‘Strata’ catches playful, experimental percussionist Andrea Belfi modestly exploring his quiet side after the motorik lift of ‘Ore’
An esteemed collaborator of everyone from David Grubbs to Kiki Hitomi and Jóhann Jóhannsson, the ambidextrous Belfi possesses a catalogue as wide as it is deep. ‘Strata’ is his first new solo LP since 2017, and is quite possibly the most absorbingly dubbed-out and minimalist example of his intuitive, performance-based approach to percussion and electronics in his 20 years of releases.
Rhythm and sound flows effortlessly from Belfi’s unique synthesis of hypnotic drumming and lissom electronic patterning, diffracted through six parts that never outstay their welcome. Literally and metaphorically, from the track titles to their abstract shape, the music limns the feel of natural contours and broad spaces, and it’s testament to the subtlety and breadth of Belfi’s expressive talents that he evokes their subjects while imaginatively suggesting loads of room for interpretation.
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‘Strata’ catches playful, experimental percussionist Andrea Belfi modestly exploring his quiet side after the motorik lift of ‘Ore’
An esteemed collaborator of everyone from David Grubbs to Kiki Hitomi and Jóhann Jóhannsson, the ambidextrous Belfi possesses a catalogue as wide as it is deep. ‘Strata’ is his first new solo LP since 2017, and is quite possibly the most absorbingly dubbed-out and minimalist example of his intuitive, performance-based approach to percussion and electronics in his 20 years of releases.
Rhythm and sound flows effortlessly from Belfi’s unique synthesis of hypnotic drumming and lissom electronic patterning, diffracted through six parts that never outstay their welcome. Literally and metaphorically, from the track titles to their abstract shape, the music limns the feel of natural contours and broad spaces, and it’s testament to the subtlety and breadth of Belfi’s expressive talents that he evokes their subjects while imaginatively suggesting loads of room for interpretation.
‘Strata’ catches playful, experimental percussionist Andrea Belfi modestly exploring his quiet side after the motorik lift of ‘Ore’
An esteemed collaborator of everyone from David Grubbs to Kiki Hitomi and Jóhann Jóhannsson, the ambidextrous Belfi possesses a catalogue as wide as it is deep. ‘Strata’ is his first new solo LP since 2017, and is quite possibly the most absorbingly dubbed-out and minimalist example of his intuitive, performance-based approach to percussion and electronics in his 20 years of releases.
Rhythm and sound flows effortlessly from Belfi’s unique synthesis of hypnotic drumming and lissom electronic patterning, diffracted through six parts that never outstay their welcome. Literally and metaphorically, from the track titles to their abstract shape, the music limns the feel of natural contours and broad spaces, and it’s testament to the subtlety and breadth of Belfi’s expressive talents that he evokes their subjects while imaginatively suggesting loads of room for interpretation.
‘Strata’ catches playful, experimental percussionist Andrea Belfi modestly exploring his quiet side after the motorik lift of ‘Ore’
An esteemed collaborator of everyone from David Grubbs to Kiki Hitomi and Jóhann Jóhannsson, the ambidextrous Belfi possesses a catalogue as wide as it is deep. ‘Strata’ is his first new solo LP since 2017, and is quite possibly the most absorbingly dubbed-out and minimalist example of his intuitive, performance-based approach to percussion and electronics in his 20 years of releases.
Rhythm and sound flows effortlessly from Belfi’s unique synthesis of hypnotic drumming and lissom electronic patterning, diffracted through six parts that never outstay their welcome. Literally and metaphorically, from the track titles to their abstract shape, the music limns the feel of natural contours and broad spaces, and it’s testament to the subtlety and breadth of Belfi’s expressive talents that he evokes their subjects while imaginatively suggesting loads of room for interpretation.
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‘Strata’ catches playful, experimental percussionist Andrea Belfi modestly exploring his quiet side after the motorik lift of ‘Ore’
An esteemed collaborator of everyone from David Grubbs to Kiki Hitomi and Jóhann Jóhannsson, the ambidextrous Belfi possesses a catalogue as wide as it is deep. ‘Strata’ is his first new solo LP since 2017, and is quite possibly the most absorbingly dubbed-out and minimalist example of his intuitive, performance-based approach to percussion and electronics in his 20 years of releases.
Rhythm and sound flows effortlessly from Belfi’s unique synthesis of hypnotic drumming and lissom electronic patterning, diffracted through six parts that never outstay their welcome. Literally and metaphorically, from the track titles to their abstract shape, the music limns the feel of natural contours and broad spaces, and it’s testament to the subtlety and breadth of Belfi’s expressive talents that he evokes their subjects while imaginatively suggesting loads of room for interpretation.