AD 93’s brooding club sibling Lith Dolina yields its fully fledged debut of braindancey moods & grooves by Japan’s Bot1500 - introspective dance music for fans of Aleski Perälä, AFX, µ-Ziq, Wata Igarashi
After nesting a couple of cuts on Lith Dolina’s ‘Brabur Q-IH’ comp in ’21, Bot1500 follows in their mould of sweetly harmonised electronics and crisp, rolling rhythms on six tracks primed for rural raving and headphone strolls. ’Surreal’ is a fine addition to its particular quarter of electronic club music, neatly balancing ruggedness with bloozy vulnerability in ‘Pearl 2’, and recalling classic early µ-Ziq on the effortless breaks and swooning pads of ‘Chartreuse 8’. The puckered melody and insistent machine fizz of ‘Crimson 6’ hits somewhere between the wide-eyes of Aleski Perälä’s colundi-scaled techno and Wata Igarashi’s posh trance, and ‘Crimson 9’ goes on like a weathered Bjarki number.
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AD 93’s brooding club sibling Lith Dolina yields its fully fledged debut of braindancey moods & grooves by Japan’s Bot1500 - introspective dance music for fans of Aleski Perälä, AFX, µ-Ziq, Wata Igarashi
After nesting a couple of cuts on Lith Dolina’s ‘Brabur Q-IH’ comp in ’21, Bot1500 follows in their mould of sweetly harmonised electronics and crisp, rolling rhythms on six tracks primed for rural raving and headphone strolls. ’Surreal’ is a fine addition to its particular quarter of electronic club music, neatly balancing ruggedness with bloozy vulnerability in ‘Pearl 2’, and recalling classic early µ-Ziq on the effortless breaks and swooning pads of ‘Chartreuse 8’. The puckered melody and insistent machine fizz of ‘Crimson 6’ hits somewhere between the wide-eyes of Aleski Perälä’s colundi-scaled techno and Wata Igarashi’s posh trance, and ‘Crimson 9’ goes on like a weathered Bjarki number.
AD 93’s brooding club sibling Lith Dolina yields its fully fledged debut of braindancey moods & grooves by Japan’s Bot1500 - introspective dance music for fans of Aleski Perälä, AFX, µ-Ziq, Wata Igarashi
After nesting a couple of cuts on Lith Dolina’s ‘Brabur Q-IH’ comp in ’21, Bot1500 follows in their mould of sweetly harmonised electronics and crisp, rolling rhythms on six tracks primed for rural raving and headphone strolls. ’Surreal’ is a fine addition to its particular quarter of electronic club music, neatly balancing ruggedness with bloozy vulnerability in ‘Pearl 2’, and recalling classic early µ-Ziq on the effortless breaks and swooning pads of ‘Chartreuse 8’. The puckered melody and insistent machine fizz of ‘Crimson 6’ hits somewhere between the wide-eyes of Aleski Perälä’s colundi-scaled techno and Wata Igarashi’s posh trance, and ‘Crimson 9’ goes on like a weathered Bjarki number.
AD 93’s brooding club sibling Lith Dolina yields its fully fledged debut of braindancey moods & grooves by Japan’s Bot1500 - introspective dance music for fans of Aleski Perälä, AFX, µ-Ziq, Wata Igarashi
After nesting a couple of cuts on Lith Dolina’s ‘Brabur Q-IH’ comp in ’21, Bot1500 follows in their mould of sweetly harmonised electronics and crisp, rolling rhythms on six tracks primed for rural raving and headphone strolls. ’Surreal’ is a fine addition to its particular quarter of electronic club music, neatly balancing ruggedness with bloozy vulnerability in ‘Pearl 2’, and recalling classic early µ-Ziq on the effortless breaks and swooning pads of ‘Chartreuse 8’. The puckered melody and insistent machine fizz of ‘Crimson 6’ hits somewhere between the wide-eyes of Aleski Perälä’s colundi-scaled techno and Wata Igarashi’s posh trance, and ‘Crimson 9’ goes on like a weathered Bjarki number.
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AD 93’s brooding club sibling Lith Dolina yields its fully fledged debut of braindancey moods & grooves by Japan’s Bot1500 - introspective dance music for fans of Aleski Perälä, AFX, µ-Ziq, Wata Igarashi
After nesting a couple of cuts on Lith Dolina’s ‘Brabur Q-IH’ comp in ’21, Bot1500 follows in their mould of sweetly harmonised electronics and crisp, rolling rhythms on six tracks primed for rural raving and headphone strolls. ’Surreal’ is a fine addition to its particular quarter of electronic club music, neatly balancing ruggedness with bloozy vulnerability in ‘Pearl 2’, and recalling classic early µ-Ziq on the effortless breaks and swooning pads of ‘Chartreuse 8’. The puckered melody and insistent machine fizz of ‘Crimson 6’ hits somewhere between the wide-eyes of Aleski Perälä’s colundi-scaled techno and Wata Igarashi’s posh trance, and ‘Crimson 9’ goes on like a weathered Bjarki number.