Sleep & OM’s Al Cisneros serves manna for stoners with two rootsy, mystic dubs in the mode of his recent split with The Bug
The double A-sided ‘Suicide of Judas / Akeldama’ marks a decade of Cisneros indulging his passion for roots reggae dub after carving his name in the stoner rock hall of fame with Sleep, then Om, between the ‘90s and ’00s. His dub works naturally transpose the slow and heavy intensities of his rock records into loosely related frameworks with more attention given to the low and high end registers rather than rock’s usual midrange.
On ’Suicide of Judas’ he summons really roots reggae’s biblical references with a moody procession of slack-stringed bassline riff and wickedly lagging rock drums perfused with rolling nyabinghi percussion and hazy horns, whereas ‘Akeldama’ really opens out the dub FX envelopes on the same riddim with headier, air-stepping effect for those who haven’t smoked too much and can still lift up a leg.
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Sleep & OM’s Al Cisneros serves manna for stoners with two rootsy, mystic dubs in the mode of his recent split with The Bug
The double A-sided ‘Suicide of Judas / Akeldama’ marks a decade of Cisneros indulging his passion for roots reggae dub after carving his name in the stoner rock hall of fame with Sleep, then Om, between the ‘90s and ’00s. His dub works naturally transpose the slow and heavy intensities of his rock records into loosely related frameworks with more attention given to the low and high end registers rather than rock’s usual midrange.
On ’Suicide of Judas’ he summons really roots reggae’s biblical references with a moody procession of slack-stringed bassline riff and wickedly lagging rock drums perfused with rolling nyabinghi percussion and hazy horns, whereas ‘Akeldama’ really opens out the dub FX envelopes on the same riddim with headier, air-stepping effect for those who haven’t smoked too much and can still lift up a leg.
Sleep & OM’s Al Cisneros serves manna for stoners with two rootsy, mystic dubs in the mode of his recent split with The Bug
The double A-sided ‘Suicide of Judas / Akeldama’ marks a decade of Cisneros indulging his passion for roots reggae dub after carving his name in the stoner rock hall of fame with Sleep, then Om, between the ‘90s and ’00s. His dub works naturally transpose the slow and heavy intensities of his rock records into loosely related frameworks with more attention given to the low and high end registers rather than rock’s usual midrange.
On ’Suicide of Judas’ he summons really roots reggae’s biblical references with a moody procession of slack-stringed bassline riff and wickedly lagging rock drums perfused with rolling nyabinghi percussion and hazy horns, whereas ‘Akeldama’ really opens out the dub FX envelopes on the same riddim with headier, air-stepping effect for those who haven’t smoked too much and can still lift up a leg.
Sleep & OM’s Al Cisneros serves manna for stoners with two rootsy, mystic dubs in the mode of his recent split with The Bug
The double A-sided ‘Suicide of Judas / Akeldama’ marks a decade of Cisneros indulging his passion for roots reggae dub after carving his name in the stoner rock hall of fame with Sleep, then Om, between the ‘90s and ’00s. His dub works naturally transpose the slow and heavy intensities of his rock records into loosely related frameworks with more attention given to the low and high end registers rather than rock’s usual midrange.
On ’Suicide of Judas’ he summons really roots reggae’s biblical references with a moody procession of slack-stringed bassline riff and wickedly lagging rock drums perfused with rolling nyabinghi percussion and hazy horns, whereas ‘Akeldama’ really opens out the dub FX envelopes on the same riddim with headier, air-stepping effect for those who haven’t smoked too much and can still lift up a leg.
Blue coloured vinyl.
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Sleep & OM’s Al Cisneros serves manna for stoners with two rootsy, mystic dubs in the mode of his recent split with The Bug
The double A-sided ‘Suicide of Judas / Akeldama’ marks a decade of Cisneros indulging his passion for roots reggae dub after carving his name in the stoner rock hall of fame with Sleep, then Om, between the ‘90s and ’00s. His dub works naturally transpose the slow and heavy intensities of his rock records into loosely related frameworks with more attention given to the low and high end registers rather than rock’s usual midrange.
On ’Suicide of Judas’ he summons really roots reggae’s biblical references with a moody procession of slack-stringed bassline riff and wickedly lagging rock drums perfused with rolling nyabinghi percussion and hazy horns, whereas ‘Akeldama’ really opens out the dub FX envelopes on the same riddim with headier, air-stepping effect for those who haven’t smoked too much and can still lift up a leg.