Sound Storing Machines: The First 78rpm Records from Japan, 1903-1912
Includes the first commercial recordings from Asia made in Japan in 1903 - Japanese gagaku, shakuhachi, shamisen, storytelling, folksong and more - Collected and compiled by sound artist Robert Millis - The beginning of Japan’s homegrown record industry, including a few sides taken from Japan’s notorious bootleg 78rpm industry.
Compiled by sound artist Robert Millis from recordings made by Fred Gaisberg, a legendary producer and recording engineer who travelled the world working for the Gramophone Company (later His Masters Voice), these collected gems offer a return trip to the now-distant past. Swaddled in a dreamlike haze of surface noise that emphasises their alien allure and peculiarity, the set is all the more remarkable for the fact it was recorded only a decade after flat disc recording and playback technology was invented as a successor to Edison’s wax cylinder tekkers. For anyone struck by Robert Millis’ sets such as ‘Indian Talking Machine’, ‘Victrola Favourites’, or perhaps most pertinently his deeply cherished ‘Scattered Melodies: Korean Kayagum Sanjo From 78rpm Records’ collection, this set is absolutely required listening.
They cover a gamut of styles and instruments including gagaku, shakuhachi, shamisen, storytelling, folksong and more, each admitting the listener entrance to what is, to these ears, a whole other world, long before Western imperialism went into overdrive. It documents for posterity a number of important voices who took their turn in front of Gaisberg’s recording horn, regaling their tales in a range of disciplines of which some have endured or been revived, while others have been lost to the mists of time. Safe to say one would never stumble across these recordings in the field without mountains of effort, so all credit due to Millis and his multiple trips to Japan for preserving and sharing these utterly beguiling sonic postcards.
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Limited edition LP with two sided insert of liner notes by Robert Millis.
Includes the first commercial recordings from Asia made in Japan in 1903 - Japanese gagaku, shakuhachi, shamisen, storytelling, folksong and more - Collected and compiled by sound artist Robert Millis - The beginning of Japan’s homegrown record industry, including a few sides taken from Japan’s notorious bootleg 78rpm industry.
Compiled by sound artist Robert Millis from recordings made by Fred Gaisberg, a legendary producer and recording engineer who travelled the world working for the Gramophone Company (later His Masters Voice), these collected gems offer a return trip to the now-distant past. Swaddled in a dreamlike haze of surface noise that emphasises their alien allure and peculiarity, the set is all the more remarkable for the fact it was recorded only a decade after flat disc recording and playback technology was invented as a successor to Edison’s wax cylinder tekkers. For anyone struck by Robert Millis’ sets such as ‘Indian Talking Machine’, ‘Victrola Favourites’, or perhaps most pertinently his deeply cherished ‘Scattered Melodies: Korean Kayagum Sanjo From 78rpm Records’ collection, this set is absolutely required listening.
They cover a gamut of styles and instruments including gagaku, shakuhachi, shamisen, storytelling, folksong and more, each admitting the listener entrance to what is, to these ears, a whole other world, long before Western imperialism went into overdrive. It documents for posterity a number of important voices who took their turn in front of Gaisberg’s recording horn, regaling their tales in a range of disciplines of which some have endured or been revived, while others have been lost to the mists of time. Safe to say one would never stumble across these recordings in the field without mountains of effort, so all credit due to Millis and his multiple trips to Japan for preserving and sharing these utterly beguiling sonic postcards.
Estimated Release Date: 07 May 2021
Please note that shipping dates for pre-orders are estimated and are subject to change
Includes the first commercial recordings from Asia made in Japan in 1903 - Japanese gagaku, shakuhachi, shamisen, storytelling, folksong and more - Collected and compiled by sound artist Robert Millis - The beginning of Japan’s homegrown record industry, including a few sides taken from Japan’s notorious bootleg 78rpm industry.
Compiled by sound artist Robert Millis from recordings made by Fred Gaisberg, a legendary producer and recording engineer who travelled the world working for the Gramophone Company (later His Masters Voice), these collected gems offer a return trip to the now-distant past. Swaddled in a dreamlike haze of surface noise that emphasises their alien allure and peculiarity, the set is all the more remarkable for the fact it was recorded only a decade after flat disc recording and playback technology was invented as a successor to Edison’s wax cylinder tekkers. For anyone struck by Robert Millis’ sets such as ‘Indian Talking Machine’, ‘Victrola Favourites’, or perhaps most pertinently his deeply cherished ‘Scattered Melodies: Korean Kayagum Sanjo From 78rpm Records’ collection, this set is absolutely required listening.
They cover a gamut of styles and instruments including gagaku, shakuhachi, shamisen, storytelling, folksong and more, each admitting the listener entrance to what is, to these ears, a whole other world, long before Western imperialism went into overdrive. It documents for posterity a number of important voices who took their turn in front of Gaisberg’s recording horn, regaling their tales in a range of disciplines of which some have endured or been revived, while others have been lost to the mists of time. Safe to say one would never stumble across these recordings in the field without mountains of effort, so all credit due to Millis and his multiple trips to Japan for preserving and sharing these utterly beguiling sonic postcards.