Nerve-rattling electro and cyber-punk from Travis Galloway (Traag, All Gone Records) in Siobhan mode for Opal Tapes. The title of 'Southgate' refers to a nefarious area of his home city, Michigan, and signifies a broke, rusty industrial aesthetic that creeps under the skin like crack bugs in a Philip K Dick novel. The mood is harsh and unforgiving from the sludgy trudge of 'Del Ray '97' to the Mid-West electro-tech shudder of 'Rail Spit', cutting loose on neon-lit city street scenes like some leather-clad golem brought to life by 'Citrac'-era James Ferraro and Cleveland's James Donadio aka Prostitutes. It's at best in the nine minutes of spirit-channelling drones and biting electro found in 'Night School', and trippiest in the swirling ritual of 'Quick In'. One to check for all the scuzzy cyberpunks.
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Nerve-rattling electro and cyber-punk from Travis Galloway (Traag, All Gone Records) in Siobhan mode for Opal Tapes. The title of 'Southgate' refers to a nefarious area of his home city, Michigan, and signifies a broke, rusty industrial aesthetic that creeps under the skin like crack bugs in a Philip K Dick novel. The mood is harsh and unforgiving from the sludgy trudge of 'Del Ray '97' to the Mid-West electro-tech shudder of 'Rail Spit', cutting loose on neon-lit city street scenes like some leather-clad golem brought to life by 'Citrac'-era James Ferraro and Cleveland's James Donadio aka Prostitutes. It's at best in the nine minutes of spirit-channelling drones and biting electro found in 'Night School', and trippiest in the swirling ritual of 'Quick In'. One to check for all the scuzzy cyberpunks.
Nerve-rattling electro and cyber-punk from Travis Galloway (Traag, All Gone Records) in Siobhan mode for Opal Tapes. The title of 'Southgate' refers to a nefarious area of his home city, Michigan, and signifies a broke, rusty industrial aesthetic that creeps under the skin like crack bugs in a Philip K Dick novel. The mood is harsh and unforgiving from the sludgy trudge of 'Del Ray '97' to the Mid-West electro-tech shudder of 'Rail Spit', cutting loose on neon-lit city street scenes like some leather-clad golem brought to life by 'Citrac'-era James Ferraro and Cleveland's James Donadio aka Prostitutes. It's at best in the nine minutes of spirit-channelling drones and biting electro found in 'Night School', and trippiest in the swirling ritual of 'Quick In'. One to check for all the scuzzy cyberpunks.
Nerve-rattling electro and cyber-punk from Travis Galloway (Traag, All Gone Records) in Siobhan mode for Opal Tapes. The title of 'Southgate' refers to a nefarious area of his home city, Michigan, and signifies a broke, rusty industrial aesthetic that creeps under the skin like crack bugs in a Philip K Dick novel. The mood is harsh and unforgiving from the sludgy trudge of 'Del Ray '97' to the Mid-West electro-tech shudder of 'Rail Spit', cutting loose on neon-lit city street scenes like some leather-clad golem brought to life by 'Citrac'-era James Ferraro and Cleveland's James Donadio aka Prostitutes. It's at best in the nine minutes of spirit-channelling drones and biting electro found in 'Night School', and trippiest in the swirling ritual of 'Quick In'. One to check for all the scuzzy cyberpunks.
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Nerve-rattling electro and cyber-punk from Travis Galloway (Traag, All Gone Records) in Siobhan mode for Opal Tapes. The title of 'Southgate' refers to a nefarious area of his home city, Michigan, and signifies a broke, rusty industrial aesthetic that creeps under the skin like crack bugs in a Philip K Dick novel. The mood is harsh and unforgiving from the sludgy trudge of 'Del Ray '97' to the Mid-West electro-tech shudder of 'Rail Spit', cutting loose on neon-lit city street scenes like some leather-clad golem brought to life by 'Citrac'-era James Ferraro and Cleveland's James Donadio aka Prostitutes. It's at best in the nine minutes of spirit-channelling drones and biting electro found in 'Night School', and trippiest in the swirling ritual of 'Quick In'. One to check for all the scuzzy cyberpunks.