Banshee guts out the rave feels and replaces with bittersweet introspection on a cranky debut album for his Sychic Rore label, landing somewhere between John T Gast, Burial, and a lo-fi LOTR score
In ’Storm Country’ Banshee’s nagging melodic hooks are still clear and present, but now feel more enervated and smudged into the bigger picture, using subtler sound design and allowing more noise into the mix to bring the album’s broodingly evocative abstract narration to life. From a sore ‘Intro/Storm Country’, thru the mystic wooze of ‘Joyride’, to highlights in the Young Druid-alike medieval motifs of ‘Mr Wymi’ and the pitching orchestral drums of ‘Hel’, or the LOTR set in London suburbs flex of ‘Firestarter’ and his epic ‘Haven’ featuring Sangam; it’s one for former ravers who’ve taken up D&D and watching corny fantasy films during lockdown.
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Banshee guts out the rave feels and replaces with bittersweet introspection on a cranky debut album for his Sychic Rore label, landing somewhere between John T Gast, Burial, and a lo-fi LOTR score
In ’Storm Country’ Banshee’s nagging melodic hooks are still clear and present, but now feel more enervated and smudged into the bigger picture, using subtler sound design and allowing more noise into the mix to bring the album’s broodingly evocative abstract narration to life. From a sore ‘Intro/Storm Country’, thru the mystic wooze of ‘Joyride’, to highlights in the Young Druid-alike medieval motifs of ‘Mr Wymi’ and the pitching orchestral drums of ‘Hel’, or the LOTR set in London suburbs flex of ‘Firestarter’ and his epic ‘Haven’ featuring Sangam; it’s one for former ravers who’ve taken up D&D and watching corny fantasy films during lockdown.
Banshee guts out the rave feels and replaces with bittersweet introspection on a cranky debut album for his Sychic Rore label, landing somewhere between John T Gast, Burial, and a lo-fi LOTR score
In ’Storm Country’ Banshee’s nagging melodic hooks are still clear and present, but now feel more enervated and smudged into the bigger picture, using subtler sound design and allowing more noise into the mix to bring the album’s broodingly evocative abstract narration to life. From a sore ‘Intro/Storm Country’, thru the mystic wooze of ‘Joyride’, to highlights in the Young Druid-alike medieval motifs of ‘Mr Wymi’ and the pitching orchestral drums of ‘Hel’, or the LOTR set in London suburbs flex of ‘Firestarter’ and his epic ‘Haven’ featuring Sangam; it’s one for former ravers who’ve taken up D&D and watching corny fantasy films during lockdown.
Banshee guts out the rave feels and replaces with bittersweet introspection on a cranky debut album for his Sychic Rore label, landing somewhere between John T Gast, Burial, and a lo-fi LOTR score
In ’Storm Country’ Banshee’s nagging melodic hooks are still clear and present, but now feel more enervated and smudged into the bigger picture, using subtler sound design and allowing more noise into the mix to bring the album’s broodingly evocative abstract narration to life. From a sore ‘Intro/Storm Country’, thru the mystic wooze of ‘Joyride’, to highlights in the Young Druid-alike medieval motifs of ‘Mr Wymi’ and the pitching orchestral drums of ‘Hel’, or the LOTR set in London suburbs flex of ‘Firestarter’ and his epic ‘Haven’ featuring Sangam; it’s one for former ravers who’ve taken up D&D and watching corny fantasy films during lockdown.