'Supercodex' completes the trilogy of Ryoji Ikeda's advanced frequency studies ('Dataplex' 2005, 'Test Pattern' 2008) exploring the potentials between "data of sound" and "sound of data" for Raster Noton. The raw material comes from re/de/meta-constructed music from his first two albums plus subsequent art installations and projects and his ongoing, parallel project 'Superimposition' focused on quantum information. It features all the convoluted frequency f**kery a minimalist glitch fiend could wish for; 20 tracks of hyper-precise, abstracted auditory representations of complex visual patterns. If you swing that way, it's intensely funky stuff, a constantly morphing moire of ultrasonic minutiae that challenges our perceptions of rhythm and timbre in mathematically mapped time and space.
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'Supercodex' completes the trilogy of Ryoji Ikeda's advanced frequency studies ('Dataplex' 2005, 'Test Pattern' 2008) exploring the potentials between "data of sound" and "sound of data" for Raster Noton. The raw material comes from re/de/meta-constructed music from his first two albums plus subsequent art installations and projects and his ongoing, parallel project 'Superimposition' focused on quantum information. It features all the convoluted frequency f**kery a minimalist glitch fiend could wish for; 20 tracks of hyper-precise, abstracted auditory representations of complex visual patterns. If you swing that way, it's intensely funky stuff, a constantly morphing moire of ultrasonic minutiae that challenges our perceptions of rhythm and timbre in mathematically mapped time and space.
'Supercodex' completes the trilogy of Ryoji Ikeda's advanced frequency studies ('Dataplex' 2005, 'Test Pattern' 2008) exploring the potentials between "data of sound" and "sound of data" for Raster Noton. The raw material comes from re/de/meta-constructed music from his first two albums plus subsequent art installations and projects and his ongoing, parallel project 'Superimposition' focused on quantum information. It features all the convoluted frequency f**kery a minimalist glitch fiend could wish for; 20 tracks of hyper-precise, abstracted auditory representations of complex visual patterns. If you swing that way, it's intensely funky stuff, a constantly morphing moire of ultrasonic minutiae that challenges our perceptions of rhythm and timbre in mathematically mapped time and space.
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'Supercodex' completes the trilogy of Ryoji Ikeda's advanced frequency studies ('Dataplex' 2005, 'Test Pattern' 2008) exploring the potentials between "data of sound" and "sound of data" for Raster Noton. The raw material comes from re/de/meta-constructed music from his first two albums plus subsequent art installations and projects and his ongoing, parallel project 'Superimposition' focused on quantum information. It features all the convoluted frequency f**kery a minimalist glitch fiend could wish for; 20 tracks of hyper-precise, abstracted auditory representations of complex visual patterns. If you swing that way, it's intensely funky stuff, a constantly morphing moire of ultrasonic minutiae that challenges our perceptions of rhythm and timbre in mathematically mapped time and space.