Perennially underrated NYC noise deity Dreamcrusher crash lands on PTP once again with a two-headed collision of raw, expressive vocals, screaming feedback and sub-heavy beats. They're standing at the intersection of no wave, DIY noise, punk, dub and shoegaze - we get to watch.
If you've seen Dreamcrusher live or heard their last two PTP drops - the jaw-unhooking "Another Country" and "Panopticon!" - you'll likely have thrown this one in the cart already. Luwayne Glass has been challenging audiences with their confrontational, emotional take on DIY basement noize for years at this point, and for our money should be more than just a cult figure. "Suite ONE" is a brief, toned taster of Glass's idiosyncratic palo santo scented fuzz - two radio-length heavy hitters that extend their message without requiring the commitment of their more generous epics.
'Peach And Black' is constructed from a sample of Lightnin' Rod and Kool & the Gang's 'Sport' and lays bare Glass's aesthetic while also referencing Prince. The beat will be familiar to anyone with even a cursory knowledge of rap history, having been rinsed by everyone from the Wu-Tang Clan and Eazy-E to The Prodigy and Luke Vibert, so cleverly nods to checkered pop history while simultaneously dragging it into an unstable present. Glass's pinched moans cut into a rolling beat that's somewhere between Silver Apples and Yves Tumor, but there are few artists who can match their energy - they're as antagonistic as Merzbow but direct that spirit towards the mosh pit, not the back room.
'In Due Time' is an appropriate foil, emphasizing Glass's enthusiasm for ear-splitting shoegaze density, layering harmonic distortion over a dubbed-out sample of Lee 'Scratch' Perry's 'Justice to the People'. Essential material.
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Perennially underrated NYC noise deity Dreamcrusher crash lands on PTP once again with a two-headed collision of raw, expressive vocals, screaming feedback and sub-heavy beats. They're standing at the intersection of no wave, DIY noise, punk, dub and shoegaze - we get to watch.
If you've seen Dreamcrusher live or heard their last two PTP drops - the jaw-unhooking "Another Country" and "Panopticon!" - you'll likely have thrown this one in the cart already. Luwayne Glass has been challenging audiences with their confrontational, emotional take on DIY basement noize for years at this point, and for our money should be more than just a cult figure. "Suite ONE" is a brief, toned taster of Glass's idiosyncratic palo santo scented fuzz - two radio-length heavy hitters that extend their message without requiring the commitment of their more generous epics.
'Peach And Black' is constructed from a sample of Lightnin' Rod and Kool & the Gang's 'Sport' and lays bare Glass's aesthetic while also referencing Prince. The beat will be familiar to anyone with even a cursory knowledge of rap history, having been rinsed by everyone from the Wu-Tang Clan and Eazy-E to The Prodigy and Luke Vibert, so cleverly nods to checkered pop history while simultaneously dragging it into an unstable present. Glass's pinched moans cut into a rolling beat that's somewhere between Silver Apples and Yves Tumor, but there are few artists who can match their energy - they're as antagonistic as Merzbow but direct that spirit towards the mosh pit, not the back room.
'In Due Time' is an appropriate foil, emphasizing Glass's enthusiasm for ear-splitting shoegaze density, layering harmonic distortion over a dubbed-out sample of Lee 'Scratch' Perry's 'Justice to the People'. Essential material.
Perennially underrated NYC noise deity Dreamcrusher crash lands on PTP once again with a two-headed collision of raw, expressive vocals, screaming feedback and sub-heavy beats. They're standing at the intersection of no wave, DIY noise, punk, dub and shoegaze - we get to watch.
If you've seen Dreamcrusher live or heard their last two PTP drops - the jaw-unhooking "Another Country" and "Panopticon!" - you'll likely have thrown this one in the cart already. Luwayne Glass has been challenging audiences with their confrontational, emotional take on DIY basement noize for years at this point, and for our money should be more than just a cult figure. "Suite ONE" is a brief, toned taster of Glass's idiosyncratic palo santo scented fuzz - two radio-length heavy hitters that extend their message without requiring the commitment of their more generous epics.
'Peach And Black' is constructed from a sample of Lightnin' Rod and Kool & the Gang's 'Sport' and lays bare Glass's aesthetic while also referencing Prince. The beat will be familiar to anyone with even a cursory knowledge of rap history, having been rinsed by everyone from the Wu-Tang Clan and Eazy-E to The Prodigy and Luke Vibert, so cleverly nods to checkered pop history while simultaneously dragging it into an unstable present. Glass's pinched moans cut into a rolling beat that's somewhere between Silver Apples and Yves Tumor, but there are few artists who can match their energy - they're as antagonistic as Merzbow but direct that spirit towards the mosh pit, not the back room.
'In Due Time' is an appropriate foil, emphasizing Glass's enthusiasm for ear-splitting shoegaze density, layering harmonic distortion over a dubbed-out sample of Lee 'Scratch' Perry's 'Justice to the People'. Essential material.
Perennially underrated NYC noise deity Dreamcrusher crash lands on PTP once again with a two-headed collision of raw, expressive vocals, screaming feedback and sub-heavy beats. They're standing at the intersection of no wave, DIY noise, punk, dub and shoegaze - we get to watch.
If you've seen Dreamcrusher live or heard their last two PTP drops - the jaw-unhooking "Another Country" and "Panopticon!" - you'll likely have thrown this one in the cart already. Luwayne Glass has been challenging audiences with their confrontational, emotional take on DIY basement noize for years at this point, and for our money should be more than just a cult figure. "Suite ONE" is a brief, toned taster of Glass's idiosyncratic palo santo scented fuzz - two radio-length heavy hitters that extend their message without requiring the commitment of their more generous epics.
'Peach And Black' is constructed from a sample of Lightnin' Rod and Kool & the Gang's 'Sport' and lays bare Glass's aesthetic while also referencing Prince. The beat will be familiar to anyone with even a cursory knowledge of rap history, having been rinsed by everyone from the Wu-Tang Clan and Eazy-E to The Prodigy and Luke Vibert, so cleverly nods to checkered pop history while simultaneously dragging it into an unstable present. Glass's pinched moans cut into a rolling beat that's somewhere between Silver Apples and Yves Tumor, but there are few artists who can match their energy - they're as antagonistic as Merzbow but direct that spirit towards the mosh pit, not the back room.
'In Due Time' is an appropriate foil, emphasizing Glass's enthusiasm for ear-splitting shoegaze density, layering harmonic distortion over a dubbed-out sample of Lee 'Scratch' Perry's 'Justice to the People'. Essential material.