Soul Jazz Records presents ELECTRO THROWDOWN – Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89
Electro special from Soul Jazz, spanning 13 rarer examples of the early ‘80s phenomenon in transition from boogie to its full fledged forms between ’82-’89, leaving disco for dust and steeling streets for the future.
Expert compilers Soul Jazz swerve better known bits in favour of private pressings and indie electro jams that fell thru the cracks, but were nevertheless instrumental in the sound’s development across a PCB-like map of USA in the ‘80s that joined its urban Afro-Latin bastions with jolts of funk. Happy to say most of the material on board has previously escaped our attention, at least, and turns up some absolute jams in the likes of Jazaq’s slow and heavy acid electro monster ‘All Systems Go’ (1985), Pretty Tony’s laser-shotting zinger ‘Fix It In The Mix’, plus the hard, Kraftwerk-sampling future funk of Ozone’s ‘Planetary Deterioration (Electro Mix)’, and a cackling ace ‘Invasion From The Planet Detroit.’ It’s great to grip a remastered digital version of Motor City electro staple ‘Professor X (Saga)’ (1989) up in it, and those who like their electro with naughtier doses of funk and vocoders will be in their bag with the likes of The Rickie Clark Company’s slow and sleazy ‘Time to Throw Down’, or Bill Williams & Bileo’s fruity ‘Robot People’.
Anyone with a thing for early Juan Atkins, Egyptian Lover or Drexciya owes it themselves a dip inside.
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Electro special from Soul Jazz, spanning 13 rarer examples of the early ‘80s phenomenon in transition from boogie to its full fledged forms between ’82-’89, leaving disco for dust and steeling streets for the future.
Expert compilers Soul Jazz swerve better known bits in favour of private pressings and indie electro jams that fell thru the cracks, but were nevertheless instrumental in the sound’s development across a PCB-like map of USA in the ‘80s that joined its urban Afro-Latin bastions with jolts of funk. Happy to say most of the material on board has previously escaped our attention, at least, and turns up some absolute jams in the likes of Jazaq’s slow and heavy acid electro monster ‘All Systems Go’ (1985), Pretty Tony’s laser-shotting zinger ‘Fix It In The Mix’, plus the hard, Kraftwerk-sampling future funk of Ozone’s ‘Planetary Deterioration (Electro Mix)’, and a cackling ace ‘Invasion From The Planet Detroit.’ It’s great to grip a remastered digital version of Motor City electro staple ‘Professor X (Saga)’ (1989) up in it, and those who like their electro with naughtier doses of funk and vocoders will be in their bag with the likes of The Rickie Clark Company’s slow and sleazy ‘Time to Throw Down’, or Bill Williams & Bileo’s fruity ‘Robot People’.
Anyone with a thing for early Juan Atkins, Egyptian Lover or Drexciya owes it themselves a dip inside.
Electro special from Soul Jazz, spanning 13 rarer examples of the early ‘80s phenomenon in transition from boogie to its full fledged forms between ’82-’89, leaving disco for dust and steeling streets for the future.
Expert compilers Soul Jazz swerve better known bits in favour of private pressings and indie electro jams that fell thru the cracks, but were nevertheless instrumental in the sound’s development across a PCB-like map of USA in the ‘80s that joined its urban Afro-Latin bastions with jolts of funk. Happy to say most of the material on board has previously escaped our attention, at least, and turns up some absolute jams in the likes of Jazaq’s slow and heavy acid electro monster ‘All Systems Go’ (1985), Pretty Tony’s laser-shotting zinger ‘Fix It In The Mix’, plus the hard, Kraftwerk-sampling future funk of Ozone’s ‘Planetary Deterioration (Electro Mix)’, and a cackling ace ‘Invasion From The Planet Detroit.’ It’s great to grip a remastered digital version of Motor City electro staple ‘Professor X (Saga)’ (1989) up in it, and those who like their electro with naughtier doses of funk and vocoders will be in their bag with the likes of The Rickie Clark Company’s slow and sleazy ‘Time to Throw Down’, or Bill Williams & Bileo’s fruity ‘Robot People’.
Anyone with a thing for early Juan Atkins, Egyptian Lover or Drexciya owes it themselves a dip inside.
