Atlantan electro contortionist Richard Devine presents his first significant body of work since ‘Risp’ [2012] with the complex designs and computerized soul of ‘Sort\Lave’ for Venetian Snares’ Timesig .
Recorded between 2016 and 2017 on Devine’s custom Eurorack modular rig and a couple of Nord G2 units, ’Sort\Lave’ is a hi-tech rinse-out best compared with the work of Autechre or indeed, Timesig boss, Venetian Snares’ recent modular output. And we don’t use either comparison lightly.
Where Devine has been releasing music on a computer for more than 20 years now, this is the first time he’s made tracks nose-to-tail on a modular set-up and the results are just staggering, and certainly worthy of those five years - pretty much since the completion of ‘Risp’ - spent just establishing the systems that would be used on the album.
Within this complex modular playground/framework he goes thru his exercises like a double-jointed gymnast with a mind & body-bending disarray of polymetrics thru insectoid swarms of percussion and diffracted chromatic madness.
If we’re playing favourites, the most dancefloor-ready pieces are in that list, including the tense, pendulous electro of ‘Opaque Ke’, the outstanding tech-step rolige of ‘Sentik Pin’, and the slow-fast teeter of ‘Revsic’, if you’ve got the legs for it, but if you’re in it for the next level sound design, the dizzying designs of ‘Microscopic Recurse’, the plonging torque of ‘k-0’ and the viscous roil of ‘Brux’ are waiting your dropped jaw.
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Atlantan electro contortionist Richard Devine presents his first significant body of work since ‘Risp’ [2012] with the complex designs and computerized soul of ‘Sort\Lave’ for Venetian Snares’ Timesig .
Recorded between 2016 and 2017 on Devine’s custom Eurorack modular rig and a couple of Nord G2 units, ’Sort\Lave’ is a hi-tech rinse-out best compared with the work of Autechre or indeed, Timesig boss, Venetian Snares’ recent modular output. And we don’t use either comparison lightly.
Where Devine has been releasing music on a computer for more than 20 years now, this is the first time he’s made tracks nose-to-tail on a modular set-up and the results are just staggering, and certainly worthy of those five years - pretty much since the completion of ‘Risp’ - spent just establishing the systems that would be used on the album.
Within this complex modular playground/framework he goes thru his exercises like a double-jointed gymnast with a mind & body-bending disarray of polymetrics thru insectoid swarms of percussion and diffracted chromatic madness.
If we’re playing favourites, the most dancefloor-ready pieces are in that list, including the tense, pendulous electro of ‘Opaque Ke’, the outstanding tech-step rolige of ‘Sentik Pin’, and the slow-fast teeter of ‘Revsic’, if you’ve got the legs for it, but if you’re in it for the next level sound design, the dizzying designs of ‘Microscopic Recurse’, the plonging torque of ‘k-0’ and the viscous roil of ‘Brux’ are waiting your dropped jaw.
Atlantan electro contortionist Richard Devine presents his first significant body of work since ‘Risp’ [2012] with the complex designs and computerized soul of ‘Sort\Lave’ for Venetian Snares’ Timesig .
Recorded between 2016 and 2017 on Devine’s custom Eurorack modular rig and a couple of Nord G2 units, ’Sort\Lave’ is a hi-tech rinse-out best compared with the work of Autechre or indeed, Timesig boss, Venetian Snares’ recent modular output. And we don’t use either comparison lightly.
Where Devine has been releasing music on a computer for more than 20 years now, this is the first time he’s made tracks nose-to-tail on a modular set-up and the results are just staggering, and certainly worthy of those five years - pretty much since the completion of ‘Risp’ - spent just establishing the systems that would be used on the album.
Within this complex modular playground/framework he goes thru his exercises like a double-jointed gymnast with a mind & body-bending disarray of polymetrics thru insectoid swarms of percussion and diffracted chromatic madness.
If we’re playing favourites, the most dancefloor-ready pieces are in that list, including the tense, pendulous electro of ‘Opaque Ke’, the outstanding tech-step rolige of ‘Sentik Pin’, and the slow-fast teeter of ‘Revsic’, if you’ve got the legs for it, but if you’re in it for the next level sound design, the dizzying designs of ‘Microscopic Recurse’, the plonging torque of ‘k-0’ and the viscous roil of ‘Brux’ are waiting your dropped jaw.
