For the first time in thirty years, iconic electronic music pioneers Vince Clarke (Erasure/Yazoo/Depeche Mode) and Martin Gore (Depeche Mode) reunite for a full length album project. 'SSSS' is a club-dedicated affair taking heavy inspiration from Teutonic Techno and was built part-by-part over email from the duo's respective studios. Their take on contemporary Techno is quite camp, if we're honest, which shouldn't really come as a shock to anyone aware of their tastes. They've got a maximalist approach to the dancefloor, packed with frilly tweaks and throbbing, haughty, macho rhythms. Previous single 'Spock' - acclaimed by The Quietus as "one of the best tracks of 2011" - appears, as does the more recent 'Single Blip', next to the cantering ElectroTechno cruiser 'Windup Robot', the spiked, blurry contours of 'Bendy Bass', the sawtooth synth-driven insistence of 'Aftermaths' and the almost Baroque set-piece 'Flux'. Mixed by Timothy "Q" Wiles, recorded and engineered by Sie Medway Smith and Vince Clarke and mastered by Stefan Betke (aka Pole).
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For the first time in thirty years, iconic electronic music pioneers Vince Clarke (Erasure/Yazoo/Depeche Mode) and Martin Gore (Depeche Mode) reunite for a full length album project. 'SSSS' is a club-dedicated affair taking heavy inspiration from Teutonic Techno and was built part-by-part over email from the duo's respective studios. Their take on contemporary Techno is quite camp, if we're honest, which shouldn't really come as a shock to anyone aware of their tastes. They've got a maximalist approach to the dancefloor, packed with frilly tweaks and throbbing, haughty, macho rhythms. Previous single 'Spock' - acclaimed by The Quietus as "one of the best tracks of 2011" - appears, as does the more recent 'Single Blip', next to the cantering ElectroTechno cruiser 'Windup Robot', the spiked, blurry contours of 'Bendy Bass', the sawtooth synth-driven insistence of 'Aftermaths' and the almost Baroque set-piece 'Flux'. Mixed by Timothy "Q" Wiles, recorded and engineered by Sie Medway Smith and Vince Clarke and mastered by Stefan Betke (aka Pole).
For the first time in thirty years, iconic electronic music pioneers Vince Clarke (Erasure/Yazoo/Depeche Mode) and Martin Gore (Depeche Mode) reunite for a full length album project. 'SSSS' is a club-dedicated affair taking heavy inspiration from Teutonic Techno and was built part-by-part over email from the duo's respective studios. Their take on contemporary Techno is quite camp, if we're honest, which shouldn't really come as a shock to anyone aware of their tastes. They've got a maximalist approach to the dancefloor, packed with frilly tweaks and throbbing, haughty, macho rhythms. Previous single 'Spock' - acclaimed by The Quietus as "one of the best tracks of 2011" - appears, as does the more recent 'Single Blip', next to the cantering ElectroTechno cruiser 'Windup Robot', the spiked, blurry contours of 'Bendy Bass', the sawtooth synth-driven insistence of 'Aftermaths' and the almost Baroque set-piece 'Flux'. Mixed by Timothy "Q" Wiles, recorded and engineered by Sie Medway Smith and Vince Clarke and mastered by Stefan Betke (aka Pole).
For the first time in thirty years, iconic electronic music pioneers Vince Clarke (Erasure/Yazoo/Depeche Mode) and Martin Gore (Depeche Mode) reunite for a full length album project. 'SSSS' is a club-dedicated affair taking heavy inspiration from Teutonic Techno and was built part-by-part over email from the duo's respective studios. Their take on contemporary Techno is quite camp, if we're honest, which shouldn't really come as a shock to anyone aware of their tastes. They've got a maximalist approach to the dancefloor, packed with frilly tweaks and throbbing, haughty, macho rhythms. Previous single 'Spock' - acclaimed by The Quietus as "one of the best tracks of 2011" - appears, as does the more recent 'Single Blip', next to the cantering ElectroTechno cruiser 'Windup Robot', the spiked, blurry contours of 'Bendy Bass', the sawtooth synth-driven insistence of 'Aftermaths' and the almost Baroque set-piece 'Flux'. Mixed by Timothy "Q" Wiles, recorded and engineered by Sie Medway Smith and Vince Clarke and mastered by Stefan Betke (aka Pole).
Limited Edition Orange Vinyl 2LP.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
For the first time in thirty years, iconic electronic music pioneers Vince Clarke (Erasure/Yazoo/Depeche Mode) and Martin Gore (Depeche Mode) reunite for a full length album project. 'SSSS' is a club-dedicated affair taking heavy inspiration from Teutonic Techno and was built part-by-part over email from the duo's respective studios. Their take on contemporary Techno is quite camp, if we're honest, which shouldn't really come as a shock to anyone aware of their tastes. They've got a maximalist approach to the dancefloor, packed with frilly tweaks and throbbing, haughty, macho rhythms. Previous single 'Spock' - acclaimed by The Quietus as "one of the best tracks of 2011" - appears, as does the more recent 'Single Blip', next to the cantering ElectroTechno cruiser 'Windup Robot', the spiked, blurry contours of 'Bendy Bass', the sawtooth synth-driven insistence of 'Aftermaths' and the almost Baroque set-piece 'Flux'. Mixed by Timothy "Q" Wiles, recorded and engineered by Sie Medway Smith and Vince Clarke and mastered by Stefan Betke (aka Pole).
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
For the first time in thirty years, iconic electronic music pioneers Vince Clarke (Erasure/Yazoo/Depeche Mode) and Martin Gore (Depeche Mode) reunite for a full length album project. 'SSSS' is a club-dedicated affair taking heavy inspiration from Teutonic Techno and was built part-by-part over email from the duo's respective studios. Their take on contemporary Techno is quite camp, if we're honest, which shouldn't really come as a shock to anyone aware of their tastes. They've got a maximalist approach to the dancefloor, packed with frilly tweaks and throbbing, haughty, macho rhythms. Previous single 'Spock' - acclaimed by The Quietus as "one of the best tracks of 2011" - appears, as does the more recent 'Single Blip', next to the cantering ElectroTechno cruiser 'Windup Robot', the spiked, blurry contours of 'Bendy Bass', the sawtooth synth-driven insistence of 'Aftermaths' and the almost Baroque set-piece 'Flux'. Mixed by Timothy "Q" Wiles, recorded and engineered by Sie Medway Smith and Vince Clarke and mastered by Stefan Betke (aka Pole).