SORROW - A reimagining of Gorecki's 3rd Symphony
A powerful reimagining of Henryk Gorecki’s 3rd Symphony masterpiece (also known as The Symphony of Sorrowful Songs) by the multi-instrumentalist as part of a 12-piece ensemble also including Sarah Neufeld (Arcade Fire), Greg Fox (Liturgy), and Rebecca Foon (Saltland, Esmerine), among others.
Faithful to the original composition’s notation - of which he is intimately familiar - Stetson utilises an alternate palette of instrumentation, (naturally) heavy on woodwind, plus the addition of synthesisers, and electric guitars, as well as the more typical string section, to firmly replace the piece’s repetitive structure and modest lack of harmonic progression closer to black metal and early electronic idioms, whilst also strongly representing his own, indomitable corpus of saxophone music.
It’s no mean feat to undertake such a culturally, politically-loaded and popular piece of contemporary classical, and one by one of the 20th century’s most revered composers, but the execution proves that Colin Stetson is one of the most capable and visionary instrumentalists and arrangers of his time.
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A powerful reimagining of Henryk Gorecki’s 3rd Symphony masterpiece (also known as The Symphony of Sorrowful Songs) by the multi-instrumentalist as part of a 12-piece ensemble also including Sarah Neufeld (Arcade Fire), Greg Fox (Liturgy), and Rebecca Foon (Saltland, Esmerine), among others.
Faithful to the original composition’s notation - of which he is intimately familiar - Stetson utilises an alternate palette of instrumentation, (naturally) heavy on woodwind, plus the addition of synthesisers, and electric guitars, as well as the more typical string section, to firmly replace the piece’s repetitive structure and modest lack of harmonic progression closer to black metal and early electronic idioms, whilst also strongly representing his own, indomitable corpus of saxophone music.
It’s no mean feat to undertake such a culturally, politically-loaded and popular piece of contemporary classical, and one by one of the 20th century’s most revered composers, but the execution proves that Colin Stetson is one of the most capable and visionary instrumentalists and arrangers of his time.
A powerful reimagining of Henryk Gorecki’s 3rd Symphony masterpiece (also known as The Symphony of Sorrowful Songs) by the multi-instrumentalist as part of a 12-piece ensemble also including Sarah Neufeld (Arcade Fire), Greg Fox (Liturgy), and Rebecca Foon (Saltland, Esmerine), among others.
Faithful to the original composition’s notation - of which he is intimately familiar - Stetson utilises an alternate palette of instrumentation, (naturally) heavy on woodwind, plus the addition of synthesisers, and electric guitars, as well as the more typical string section, to firmly replace the piece’s repetitive structure and modest lack of harmonic progression closer to black metal and early electronic idioms, whilst also strongly representing his own, indomitable corpus of saxophone music.
It’s no mean feat to undertake such a culturally, politically-loaded and popular piece of contemporary classical, and one by one of the 20th century’s most revered composers, but the execution proves that Colin Stetson is one of the most capable and visionary instrumentalists and arrangers of his time.
A powerful reimagining of Henryk Gorecki’s 3rd Symphony masterpiece (also known as The Symphony of Sorrowful Songs) by the multi-instrumentalist as part of a 12-piece ensemble also including Sarah Neufeld (Arcade Fire), Greg Fox (Liturgy), and Rebecca Foon (Saltland, Esmerine), among others.
Faithful to the original composition’s notation - of which he is intimately familiar - Stetson utilises an alternate palette of instrumentation, (naturally) heavy on woodwind, plus the addition of synthesisers, and electric guitars, as well as the more typical string section, to firmly replace the piece’s repetitive structure and modest lack of harmonic progression closer to black metal and early electronic idioms, whilst also strongly representing his own, indomitable corpus of saxophone music.
It’s no mean feat to undertake such a culturally, politically-loaded and popular piece of contemporary classical, and one by one of the 20th century’s most revered composers, but the execution proves that Colin Stetson is one of the most capable and visionary instrumentalists and arrangers of his time.
Back in stock - Gatefold 180g 2LP. Includes download code.
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This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
A powerful reimagining of Henryk Gorecki’s 3rd Symphony masterpiece (also known as The Symphony of Sorrowful Songs) by the multi-instrumentalist as part of a 12-piece ensemble also including Sarah Neufeld (Arcade Fire), Greg Fox (Liturgy), and Rebecca Foon (Saltland, Esmerine), among others.
Faithful to the original composition’s notation - of which he is intimately familiar - Stetson utilises an alternate palette of instrumentation, (naturally) heavy on woodwind, plus the addition of synthesisers, and electric guitars, as well as the more typical string section, to firmly replace the piece’s repetitive structure and modest lack of harmonic progression closer to black metal and early electronic idioms, whilst also strongly representing his own, indomitable corpus of saxophone music.
It’s no mean feat to undertake such a culturally, politically-loaded and popular piece of contemporary classical, and one by one of the 20th century’s most revered composers, but the execution proves that Colin Stetson is one of the most capable and visionary instrumentalists and arrangers of his time.
Available To Order (Estimated Shipping between 3-7 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
A powerful reimagining of Henryk Gorecki’s 3rd Symphony masterpiece (also known as The Symphony of Sorrowful Songs) by the multi-instrumentalist as part of a 12-piece ensemble also including Sarah Neufeld (Arcade Fire), Greg Fox (Liturgy), and Rebecca Foon (Saltland, Esmerine), among others.
Faithful to the original composition’s notation - of which he is intimately familiar - Stetson utilises an alternate palette of instrumentation, (naturally) heavy on woodwind, plus the addition of synthesisers, and electric guitars, as well as the more typical string section, to firmly replace the piece’s repetitive structure and modest lack of harmonic progression closer to black metal and early electronic idioms, whilst also strongly representing his own, indomitable corpus of saxophone music.
It’s no mean feat to undertake such a culturally, politically-loaded and popular piece of contemporary classical, and one by one of the 20th century’s most revered composers, but the execution proves that Colin Stetson is one of the most capable and visionary instrumentalists and arrangers of his time.