Sunlight To Blue... Blue To Blackness
2008 album making extensive use of digital guitar effects.
Regardless of how highly you might regard his lyrical, deeply melodic playing style, the very fact that everything is so comprehensively caked outmoded, often rather thin sounding production treatments can be something of a turn off. Still, it's very much Reilly's sound, and you could never fail to pick it out of a crowd.
In addition to the excellent guitar instrumentals, you'll encounter emotive beautifully dusky piano pieces ('Amanda') and most curiously, the like of 'Never Known Version', which sounds like it's taken a beat from a Sean Paul record, whilst heavily chorused and delayed guitars fill up the stereo field. Two of the album's standout tracks crop up towards the very end, and both are largely unadorned acoustic solos, recorded in very different ways: the skilful, widescreen flamenco of 'Cup a soup Romance' is a far more enticing prospect than its title would have you believe, whereas 'demo For Gathering Dust' benefits from the sheer rawness of its rendering, sounding all the better for being unburdened by excessive post-production.
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2008 album making extensive use of digital guitar effects.
Regardless of how highly you might regard his lyrical, deeply melodic playing style, the very fact that everything is so comprehensively caked outmoded, often rather thin sounding production treatments can be something of a turn off. Still, it's very much Reilly's sound, and you could never fail to pick it out of a crowd.
In addition to the excellent guitar instrumentals, you'll encounter emotive beautifully dusky piano pieces ('Amanda') and most curiously, the like of 'Never Known Version', which sounds like it's taken a beat from a Sean Paul record, whilst heavily chorused and delayed guitars fill up the stereo field. Two of the album's standout tracks crop up towards the very end, and both are largely unadorned acoustic solos, recorded in very different ways: the skilful, widescreen flamenco of 'Cup a soup Romance' is a far more enticing prospect than its title would have you believe, whereas 'demo For Gathering Dust' benefits from the sheer rawness of its rendering, sounding all the better for being unburdened by excessive post-production.
2008 album making extensive use of digital guitar effects.
Regardless of how highly you might regard his lyrical, deeply melodic playing style, the very fact that everything is so comprehensively caked outmoded, often rather thin sounding production treatments can be something of a turn off. Still, it's very much Reilly's sound, and you could never fail to pick it out of a crowd.
In addition to the excellent guitar instrumentals, you'll encounter emotive beautifully dusky piano pieces ('Amanda') and most curiously, the like of 'Never Known Version', which sounds like it's taken a beat from a Sean Paul record, whilst heavily chorused and delayed guitars fill up the stereo field. Two of the album's standout tracks crop up towards the very end, and both are largely unadorned acoustic solos, recorded in very different ways: the skilful, widescreen flamenco of 'Cup a soup Romance' is a far more enticing prospect than its title would have you believe, whereas 'demo For Gathering Dust' benefits from the sheer rawness of its rendering, sounding all the better for being unburdened by excessive post-production.
2008 album making extensive use of digital guitar effects.
Regardless of how highly you might regard his lyrical, deeply melodic playing style, the very fact that everything is so comprehensively caked outmoded, often rather thin sounding production treatments can be something of a turn off. Still, it's very much Reilly's sound, and you could never fail to pick it out of a crowd.
In addition to the excellent guitar instrumentals, you'll encounter emotive beautifully dusky piano pieces ('Amanda') and most curiously, the like of 'Never Known Version', which sounds like it's taken a beat from a Sean Paul record, whilst heavily chorused and delayed guitars fill up the stereo field. Two of the album's standout tracks crop up towards the very end, and both are largely unadorned acoustic solos, recorded in very different ways: the skilful, widescreen flamenco of 'Cup a soup Romance' is a far more enticing prospect than its title would have you believe, whereas 'demo For Gathering Dust' benefits from the sheer rawness of its rendering, sounding all the better for being unburdened by excessive post-production.
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2008 album making extensive use of digital guitar effects.
Regardless of how highly you might regard his lyrical, deeply melodic playing style, the very fact that everything is so comprehensively caked outmoded, often rather thin sounding production treatments can be something of a turn off. Still, it's very much Reilly's sound, and you could never fail to pick it out of a crowd.
In addition to the excellent guitar instrumentals, you'll encounter emotive beautifully dusky piano pieces ('Amanda') and most curiously, the like of 'Never Known Version', which sounds like it's taken a beat from a Sean Paul record, whilst heavily chorused and delayed guitars fill up the stereo field. Two of the album's standout tracks crop up towards the very end, and both are largely unadorned acoustic solos, recorded in very different ways: the skilful, widescreen flamenco of 'Cup a soup Romance' is a far more enticing prospect than its title would have you believe, whereas 'demo For Gathering Dust' benefits from the sheer rawness of its rendering, sounding all the better for being unburdened by excessive post-production.