Shackleton, Appleblim & Peverelist
Soundboy's Gravestone Gets Desecrated by Vandals (Pt. 2 - Remixes)
*PART 2 - FEATURES ALL THE REMIXES FROM THE ORIGINAL DOUBLE CD* Skull Disco reaches it's final catalogue number with the final nail in the coffin on 'Soundboy's Gravestone Gets Desecrated By Vandals', collating a selection of accompanying remixes from the likes of T++, Rupture, Geiom, Brendon Moeller, and Bass Clef. The set starts with T++'s techno enhanced remix of 'Vansan' and further cementing the Berlin connection with Pole's spatialized dub-scape version of Shack's 'Shortwave'. Peverelist's remix of 'You Bring Me Down' is surely one of the finest dubstepXtechno tracks of the year and is also included alongside the stunning T++ revision of Shack's 'Death Is Not Final', surely one of the tracs of year full stop! The most surprising remix comes from badawi, with a previously unreleased rethink of 'The Rope Tightens'. Raz Mesinai sticks with the original's extended format, but rewires it with a technofied yet meditative version that sounds like 'Polaroid' or 'Cern' era Monolake mixed with sound design approaching Peter Rehberg's frosty scapes for the KTL project. The depth and scope on this one can only be fully appreciated at home on a good system with all the lights out, or equally in a dark warehouse setting, this is riddimic futurism at it's finest. A final mention must be given to the terrific artwork from the mind of Zeke Clough beamed directly from a tower somewhere in deepest darkest Salford, applying the final but essential touch to a stunning package. Massive.
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*PART 2 - FEATURES ALL THE REMIXES FROM THE ORIGINAL DOUBLE CD* Skull Disco reaches it's final catalogue number with the final nail in the coffin on 'Soundboy's Gravestone Gets Desecrated By Vandals', collating a selection of accompanying remixes from the likes of T++, Rupture, Geiom, Brendon Moeller, and Bass Clef. The set starts with T++'s techno enhanced remix of 'Vansan' and further cementing the Berlin connection with Pole's spatialized dub-scape version of Shack's 'Shortwave'. Peverelist's remix of 'You Bring Me Down' is surely one of the finest dubstepXtechno tracks of the year and is also included alongside the stunning T++ revision of Shack's 'Death Is Not Final', surely one of the tracs of year full stop! The most surprising remix comes from badawi, with a previously unreleased rethink of 'The Rope Tightens'. Raz Mesinai sticks with the original's extended format, but rewires it with a technofied yet meditative version that sounds like 'Polaroid' or 'Cern' era Monolake mixed with sound design approaching Peter Rehberg's frosty scapes for the KTL project. The depth and scope on this one can only be fully appreciated at home on a good system with all the lights out, or equally in a dark warehouse setting, this is riddimic futurism at it's finest. A final mention must be given to the terrific artwork from the mind of Zeke Clough beamed directly from a tower somewhere in deepest darkest Salford, applying the final but essential touch to a stunning package. Massive.
*PART 2 - FEATURES ALL THE REMIXES FROM THE ORIGINAL DOUBLE CD* Skull Disco reaches it's final catalogue number with the final nail in the coffin on 'Soundboy's Gravestone Gets Desecrated By Vandals', collating a selection of accompanying remixes from the likes of T++, Rupture, Geiom, Brendon Moeller, and Bass Clef. The set starts with T++'s techno enhanced remix of 'Vansan' and further cementing the Berlin connection with Pole's spatialized dub-scape version of Shack's 'Shortwave'. Peverelist's remix of 'You Bring Me Down' is surely one of the finest dubstepXtechno tracks of the year and is also included alongside the stunning T++ revision of Shack's 'Death Is Not Final', surely one of the tracs of year full stop! The most surprising remix comes from badawi, with a previously unreleased rethink of 'The Rope Tightens'. Raz Mesinai sticks with the original's extended format, but rewires it with a technofied yet meditative version that sounds like 'Polaroid' or 'Cern' era Monolake mixed with sound design approaching Peter Rehberg's frosty scapes for the KTL project. The depth and scope on this one can only be fully appreciated at home on a good system with all the lights out, or equally in a dark warehouse setting, this is riddimic futurism at it's finest. A final mention must be given to the terrific artwork from the mind of Zeke Clough beamed directly from a tower somewhere in deepest darkest Salford, applying the final but essential touch to a stunning package. Massive.