LA’s Ahnnu lets his mind, and now yours, wander among the smeared dream sequence of Special Forces, his 2nd album for NNA Tapes and the follow-up to a pair of albums with Leaving Records.
Grubbing around the liminal edges of hip hop, ambient and electronic jazz frameworks, he yields a frayed patchwork of ideas best suited to low volume listening as a sort of Satie-esque wallpaper music, finding contemporary parallels in the faded designs of Huerco S’ Pendant output, or the dusty flickers of Bellow/Giuseppe Ielasi.
It’s a sound to put on in the background and quickly forget you did so, allowing it to perfuse your listening space like some experimental olfactory sonics or a series of subtly morphing screensavers for your living room.
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LA’s Ahnnu lets his mind, and now yours, wander among the smeared dream sequence of Special Forces, his 2nd album for NNA Tapes and the follow-up to a pair of albums with Leaving Records.
Grubbing around the liminal edges of hip hop, ambient and electronic jazz frameworks, he yields a frayed patchwork of ideas best suited to low volume listening as a sort of Satie-esque wallpaper music, finding contemporary parallels in the faded designs of Huerco S’ Pendant output, or the dusty flickers of Bellow/Giuseppe Ielasi.
It’s a sound to put on in the background and quickly forget you did so, allowing it to perfuse your listening space like some experimental olfactory sonics or a series of subtly morphing screensavers for your living room.
LA’s Ahnnu lets his mind, and now yours, wander among the smeared dream sequence of Special Forces, his 2nd album for NNA Tapes and the follow-up to a pair of albums with Leaving Records.
Grubbing around the liminal edges of hip hop, ambient and electronic jazz frameworks, he yields a frayed patchwork of ideas best suited to low volume listening as a sort of Satie-esque wallpaper music, finding contemporary parallels in the faded designs of Huerco S’ Pendant output, or the dusty flickers of Bellow/Giuseppe Ielasi.
It’s a sound to put on in the background and quickly forget you did so, allowing it to perfuse your listening space like some experimental olfactory sonics or a series of subtly morphing screensavers for your living room.
LA’s Ahnnu lets his mind, and now yours, wander among the smeared dream sequence of Special Forces, his 2nd album for NNA Tapes and the follow-up to a pair of albums with Leaving Records.
Grubbing around the liminal edges of hip hop, ambient and electronic jazz frameworks, he yields a frayed patchwork of ideas best suited to low volume listening as a sort of Satie-esque wallpaper music, finding contemporary parallels in the faded designs of Huerco S’ Pendant output, or the dusty flickers of Bellow/Giuseppe Ielasi.
It’s a sound to put on in the background and quickly forget you did so, allowing it to perfuse your listening space like some experimental olfactory sonics or a series of subtly morphing screensavers for your living room.
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LA’s Ahnnu lets his mind, and now yours, wander among the smeared dream sequence of Special Forces, his 2nd album for NNA Tapes and the follow-up to a pair of albums with Leaving Records.
Grubbing around the liminal edges of hip hop, ambient and electronic jazz frameworks, he yields a frayed patchwork of ideas best suited to low volume listening as a sort of Satie-esque wallpaper music, finding contemporary parallels in the faded designs of Huerco S’ Pendant output, or the dusty flickers of Bellow/Giuseppe Ielasi.
It’s a sound to put on in the background and quickly forget you did so, allowing it to perfuse your listening space like some experimental olfactory sonics or a series of subtly morphing screensavers for your living room.