure on eight swirling grooves wreathed in tumescent dub-wise pads and slanted with a sun-dazed pop appeal. Helmed by drummer/producer Damon Palermo (Mi Ami, 100% Silk) and counting DJ Phil Cho (promoter of hillside soirées as Third Place), plus guitarist John Jones (AV Moves, Suzanne Kraft, Baba Stiltz), Puli deftly nail the fabled, debated, sound of Ibizan terraces with a sexy finesse that we imagine would sound very much at home in LA.
Opener ‘Ramona’ shimmers with a slinky blue-eyed soul suss akin to early Junior Boys, and the splashy dub of ‘Swirling’ reminds to Paul St. Hilaire via Co La, whilst a dusky Californian G-funk is in subtle effect on the in-the-pocket vamps and sultry groove of ‘Havana Jam’. It’s hard not to be sudeced by the cool breeze of breathy choral pads and sizzling drum programming to ‘Leech Sand Dub’, and ‘Captain & Steve’ registers a rude highlight somewhere adjacent a.s.o. and the Wild Bunch, are pointing to a warmly satisfying suite for downbeat heads.
LA’s 1st Balearic-styled supergroup - revolving members Mi Ami, Suzanne Kraft, Baba Stiltz, and Geo Rip - channel a halcyon late ‘80s / early ‘90s vibe on a low-slung, effusive debut album with Miami’s Open Space label.
Slotting sweetly between your Mood Hut and Benedek sides in terms of rose-tinted retro-vintage allure, Puli cut a charming figure on eight swirling grooves wreathed in tumescent dub-wise pads and slanted with a sun-dazed pop appeal. Helmed by drummer/producer Damon Palermo (Mi Ami, 100% Silk) and counting DJ Phil Cho (promoter of hillside soirées as Third Place), plus guitarist John Jones (AV Moves, Suzanne Kraft, Baba Stiltz), Puli deftly nail the fabled, debated, sound of Ibizan terraces with a sexy finesse that we imagine would sound very much at home in LA.
Opener ‘Ramona’ shimmers with a slinky blue-eyed soul suss akin to early Junior Boys, and the splashy dub of ‘Swirling’ reminds to Paul St. Hilaire via Co La, whilst a dusky Californian G-funk is in subtle effect on the in-the-pocket vamps and sultry groove of ‘Havana Jam’. It’s hard not to be sudeced by the cool breeze of breathy choral pads and sizzling drum programming to ‘Leech Sand Dub’, and ‘Captain & Steve’ registers a rude highlight somewhere adjacent a.s.o. and the Wild Bunch, are pointing to a warmly satisfying suite for downbeat heads.
LA’s 1st Balearic-styled supergroup - revolving members Mi Ami, Suzanne Kraft, Baba Stiltz, and Geo Rip - channel a halcyon late ‘80s / early ‘90s vibe on a low-slung, effusive debut album with Miami’s Open Space label.
Slotting sweetly between your Mood Hut and Benedek sides in terms of rose-tinted retro-vintage allure, Puli cut a charming figure on eight swirling grooves wreathed in tumescent dub-wise pads and slanted with a sun-dazed pop appeal. Helmed by drummer/producer Damon Palermo (Mi Ami, 100% Silk) and counting DJ Phil Cho (promoter of hillside soirées as Third Place), plus guitarist John Jones (AV Moves, Suzanne Kraft, Baba Stiltz), Puli deftly nail the fabled, debated, sound of Ibizan terraces with a sexy finesse that we imagine would sound very much at home in LA.
Opener ‘Ramona’ shimmers with a slinky blue-eyed soul suss akin to early Junior Boys, and the splashy dub of ‘Swirling’ reminds to Paul St. Hilaire via Co La, whilst a dusky Californian G-funk is in subtle effect on the in-the-pocket vamps and sultry groove of ‘Havana Jam’. It’s hard not to be sudeced by the cool breeze of breathy choral pads and sizzling drum programming to ‘Leech Sand Dub’, and ‘Captain & Steve’ registers a rude highlight somewhere adjacent a.s.o. and the Wild Bunch, are pointing to a warmly satisfying suite for downbeat heads.
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LA’s 1st Balearic-styled supergroup - revolving members Mi Ami, Suzanne Kraft, Baba Stiltz, and Geo Rip - channel a halcyon late ‘80s / early ‘90s vibe on a low-slung, effusive debut album with Miami’s Open Space label.
Slotting sweetly between your Mood Hut and Benedek sides in terms of rose-tinted retro-vintage allure, Puli cut a charming figure on eight swirling grooves wreathed in tumescent dub-wise pads and slanted with a sun-dazed pop appeal. Helmed by drummer/producer Damon Palermo (Mi Ami, 100% Silk) and counting DJ Phil Cho (promoter of hillside soirées as Third Place), plus guitarist John Jones (AV Moves, Suzanne Kraft, Baba Stiltz), Puli deftly nail the fabled, debated, sound of Ibizan terraces with a sexy finesse that we imagine would sound very much at home in LA.
Opener ‘Ramona’ shimmers with a slinky blue-eyed soul suss akin to early Junior Boys, and the splashy dub of ‘Swirling’ reminds to Paul St. Hilaire via Co La, whilst a dusky Californian G-funk is in subtle effect on the in-the-pocket vamps and sultry groove of ‘Havana Jam’. It’s hard not to be sudeced by the cool breeze of breathy choral pads and sizzling drum programming to ‘Leech Sand Dub’, and ‘Captain & Steve’ registers a rude highlight somewhere adjacent a.s.o. and the Wild Bunch, are pointing to a warmly satisfying suite for downbeat heads.