Standing/Engraving
Wistful solo guitar soundscaping by Jean De Lacoste, smudging lonesome strings with field recordings and electronics into thinly knots and more plangent, contemplative scenarios.
Via Belgium’s Vlek, Jean D.L. follows decades of work with Julia Kent, Lee Ranaldo, Rutger Zuydervelt and many more with a definitively scuzzy self-portrait hashed from slow burning bluesy guitar thoughts and atmospheric interruptions that speak to the breadth of his background.
A certain, stoic but warm Lowlands frame of mind guides him from longer tracts of textural sketching and sculptural note bending in ‘Standing’ to the widescreen nocturnal reverberations of ‘Basement with Dark Carpet’, via abstracted blues lodged somewhere between Loren Connors and Jozef van Wissem on the mulched chamber music of ‘Yde - First Detour’, which appears as though reprised from a chilly balcony in its Second Detour, and leaves the frosted plucks of ‘Engraving’ to linger on crisp air.
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Wistful solo guitar soundscaping by Jean De Lacoste, smudging lonesome strings with field recordings and electronics into thinly knots and more plangent, contemplative scenarios.
Via Belgium’s Vlek, Jean D.L. follows decades of work with Julia Kent, Lee Ranaldo, Rutger Zuydervelt and many more with a definitively scuzzy self-portrait hashed from slow burning bluesy guitar thoughts and atmospheric interruptions that speak to the breadth of his background.
A certain, stoic but warm Lowlands frame of mind guides him from longer tracts of textural sketching and sculptural note bending in ‘Standing’ to the widescreen nocturnal reverberations of ‘Basement with Dark Carpet’, via abstracted blues lodged somewhere between Loren Connors and Jozef van Wissem on the mulched chamber music of ‘Yde - First Detour’, which appears as though reprised from a chilly balcony in its Second Detour, and leaves the frosted plucks of ‘Engraving’ to linger on crisp air.
Wistful solo guitar soundscaping by Jean De Lacoste, smudging lonesome strings with field recordings and electronics into thinly knots and more plangent, contemplative scenarios.
Via Belgium’s Vlek, Jean D.L. follows decades of work with Julia Kent, Lee Ranaldo, Rutger Zuydervelt and many more with a definitively scuzzy self-portrait hashed from slow burning bluesy guitar thoughts and atmospheric interruptions that speak to the breadth of his background.
A certain, stoic but warm Lowlands frame of mind guides him from longer tracts of textural sketching and sculptural note bending in ‘Standing’ to the widescreen nocturnal reverberations of ‘Basement with Dark Carpet’, via abstracted blues lodged somewhere between Loren Connors and Jozef van Wissem on the mulched chamber music of ‘Yde - First Detour’, which appears as though reprised from a chilly balcony in its Second Detour, and leaves the frosted plucks of ‘Engraving’ to linger on crisp air.
Wistful solo guitar soundscaping by Jean De Lacoste, smudging lonesome strings with field recordings and electronics into thinly knots and more plangent, contemplative scenarios.
Via Belgium’s Vlek, Jean D.L. follows decades of work with Julia Kent, Lee Ranaldo, Rutger Zuydervelt and many more with a definitively scuzzy self-portrait hashed from slow burning bluesy guitar thoughts and atmospheric interruptions that speak to the breadth of his background.
A certain, stoic but warm Lowlands frame of mind guides him from longer tracts of textural sketching and sculptural note bending in ‘Standing’ to the widescreen nocturnal reverberations of ‘Basement with Dark Carpet’, via abstracted blues lodged somewhere between Loren Connors and Jozef van Wissem on the mulched chamber music of ‘Yde - First Detour’, which appears as though reprised from a chilly balcony in its Second Detour, and leaves the frosted plucks of ‘Engraving’ to linger on crisp air.
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Wistful solo guitar soundscaping by Jean De Lacoste, smudging lonesome strings with field recordings and electronics into thinly knots and more plangent, contemplative scenarios.
Via Belgium’s Vlek, Jean D.L. follows decades of work with Julia Kent, Lee Ranaldo, Rutger Zuydervelt and many more with a definitively scuzzy self-portrait hashed from slow burning bluesy guitar thoughts and atmospheric interruptions that speak to the breadth of his background.
A certain, stoic but warm Lowlands frame of mind guides him from longer tracts of textural sketching and sculptural note bending in ‘Standing’ to the widescreen nocturnal reverberations of ‘Basement with Dark Carpet’, via abstracted blues lodged somewhere between Loren Connors and Jozef van Wissem on the mulched chamber music of ‘Yde - First Detour’, which appears as though reprised from a chilly balcony in its Second Detour, and leaves the frosted plucks of ‘Engraving’ to linger on crisp air.
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Wistful solo guitar soundscaping by Jean De Lacoste, smudging lonesome strings with field recordings and electronics into thinly knots and more plangent, contemplative scenarios.
Via Belgium’s Vlek, Jean D.L. follows decades of work with Julia Kent, Lee Ranaldo, Rutger Zuydervelt and many more with a definitively scuzzy self-portrait hashed from slow burning bluesy guitar thoughts and atmospheric interruptions that speak to the breadth of his background.
A certain, stoic but warm Lowlands frame of mind guides him from longer tracts of textural sketching and sculptural note bending in ‘Standing’ to the widescreen nocturnal reverberations of ‘Basement with Dark Carpet’, via abstracted blues lodged somewhere between Loren Connors and Jozef van Wissem on the mulched chamber music of ‘Yde - First Detour’, which appears as though reprised from a chilly balcony in its Second Detour, and leaves the frosted plucks of ‘Engraving’ to linger on crisp air.