Boomkat Product Review:
Kieran Hebden (Four Tet) gets the best out of his longtime pal, Madlib in an ideal showcase of the master beat breaker’s untouchable, sampledelic style
Tailored for proper end-to-end immersion by Hebden, who’s responsible for the edits, arrangement, and mastering, ‘Sound Ancestors’ weighs in as one of ‘lib’s most distinctive albums, proper, flexing his inimitable style with extra focussed production that really brings his instrumentals to life in an LP context. That’s not to say his previous albums aren’t eminently listenable, but avowed Madlib stan Hebden has really done the hip hop icon proud, drawing from 100s of cuts sent him over the past few years, to render a lushly soulful collection contoured between bumping downstrokes and killlller cuts of syncopated, Afro-Latin suss.
Shy of any voices beyond the samples, the 16 tracks adds up to one of Madlib’s best sets since ‘The Beat Konducta’ series ended a decade ago, reprising that series’ colourful sampledelic tekkers at its best, while flowing with a livewire, jazz-wise quality that’s hard not to get snagged in. Fair to say Hebden’s touch can be felt in the swirling sound design of the album opener, but its a subtler presence as the album unfolds with Madlib’s patented swagger between instant anthem ‘The Call’, and a haul of crooked, club-ready gear such as the almost West London broken beat styles in ‘Loose Goose’, the flighty Afro-fusion of tht title tune and the rare groove move ‘One For Quartabê / Right Now’.