Soul Jazz Records presents Cold Wave #2
Descendants of the original cold wave, such as Lena Willikens, Tolouse Low Trax, Job Sifre and many more tend to the sound’s branches in the modern day with stacks of grubby x scuzzy killers.
One of those rarer sets where Soul Jazz source from the recent, not distant, past, the featured artists all wear their influences clearly, offering a more streamlined answer to the late ‘70s / early ‘80s movement forged by the likes of Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, or Public Image which has endured to inform the contemporary underground.
Where the original wavers used the machines at their disposal, all artists here make a conscious aesthetic decision to limit themselves to what is now lo-fi and ostensibly obsolete gear, location parks of invention and anachronistic energy between the hard nosed toil of Lena Willikens’ ‘Howling Lupus,’ the and tunnel drag force of ‘At Least We Try’ by Job Sifre, the humid tropical trek of Tolouse Lowe Trax’s ‘Rushing Into Water,’ Cosey-esque sleaze in ‘Hiding’ by Beta Evars, the slathering 16th note arp fangs of ‘Vacant Cars’ from Broken English Club, and a searing ‘Deserver Dub’ by Krikor Kouchian.
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Descendants of the original cold wave, such as Lena Willikens, Tolouse Low Trax, Job Sifre and many more tend to the sound’s branches in the modern day with stacks of grubby x scuzzy killers.
One of those rarer sets where Soul Jazz source from the recent, not distant, past, the featured artists all wear their influences clearly, offering a more streamlined answer to the late ‘70s / early ‘80s movement forged by the likes of Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, or Public Image which has endured to inform the contemporary underground.
Where the original wavers used the machines at their disposal, all artists here make a conscious aesthetic decision to limit themselves to what is now lo-fi and ostensibly obsolete gear, location parks of invention and anachronistic energy between the hard nosed toil of Lena Willikens’ ‘Howling Lupus,’ the and tunnel drag force of ‘At Least We Try’ by Job Sifre, the humid tropical trek of Tolouse Lowe Trax’s ‘Rushing Into Water,’ Cosey-esque sleaze in ‘Hiding’ by Beta Evars, the slathering 16th note arp fangs of ‘Vacant Cars’ from Broken English Club, and a searing ‘Deserver Dub’ by Krikor Kouchian.
Descendants of the original cold wave, such as Lena Willikens, Tolouse Low Trax, Job Sifre and many more tend to the sound’s branches in the modern day with stacks of grubby x scuzzy killers.
One of those rarer sets where Soul Jazz source from the recent, not distant, past, the featured artists all wear their influences clearly, offering a more streamlined answer to the late ‘70s / early ‘80s movement forged by the likes of Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, or Public Image which has endured to inform the contemporary underground.
Where the original wavers used the machines at their disposal, all artists here make a conscious aesthetic decision to limit themselves to what is now lo-fi and ostensibly obsolete gear, location parks of invention and anachronistic energy between the hard nosed toil of Lena Willikens’ ‘Howling Lupus,’ the and tunnel drag force of ‘At Least We Try’ by Job Sifre, the humid tropical trek of Tolouse Lowe Trax’s ‘Rushing Into Water,’ Cosey-esque sleaze in ‘Hiding’ by Beta Evars, the slathering 16th note arp fangs of ‘Vacant Cars’ from Broken English Club, and a searing ‘Deserver Dub’ by Krikor Kouchian.
Descendants of the original cold wave, such as Lena Willikens, Tolouse Low Trax, Job Sifre and many more tend to the sound’s branches in the modern day with stacks of grubby x scuzzy killers.
One of those rarer sets where Soul Jazz source from the recent, not distant, past, the featured artists all wear their influences clearly, offering a more streamlined answer to the late ‘70s / early ‘80s movement forged by the likes of Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, or Public Image which has endured to inform the contemporary underground.