Electro special from Soul Jazz, spanning 13 rarer examples of the early ‘80s phenomenon in transition from boogie to its full fledged forms between ’82-’89, leaving disco for dust and steeling streets for the future.
Expert compilers Soul Jazz swerve better known bits in favour of private pressings and indie electro jams that fell thru the cracks, but were nevertheless instrumental in the sound’s development across a PCB-like map of USA in the ‘80s that joined its urban Afro-Latin bastions with jolts of funk. Happy to say most of the material on board has previously escaped our attention, at least, and turns up some absolute jams in the likes of Jazaq’s slow and heavy acid electro monster ‘All Systems Go’ (1985), Pretty Tony’s laser-shotting zinger ‘Fix It In The Mix’, plus the hard, Kraftwerk-sampling future funk of Ozone’s ‘Planetary Deterioration (Electro Mix)’, and a cackling ace ‘Invasion From The Planet Detroit.’ It’s great to grip a remastered digital version of Motor City electro staple ‘Professor X (Saga)’ (1989) up in it, and those who like their electro with naughtier doses of funk and vocoders will be in their bag with the likes of The Rickie Clark Company’s slow and sleazy ‘Time to Throw Down’, or Bill Williams & Bileo’s fruity ‘Robot People’.
Anyone with a thing for early Juan Atkins, Egyptian Lover or Drexciya owes it themselves a dip inside.
In Stock (Ready To Ship)
Electro special from Soul Jazz, spanning 13 rarer examples of the early ‘80s phenomenon in transition from boogie to its full fledged forms between ’82-’89, leaving disco for dust and steeling streets for the future.
Expert compilers Soul Jazz swerve better known bits in favour of private pressings and indie electro jams that fell thru the cracks, but were nevertheless instrumental in the sound’s development across a PCB-like map of USA in the ‘80s that joined its urban Afro-Latin bastions with jolts of funk. Happy to say most of the material on board has previously escaped our attention, at least, and turns up some absolute jams in the likes of Jazaq’s slow and heavy acid electro monster ‘All Systems Go’ (1985), Pretty Tony’s laser-shotting zinger ‘Fix It In The Mix’, plus the hard, Kraftwerk-sampling future funk of Ozone’s ‘Planetary Deterioration (Electro Mix)’, and a cackling ace ‘Invasion From The Planet Detroit.’ It’s great to grip a remastered digital version of Motor City electro staple ‘Professor X (Saga)’ (1989) up in it, and those who like their electro with naughtier doses of funk and vocoders will be in their bag with the likes of The Rickie Clark Company’s slow and sleazy ‘Time to Throw Down’, or Bill Williams & Bileo’s fruity ‘Robot People’.
Anyone with a thing for early Juan Atkins, Egyptian Lover or Drexciya owes it themselves a dip inside.
Out of Stock
Electro special from Soul Jazz, spanning 13 rarer examples of the early ‘80s phenomenon in transition from boogie to its full fledged forms between ’82-’89, leaving disco for dust and steeling streets for the future.
Expert compilers Soul Jazz swerve better known bits in favour of private pressings and indie electro jams that fell thru the cracks, but were nevertheless instrumental in the sound’s development across a PCB-like map of USA in the ‘80s that joined its urban Afro-Latin bastions with jolts of funk. Happy to say most of the material on board has previously escaped our attention, at least, and turns up some absolute jams in the likes of Jazaq’s slow and heavy acid electro monster ‘All Systems Go’ (1985), Pretty Tony’s laser-shotting zinger ‘Fix It In The Mix’, plus the hard, Kraftwerk-sampling future funk of Ozone’s ‘Planetary Deterioration (Electro Mix)’, and a cackling ace ‘Invasion From The Planet Detroit.’ It’s great to grip a remastered digital version of Motor City electro staple ‘Professor X (Saga)’ (1989) up in it, and those who like their electro with naughtier doses of funk and vocoders will be in their bag with the likes of The Rickie Clark Company’s slow and sleazy ‘Time to Throw Down’, or Bill Williams & Bileo’s fruity ‘Robot People’.
Anyone with a thing for early Juan Atkins, Egyptian Lover or Drexciya owes it themselves a dip inside.