Russia’s Paval Milyakov, aka Buttechno, tends to his screwier, inquisitive side for TTT with a gauzy batch of ambient, folk and house experiments, swerving between the lines of his records for Japan’s City-2 St. Giga, Collapsing Market and his Gosha Rubchinskiy AW16 soundtrack, to the dankest parts of his bedroom-baked club sound.
This is music for hanging out on cold, concrete corners in your most flammable trackies, taking in pastoral electro-folk meditation Gosha Medvedeva, his Pole-esque Slow Dub, and the skinny, bone-pinching swing of K4 on the one hand, before decorating those skeletal structures with more fleshly samples of Russia pop in the low key seduction of Poleva, and something like a roadside house rave played on empty vodka bottles, oil drums and cardboard boxes in the Brinkmann-like Metallo, and a nervily grubbing, spooked-out house ace named Super Siziy King.
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Russia’s Paval Milyakov, aka Buttechno, tends to his screwier, inquisitive side for TTT with a gauzy batch of ambient, folk and house experiments, swerving between the lines of his records for Japan’s City-2 St. Giga, Collapsing Market and his Gosha Rubchinskiy AW16 soundtrack, to the dankest parts of his bedroom-baked club sound.
This is music for hanging out on cold, concrete corners in your most flammable trackies, taking in pastoral electro-folk meditation Gosha Medvedeva, his Pole-esque Slow Dub, and the skinny, bone-pinching swing of K4 on the one hand, before decorating those skeletal structures with more fleshly samples of Russia pop in the low key seduction of Poleva, and something like a roadside house rave played on empty vodka bottles, oil drums and cardboard boxes in the Brinkmann-like Metallo, and a nervily grubbing, spooked-out house ace named Super Siziy King.
Russia’s Paval Milyakov, aka Buttechno, tends to his screwier, inquisitive side for TTT with a gauzy batch of ambient, folk and house experiments, swerving between the lines of his records for Japan’s City-2 St. Giga, Collapsing Market and his Gosha Rubchinskiy AW16 soundtrack, to the dankest parts of his bedroom-baked club sound.
This is music for hanging out on cold, concrete corners in your most flammable trackies, taking in pastoral electro-folk meditation Gosha Medvedeva, his Pole-esque Slow Dub, and the skinny, bone-pinching swing of K4 on the one hand, before decorating those skeletal structures with more fleshly samples of Russia pop in the low key seduction of Poleva, and something like a roadside house rave played on empty vodka bottles, oil drums and cardboard boxes in the Brinkmann-like Metallo, and a nervily grubbing, spooked-out house ace named Super Siziy King.
Russia’s Paval Milyakov, aka Buttechno, tends to his screwier, inquisitive side for TTT with a gauzy batch of ambient, folk and house experiments, swerving between the lines of his records for Japan’s City-2 St. Giga, Collapsing Market and his Gosha Rubchinskiy AW16 soundtrack, to the dankest parts of his bedroom-baked club sound.
This is music for hanging out on cold, concrete corners in your most flammable trackies, taking in pastoral electro-folk meditation Gosha Medvedeva, his Pole-esque Slow Dub, and the skinny, bone-pinching swing of K4 on the one hand, before decorating those skeletal structures with more fleshly samples of Russia pop in the low key seduction of Poleva, and something like a roadside house rave played on empty vodka bottles, oil drums and cardboard boxes in the Brinkmann-like Metallo, and a nervily grubbing, spooked-out house ace named Super Siziy King.