The debut album from Amsterdam-based Turkish multidisciplinary artist Deniz Ömeroğlu, 'Sun Shone' is a cinematic fusion of ghosted Grouper-like vocals, kosmische ambience and jittery AFX-inspired IDM.
A trained pianist, experienced sound designer and seasoned DJ, Ömeroğlu reconciles her wide-ranging musical interests on 'Sun Shone', responding to a burst of creative energy in the wake of a heartbreak by pouring her emotions into the music. The album started life as an EP, but grew as Ömeroğlu wrote and gained confidence, and it's obvious why. Her sound isn't hyper-specific, but it's well realized: the vintage analog anxiety of 'No Moon' skirts around classical themes without losing its B-movie bit, while 'Brick House' takes the druggy brightness you'd expect to find on a '90s µ-Ziq remix and twists it with dream pop, singing over the microtonally-tweaked arpeggios. Ömeroğlu pushes the tempo up on 'Waterbear', echoing AFX's 'Analord' series with her faded TR-606 pulses and brassy stabs, and even tips her hat to 2-step on 'Aftersun', couching a dusty beat in cautiously sunny piano mutations and tape-mangled pads.
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The debut album from Amsterdam-based Turkish multidisciplinary artist Deniz Ömeroğlu, 'Sun Shone' is a cinematic fusion of ghosted Grouper-like vocals, kosmische ambience and jittery AFX-inspired IDM.
A trained pianist, experienced sound designer and seasoned DJ, Ömeroğlu reconciles her wide-ranging musical interests on 'Sun Shone', responding to a burst of creative energy in the wake of a heartbreak by pouring her emotions into the music. The album started life as an EP, but grew as Ömeroğlu wrote and gained confidence, and it's obvious why. Her sound isn't hyper-specific, but it's well realized: the vintage analog anxiety of 'No Moon' skirts around classical themes without losing its B-movie bit, while 'Brick House' takes the druggy brightness you'd expect to find on a '90s µ-Ziq remix and twists it with dream pop, singing over the microtonally-tweaked arpeggios. Ömeroğlu pushes the tempo up on 'Waterbear', echoing AFX's 'Analord' series with her faded TR-606 pulses and brassy stabs, and even tips her hat to 2-step on 'Aftersun', couching a dusty beat in cautiously sunny piano mutations and tape-mangled pads.
The debut album from Amsterdam-based Turkish multidisciplinary artist Deniz Ömeroğlu, 'Sun Shone' is a cinematic fusion of ghosted Grouper-like vocals, kosmische ambience and jittery AFX-inspired IDM.
A trained pianist, experienced sound designer and seasoned DJ, Ömeroğlu reconciles her wide-ranging musical interests on 'Sun Shone', responding to a burst of creative energy in the wake of a heartbreak by pouring her emotions into the music. The album started life as an EP, but grew as Ömeroğlu wrote and gained confidence, and it's obvious why. Her sound isn't hyper-specific, but it's well realized: the vintage analog anxiety of 'No Moon' skirts around classical themes without losing its B-movie bit, while 'Brick House' takes the druggy brightness you'd expect to find on a '90s µ-Ziq remix and twists it with dream pop, singing over the microtonally-tweaked arpeggios. Ömeroğlu pushes the tempo up on 'Waterbear', echoing AFX's 'Analord' series with her faded TR-606 pulses and brassy stabs, and even tips her hat to 2-step on 'Aftersun', couching a dusty beat in cautiously sunny piano mutations and tape-mangled pads.
The debut album from Amsterdam-based Turkish multidisciplinary artist Deniz Ömeroğlu, 'Sun Shone' is a cinematic fusion of ghosted Grouper-like vocals, kosmische ambience and jittery AFX-inspired IDM.
A trained pianist, experienced sound designer and seasoned DJ, Ömeroğlu reconciles her wide-ranging musical interests on 'Sun Shone', responding to a burst of creative energy in the wake of a heartbreak by pouring her emotions into the music. The album started life as an EP, but grew as Ömeroğlu wrote and gained confidence, and it's obvious why. Her sound isn't hyper-specific, but it's well realized: the vintage analog anxiety of 'No Moon' skirts around classical themes without losing its B-movie bit, while 'Brick House' takes the druggy brightness you'd expect to find on a '90s µ-Ziq remix and twists it with dream pop, singing over the microtonally-tweaked arpeggios. Ömeroğlu pushes the tempo up on 'Waterbear', echoing AFX's 'Analord' series with her faded TR-606 pulses and brassy stabs, and even tips her hat to 2-step on 'Aftersun', couching a dusty beat in cautiously sunny piano mutations and tape-mangled pads.
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The debut album from Amsterdam-based Turkish multidisciplinary artist Deniz Ömeroğlu, 'Sun Shone' is a cinematic fusion of ghosted Grouper-like vocals, kosmische ambience and jittery AFX-inspired IDM.
A trained pianist, experienced sound designer and seasoned DJ, Ömeroğlu reconciles her wide-ranging musical interests on 'Sun Shone', responding to a burst of creative energy in the wake of a heartbreak by pouring her emotions into the music. The album started life as an EP, but grew as Ömeroğlu wrote and gained confidence, and it's obvious why. Her sound isn't hyper-specific, but it's well realized: the vintage analog anxiety of 'No Moon' skirts around classical themes without losing its B-movie bit, while 'Brick House' takes the druggy brightness you'd expect to find on a '90s µ-Ziq remix and twists it with dream pop, singing over the microtonally-tweaked arpeggios. Ömeroğlu pushes the tempo up on 'Waterbear', echoing AFX's 'Analord' series with her faded TR-606 pulses and brassy stabs, and even tips her hat to 2-step on 'Aftersun', couching a dusty beat in cautiously sunny piano mutations and tape-mangled pads.