Atlantan electro contortionist Richard Devine presents his first significant body of work since ‘Risp’ [2012] with the complex designs and computerized soul of ‘Sort\Lave’ for Venetian Snares’ Timesig .
Recorded between 2016 and 2017 on Devine’s custom Eurorack modular rig and a couple of Nord G2 units, ’Sort\Lave’ is a hi-tech rinse-out best compared with the work of Autechre or indeed, Timesig boss, Venetian Snares’ recent modular output. And we don’t use either comparison lightly.
Where Devine has been releasing music on a computer for more than 20 years now, this is the first time he’s made tracks nose-to-tail on a modular set-up and the results are just staggering, and certainly worthy of those five years - pretty much since the completion of ‘Risp’ - spent just establishing the systems that would be used on the album.
Within this complex modular playground/framework he goes thru his exercises like a double-jointed gymnast with a mind & body-bending disarray of polymetrics thru insectoid swarms of percussion and diffracted chromatic madness.
If we’re playing favourites, the most dancefloor-ready pieces are in that list, including the tense, pendulous electro of ‘Opaque Ke’, the outstanding tech-step rolige of ‘Sentik Pin’, and the slow-fast teeter of ‘Revsic’, if you’ve got the legs for it, but if you’re in it for the next level sound design, the dizzying designs of ‘Microscopic Recurse’, the plonging torque of ‘k-0’ and the viscous roil of ‘Brux’ are waiting your dropped jaw.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Atlantan electro contortionist Richard Devine presents his first significant body of work since ‘Risp’ [2012] with the complex designs and computerized soul of ‘Sort\Lave’ for Venetian Snares’ Timesig .
Recorded between 2016 and 2017 on Devine’s custom Eurorack modular rig and a couple of Nord G2 units, ’Sort\Lave’ is a hi-tech rinse-out best compared with the work of Autechre or indeed, Timesig boss, Venetian Snares’ recent modular output. And we don’t use either comparison lightly.
Where Devine has been releasing music on a computer for more than 20 years now, this is the first time he’s made tracks nose-to-tail on a modular set-up and the results are just staggering, and certainly worthy of those five years - pretty much since the completion of ‘Risp’ - spent just establishing the systems that would be used on the album.
Within this complex modular playground/framework he goes thru his exercises like a double-jointed gymnast with a mind & body-bending disarray of polymetrics thru insectoid swarms of percussion and diffracted chromatic madness.
If we’re playing favourites, the most dancefloor-ready pieces are in that list, including the tense, pendulous electro of ‘Opaque Ke’, the outstanding tech-step rolige of ‘Sentik Pin’, and the slow-fast teeter of ‘Revsic’, if you’ve got the legs for it, but if you’re in it for the next level sound design, the dizzying designs of ‘Microscopic Recurse’, the plonging torque of ‘k-0’ and the viscous roil of ‘Brux’ are waiting your dropped jaw.
Available To Order (Estimated Shipping between 1-3 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Atlantan electro contortionist Richard Devine presents his first significant body of work since ‘Risp’ [2012] with the complex designs and computerized soul of ‘Sort\Lave’ for Venetian Snares’ Timesig .
Recorded between 2016 and 2017 on Devine’s custom Eurorack modular rig and a couple of Nord G2 units, ’Sort\Lave’ is a hi-tech rinse-out best compared with the work of Autechre or indeed, Timesig boss, Venetian Snares’ recent modular output. And we don’t use either comparison lightly.
Where Devine has been releasing music on a computer for more than 20 years now, this is the first time he’s made tracks nose-to-tail on a modular set-up and the results are just staggering, and certainly worthy of those five years - pretty much since the completion of ‘Risp’ - spent just establishing the systems that would be used on the album.
Within this complex modular playground/framework he goes thru his exercises like a double-jointed gymnast with a mind & body-bending disarray of polymetrics thru insectoid swarms of percussion and diffracted chromatic madness.
If we’re playing favourites, the most dancefloor-ready pieces are in that list, including the tense, pendulous electro of ‘Opaque Ke’, the outstanding tech-step rolige of ‘Sentik Pin’, and the slow-fast teeter of ‘Revsic’, if you’ve got the legs for it, but if you’re in it for the next level sound design, the dizzying designs of ‘Microscopic Recurse’, the plonging torque of ‘k-0’ and the viscous roil of ‘Brux’ are waiting your dropped jaw.