Portugal's Crónica label presents a captivating showcase from Montreal-based electro-acoustic composer, Nicholas Bernier. His work here is defined by a predilection for the glassiest, most tensile string sounds, exploring a range of piercing hi-end frequencies with an innately tactile sensuality. The shortest of these, 'Line (Strings)', sets a filigree balance between organically textured sound and ultra-subte digital processing, manifested in a tense, tentative opening. 'Line (A)' is more dynamic, electro-acoustically speaking, expanding his range of textures and sonorities to perfume the space with intensely sharp highs and distant granular crackles forming into drifts of neo-classical moods. 'Line (B)' is more sublime and tender with a magical flourish of harmonics hidden at its core, while 'Line (C)' introduces fragile, clipped rhythms. 'Lines (Horizon)' is the most full-bodied of the lot, fleshing out the lower registers with hovering grey drones while the foreground subsides from shards of sustained strings to slowly bowed cello. Sublime.
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Portugal's Crónica label presents a captivating showcase from Montreal-based electro-acoustic composer, Nicholas Bernier. His work here is defined by a predilection for the glassiest, most tensile string sounds, exploring a range of piercing hi-end frequencies with an innately tactile sensuality. The shortest of these, 'Line (Strings)', sets a filigree balance between organically textured sound and ultra-subte digital processing, manifested in a tense, tentative opening. 'Line (A)' is more dynamic, electro-acoustically speaking, expanding his range of textures and sonorities to perfume the space with intensely sharp highs and distant granular crackles forming into drifts of neo-classical moods. 'Line (B)' is more sublime and tender with a magical flourish of harmonics hidden at its core, while 'Line (C)' introduces fragile, clipped rhythms. 'Lines (Horizon)' is the most full-bodied of the lot, fleshing out the lower registers with hovering grey drones while the foreground subsides from shards of sustained strings to slowly bowed cello. Sublime.
Portugal's Crónica label presents a captivating showcase from Montreal-based electro-acoustic composer, Nicholas Bernier. His work here is defined by a predilection for the glassiest, most tensile string sounds, exploring a range of piercing hi-end frequencies with an innately tactile sensuality. The shortest of these, 'Line (Strings)', sets a filigree balance between organically textured sound and ultra-subte digital processing, manifested in a tense, tentative opening. 'Line (A)' is more dynamic, electro-acoustically speaking, expanding his range of textures and sonorities to perfume the space with intensely sharp highs and distant granular crackles forming into drifts of neo-classical moods. 'Line (B)' is more sublime and tender with a magical flourish of harmonics hidden at its core, while 'Line (C)' introduces fragile, clipped rhythms. 'Lines (Horizon)' is the most full-bodied of the lot, fleshing out the lower registers with hovering grey drones while the foreground subsides from shards of sustained strings to slowly bowed cello. Sublime.