Spectra Ex Machina: A Sound Anthology of Occult Phenomena 1920-2017 Vol.1
Sub Rosa double down on their paranormal investigations with Philippe Baudouin’s newly expanded edition of ‘Spectra Ex Machina’, spanning pieces shared with a well known 2007 set ‘Okkulte Stimmen - Mediale Musik’ and works from private collections previously unreleased on any format - some genuinely unsettling sounds inside
‘Spectra Ex Machina: A Sound Anthology of Occult Phenomena 1920-2017’ is a superb reliquary of rare documents that trace the history of recorded parapsychology through the exploration of spiritualism and haunted houses, musician mediums, experiences of extrasensory perceptions (clairvoyance, psychokinesis, etc.), and electronic voice phenomena (EVP). It shares much material and a timeline with ‘Okkulte Stimmen – Mediale Musik (Recordings Of Unseen Intelligences 1905-2007)’, an equally remarkable set that has been sampled by Mark Fell on his ‘Manitutshu’ album, and has kept us coming back to touch base with the spirit world over the years (even literally visiting one of its sites of recording IRL). Whether one is a believer or not, the results are just as fascinating as documents of human nature as they are as transmissions from the “other side.”
For one of its most genuinely unsettling moments, check ‘Voice produced by Janet Hodgson during a trance [Enfield, England, January-February 1978]’, which sounds like an inspiration for The League of Gentlemen’s Papa Lazarou, and likewise the poltergeist captured on tape in ‘Knocking Phenomena [Germany, 1974]’, or the subconscious-pricking manifestation of a dead pilot in ‘Jack Sutton and the “haunted airfield” [Norfolk, England, c. 1980]’ form the first volume. Of the new pieces in vol.2, we discover a ’Seance with Elvis’ conducted by David Behr in 1979, passages of possessed croon like a V/Vm audity, and even notorious spoon bender Uri Geller’s poetry on ‘I Cannot Answer You (1974)’, along with the eerie as heck exotica of Joe Meek ‘I Hear a New World’ (1960), appearances by legendary occultists Aleister Crowley and Anton LaVey, and a spellbinding ‘Witch’s Love Song’ (1971) by Barbara The Gray Witch.
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Sub Rosa double down on their paranormal investigations with Philippe Baudouin’s newly expanded edition of ‘Spectra Ex Machina’, spanning pieces shared with a well known 2007 set ‘Okkulte Stimmen - Mediale Musik’ and works from private collections previously unreleased on any format - some genuinely unsettling sounds inside
‘Spectra Ex Machina: A Sound Anthology of Occult Phenomena 1920-2017’ is a superb reliquary of rare documents that trace the history of recorded parapsychology through the exploration of spiritualism and haunted houses, musician mediums, experiences of extrasensory perceptions (clairvoyance, psychokinesis, etc.), and electronic voice phenomena (EVP). It shares much material and a timeline with ‘Okkulte Stimmen – Mediale Musik (Recordings Of Unseen Intelligences 1905-2007)’, an equally remarkable set that has been sampled by Mark Fell on his ‘Manitutshu’ album, and has kept us coming back to touch base with the spirit world over the years (even literally visiting one of its sites of recording IRL). Whether one is a believer or not, the results are just as fascinating as documents of human nature as they are as transmissions from the “other side.”
For one of its most genuinely unsettling moments, check ‘Voice produced by Janet Hodgson during a trance [Enfield, England, January-February 1978]’, which sounds like an inspiration for The League of Gentlemen’s Papa Lazarou, and likewise the poltergeist captured on tape in ‘Knocking Phenomena [Germany, 1974]’, or the subconscious-pricking manifestation of a dead pilot in ‘Jack Sutton and the “haunted airfield” [Norfolk, England, c. 1980]’ form the first volume. Of the new pieces in vol.2, we discover a ’Seance with Elvis’ conducted by David Behr in 1979, passages of possessed croon like a V/Vm audity, and even notorious spoon bender Uri Geller’s poetry on ‘I Cannot Answer You (1974)’, along with the eerie as heck exotica of Joe Meek ‘I Hear a New World’ (1960), appearances by legendary occultists Aleister Crowley and Anton LaVey, and a spellbinding ‘Witch’s Love Song’ (1971) by Barbara The Gray Witch.
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Sub Rosa double down on their paranormal investigations with Philippe Baudouin’s newly expanded edition of ‘Spectra Ex Machina’, spanning pieces shared with a well known 2007 set ‘Okkulte Stimmen - Mediale Musik’ and works from private collections previously unreleased on any format - some genuinely unsettling sounds inside
‘Spectra Ex Machina: A Sound Anthology of Occult Phenomena 1920-2017’ is a superb reliquary of rare documents that trace the history of recorded parapsychology through the exploration of spiritualism and haunted houses, musician mediums, experiences of extrasensory perceptions (clairvoyance, psychokinesis, etc.), and electronic voice phenomena (EVP). It shares much material and a timeline with ‘Okkulte Stimmen – Mediale Musik (Recordings Of Unseen Intelligences 1905-2007)’, an equally remarkable set that has been sampled by Mark Fell on his ‘Manitutshu’ album, and has kept us coming back to touch base with the spirit world over the years (even literally visiting one of its sites of recording IRL). Whether one is a believer or not, the results are just as fascinating as documents of human nature as they are as transmissions from the “other side.”
For one of its most genuinely unsettling moments, check ‘Voice produced by Janet Hodgson during a trance [Enfield, England, January-February 1978]’, which sounds like an inspiration for The League of Gentlemen’s Papa Lazarou, and likewise the poltergeist captured on tape in ‘Knocking Phenomena [Germany, 1974]’, or the subconscious-pricking manifestation of a dead pilot in ‘Jack Sutton and the “haunted airfield” [Norfolk, England, c. 1980]’ form the first volume. Of the new pieces in vol.2, we discover a ’Seance with Elvis’ conducted by David Behr in 1979, passages of possessed croon like a V/Vm audity, and even notorious spoon bender Uri Geller’s poetry on ‘I Cannot Answer You (1974)’, along with the eerie as heck exotica of Joe Meek ‘I Hear a New World’ (1960), appearances by legendary occultists Aleister Crowley and Anton LaVey, and a spellbinding ‘Witch’s Love Song’ (1971) by Barbara The Gray Witch.