Suspended In A Breath
Inspired by Raymond Scott and Manuel Göttsching, Columbian musician Jan Esbra's latest is a set of pristine cosmic lullabies formed from unrecognisable layers of electric guitar and organelle synth.
Esbra was learning about tarot when he wrote 'Suspended in a Breath', and resolved to make ambient music every day to help ease the process and put him in the right headspace. So understandably, it's meditative stuff: weightless clusters of chiming melodies that float around Esbra's ping-ponging soundscapes. We wouldn't know there was guitar in this without it being clearly stated - Esbra has taken Göttsching's lead and run with it, processing his instrument so heavily that not even the rhythm sounds guitar-like. And it's soothing stuff, like a music box in the distance; it's not obtrusive, but it's not supposed to be.
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Inspired by Raymond Scott and Manuel Göttsching, Columbian musician Jan Esbra's latest is a set of pristine cosmic lullabies formed from unrecognisable layers of electric guitar and organelle synth.
Esbra was learning about tarot when he wrote 'Suspended in a Breath', and resolved to make ambient music every day to help ease the process and put him in the right headspace. So understandably, it's meditative stuff: weightless clusters of chiming melodies that float around Esbra's ping-ponging soundscapes. We wouldn't know there was guitar in this without it being clearly stated - Esbra has taken Göttsching's lead and run with it, processing his instrument so heavily that not even the rhythm sounds guitar-like. And it's soothing stuff, like a music box in the distance; it's not obtrusive, but it's not supposed to be.
Inspired by Raymond Scott and Manuel Göttsching, Columbian musician Jan Esbra's latest is a set of pristine cosmic lullabies formed from unrecognisable layers of electric guitar and organelle synth.
Esbra was learning about tarot when he wrote 'Suspended in a Breath', and resolved to make ambient music every day to help ease the process and put him in the right headspace. So understandably, it's meditative stuff: weightless clusters of chiming melodies that float around Esbra's ping-ponging soundscapes. We wouldn't know there was guitar in this without it being clearly stated - Esbra has taken Göttsching's lead and run with it, processing his instrument so heavily that not even the rhythm sounds guitar-like. And it's soothing stuff, like a music box in the distance; it's not obtrusive, but it's not supposed to be.
Inspired by Raymond Scott and Manuel Göttsching, Columbian musician Jan Esbra's latest is a set of pristine cosmic lullabies formed from unrecognisable layers of electric guitar and organelle synth.
Esbra was learning about tarot when he wrote 'Suspended in a Breath', and resolved to make ambient music every day to help ease the process and put him in the right headspace. So understandably, it's meditative stuff: weightless clusters of chiming melodies that float around Esbra's ping-ponging soundscapes. We wouldn't know there was guitar in this without it being clearly stated - Esbra has taken Göttsching's lead and run with it, processing his instrument so heavily that not even the rhythm sounds guitar-like. And it's soothing stuff, like a music box in the distance; it's not obtrusive, but it's not supposed to be.