Where the original wavers used the machines at their disposal, all artists here make a conscious aesthetic decision to limit themselves to what is now lo-fi and ostensibly obsolete gear, location parks of invention and anachronistic energy between the hard nosed toil of Lena Willikens’ ‘Howling Lupus,’ the and tunnel drag force of ‘At Least We Try’ by Job Sifre, the humid tropical trek of Tolouse Lowe Trax’s ‘Rushing Into Water,’ Cosey-esque sleaze in ‘Hiding’ by Beta Evars, the slathering 16th note arp fangs of ‘Vacant Cars’ from Broken English Club, and a searing ‘Deserver Dub’ by Krikor Kouchian.
Purple Vinyl.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Descendants of the original cold wave, such as Lena Willikens, Tolouse Low Trax, Job Sifre and many more tend to the sound’s branches in the modern day with stacks of grubby x scuzzy killers.
One of those rarer sets where Soul Jazz source from the recent, not distant, past, the featured artists all wear their influences clearly, offering a more streamlined answer to the late ‘70s / early ‘80s movement forged by the likes of Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, or Public Image which has endured to inform the contemporary underground.
Where the original wavers used the machines at their disposal, all artists here make a conscious aesthetic decision to limit themselves to what is now lo-fi and ostensibly obsolete gear, location parks of invention and anachronistic energy between the hard nosed toil of Lena Willikens’ ‘Howling Lupus,’ the and tunnel drag force of ‘At Least We Try’ by Job Sifre, the humid tropical trek of Tolouse Lowe Trax’s ‘Rushing Into Water,’ Cosey-esque sleaze in ‘Hiding’ by Beta Evars, the slathering 16th note arp fangs of ‘Vacant Cars’ from Broken English Club, and a searing ‘Deserver Dub’ by Krikor Kouchian.
Black vinyl.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Descendants of the original cold wave, such as Lena Willikens, Tolouse Low Trax, Job Sifre and many more tend to the sound’s branches in the modern day with stacks of grubby x scuzzy killers.
One of those rarer sets where Soul Jazz source from the recent, not distant, past, the featured artists all wear their influences clearly, offering a more streamlined answer to the late ‘70s / early ‘80s movement forged by the likes of Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, or Public Image which has endured to inform the contemporary underground.
Where the original wavers used the machines at their disposal, all artists here make a conscious aesthetic decision to limit themselves to what is now lo-fi and ostensibly obsolete gear, location parks of invention and anachronistic energy between the hard nosed toil of Lena Willikens’ ‘Howling Lupus,’ the and tunnel drag force of ‘At Least We Try’ by Job Sifre, the humid tropical trek of Tolouse Lowe Trax’s ‘Rushing Into Water,’ Cosey-esque sleaze in ‘Hiding’ by Beta Evars, the slathering 16th note arp fangs of ‘Vacant Cars’ from Broken English Club, and a searing ‘Deserver Dub’ by Krikor Kouchian.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Descendants of the original cold wave, such as Lena Willikens, Tolouse Low Trax, Job Sifre and many more tend to the sound’s branches in the modern day with stacks of grubby x scuzzy killers.
One of those rarer sets where Soul Jazz source from the recent, not distant, past, the featured artists all wear their influences clearly, offering a more streamlined answer to the late ‘70s / early ‘80s movement forged by the likes of Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, or Public Image which has endured to inform the contemporary underground.
Where the original wavers used the machines at their disposal, all artists here make a conscious aesthetic decision to limit themselves to what is now lo-fi and ostensibly obsolete gear, location parks of invention and anachronistic energy between the hard nosed toil of Lena Willikens’ ‘Howling Lupus,’ the and tunnel drag force of ‘At Least We Try’ by Job Sifre, the humid tropical trek of Tolouse Lowe Trax’s ‘Rushing Into Water,’ Cosey-esque sleaze in ‘Hiding’ by Beta Evars, the slathering 16th note arp fangs of ‘Vacant Cars’ from Broken English Club, and a searing ‘Deserver Dub’ by Krikor Kouchian.