Wisdom Teeth co-founder K-Lone traverses a spectrum of club and pop sounds on 'Swells', linking R&B, deep house, D&B, electro-pop and g-funk with swirling vocals and the unmistakable click of the Roland CR-78 analog drum machine.
Before Eliza Rose went stratospheric with the Marmite-like 'B.O.T.A.', she dipped into the studio with K-Lone, laying down the vocals that work as the glue that holds 'Swells' together. Because although her only full performance on the album is 'With U', a stand-out low-slung dub pop marvel, the entire record is littered with her looped phrases. The other linking element is the CR-78, an early Roland drum machine that might not have been programmable, but its distinctive set of percolated sounds has been offered new life by a new generation of sample-savvy producers. K-Lone uses its familiar pulse to ground each track, barreling through vastly different genres but keeping the sonic palette coherent throughout.
'Love Me A Little' is itchy, festival friendly deep house (think Floating Points), while 'Odball' is a funkier electro cut, and both sound anchored to the CR-78's uncanny clicks. On 'Shimmer', K-Lone ratchets down the tempo, blending vocal echoes with low bass hooks, and 'Love is' sounds like Galcher Lustwerk belting through the window on a summer's day. The most exciting moment arrives on 'Volcane', a rhythmically knotty prog burner that's not far from Donato Dozzy's undulating jams, leadinginto 'Multiply', a beatless closer that highlights the Brighton-based producer's grasp of harmony.
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Wisdom Teeth co-founder K-Lone traverses a spectrum of club and pop sounds on 'Swells', linking R&B, deep house, D&B, electro-pop and g-funk with swirling vocals and the unmistakable click of the Roland CR-78 analog drum machine.
Before Eliza Rose went stratospheric with the Marmite-like 'B.O.T.A.', she dipped into the studio with K-Lone, laying down the vocals that work as the glue that holds 'Swells' together. Because although her only full performance on the album is 'With U', a stand-out low-slung dub pop marvel, the entire record is littered with her looped phrases. The other linking element is the CR-78, an early Roland drum machine that might not have been programmable, but its distinctive set of percolated sounds has been offered new life by a new generation of sample-savvy producers. K-Lone uses its familiar pulse to ground each track, barreling through vastly different genres but keeping the sonic palette coherent throughout.
'Love Me A Little' is itchy, festival friendly deep house (think Floating Points), while 'Odball' is a funkier electro cut, and both sound anchored to the CR-78's uncanny clicks. On 'Shimmer', K-Lone ratchets down the tempo, blending vocal echoes with low bass hooks, and 'Love is' sounds like Galcher Lustwerk belting through the window on a summer's day. The most exciting moment arrives on 'Volcane', a rhythmically knotty prog burner that's not far from Donato Dozzy's undulating jams, leadinginto 'Multiply', a beatless closer that highlights the Brighton-based producer's grasp of harmony.
Wisdom Teeth co-founder K-Lone traverses a spectrum of club and pop sounds on 'Swells', linking R&B, deep house, D&B, electro-pop and g-funk with swirling vocals and the unmistakable click of the Roland CR-78 analog drum machine.
Before Eliza Rose went stratospheric with the Marmite-like 'B.O.T.A.', she dipped into the studio with K-Lone, laying down the vocals that work as the glue that holds 'Swells' together. Because although her only full performance on the album is 'With U', a stand-out low-slung dub pop marvel, the entire record is littered with her looped phrases. The other linking element is the CR-78, an early Roland drum machine that might not have been programmable, but its distinctive set of percolated sounds has been offered new life by a new generation of sample-savvy producers. K-Lone uses its familiar pulse to ground each track, barreling through vastly different genres but keeping the sonic palette coherent throughout.
'Love Me A Little' is itchy, festival friendly deep house (think Floating Points), while 'Odball' is a funkier electro cut, and both sound anchored to the CR-78's uncanny clicks. On 'Shimmer', K-Lone ratchets down the tempo, blending vocal echoes with low bass hooks, and 'Love is' sounds like Galcher Lustwerk belting through the window on a summer's day. The most exciting moment arrives on 'Volcane', a rhythmically knotty prog burner that's not far from Donato Dozzy's undulating jams, leadinginto 'Multiply', a beatless closer that highlights the Brighton-based producer's grasp of harmony.
Wisdom Teeth co-founder K-Lone traverses a spectrum of club and pop sounds on 'Swells', linking R&B, deep house, D&B, electro-pop and g-funk with swirling vocals and the unmistakable click of the Roland CR-78 analog drum machine.
Before Eliza Rose went stratospheric with the Marmite-like 'B.O.T.A.', she dipped into the studio with K-Lone, laying down the vocals that work as the glue that holds 'Swells' together. Because although her only full performance on the album is 'With U', a stand-out low-slung dub pop marvel, the entire record is littered with her looped phrases. The other linking element is the CR-78, an early Roland drum machine that might not have been programmable, but its distinctive set of percolated sounds has been offered new life by a new generation of sample-savvy producers. K-Lone uses its familiar pulse to ground each track, barreling through vastly different genres but keeping the sonic palette coherent throughout.
'Love Me A Little' is itchy, festival friendly deep house (think Floating Points), while 'Odball' is a funkier electro cut, and both sound anchored to the CR-78's uncanny clicks. On 'Shimmer', K-Lone ratchets down the tempo, blending vocal echoes with low bass hooks, and 'Love is' sounds like Galcher Lustwerk belting through the window on a summer's day. The most exciting moment arrives on 'Volcane', a rhythmically knotty prog burner that's not far from Donato Dozzy's undulating jams, leadinginto 'Multiply', a beatless closer that highlights the Brighton-based producer's grasp of harmony.
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Wisdom Teeth co-founder K-Lone traverses a spectrum of club and pop sounds on 'Swells', linking R&B, deep house, D&B, electro-pop and g-funk with swirling vocals and the unmistakable click of the Roland CR-78 analog drum machine.
Before Eliza Rose went stratospheric with the Marmite-like 'B.O.T.A.', she dipped into the studio with K-Lone, laying down the vocals that work as the glue that holds 'Swells' together. Because although her only full performance on the album is 'With U', a stand-out low-slung dub pop marvel, the entire record is littered with her looped phrases. The other linking element is the CR-78, an early Roland drum machine that might not have been programmable, but its distinctive set of percolated sounds has been offered new life by a new generation of sample-savvy producers. K-Lone uses its familiar pulse to ground each track, barreling through vastly different genres but keeping the sonic palette coherent throughout.
'Love Me A Little' is itchy, festival friendly deep house (think Floating Points), while 'Odball' is a funkier electro cut, and both sound anchored to the CR-78's uncanny clicks. On 'Shimmer', K-Lone ratchets down the tempo, blending vocal echoes with low bass hooks, and 'Love is' sounds like Galcher Lustwerk belting through the window on a summer's day. The most exciting moment arrives on 'Volcane', a rhythmically knotty prog burner that's not far from Donato Dozzy's undulating jams, leadinginto 'Multiply', a beatless closer that highlights the Brighton-based producer's grasp of harmony.