Germany's answer to Daphne Oram or more likely Jan Jelinek in a wig, back in circulation.
You certainly get a lot of Bogner for your buck on Sonne = Blackbox, with 15 tracks showcasing faux-primitive electronic composition and tape manipulation from the imagined archive. On 'Or Dor Melanor', 'Shepard Monde' and the title track, Broadcast and Stereolab come to mind, while the eerie synthetic ramble of 'Trabant' is like Ghost Box relocated from Belbury to Berlin.
'Signalfluss' and 'Uranotypie' mesh droning, minimal electronics with Teutonic spoken word, while the playful, impish quality of 'Der Chor Der Oktaven' and 'Permutationen' invoke the BBC Radiophonic Workshop's John Baker and Delia Derbyshire on a jolly. The giveaway is Jelinek's use of subs though, the attendant sense of space and dub aesthetic is hard to imagine in late 60s and early 70s Germany. Good stuff though!
View more
Germany's answer to Daphne Oram or more likely Jan Jelinek in a wig, back in circulation.
You certainly get a lot of Bogner for your buck on Sonne = Blackbox, with 15 tracks showcasing faux-primitive electronic composition and tape manipulation from the imagined archive. On 'Or Dor Melanor', 'Shepard Monde' and the title track, Broadcast and Stereolab come to mind, while the eerie synthetic ramble of 'Trabant' is like Ghost Box relocated from Belbury to Berlin.
'Signalfluss' and 'Uranotypie' mesh droning, minimal electronics with Teutonic spoken word, while the playful, impish quality of 'Der Chor Der Oktaven' and 'Permutationen' invoke the BBC Radiophonic Workshop's John Baker and Delia Derbyshire on a jolly. The giveaway is Jelinek's use of subs though, the attendant sense of space and dub aesthetic is hard to imagine in late 60s and early 70s Germany. Good stuff though!
Germany's answer to Daphne Oram or more likely Jan Jelinek in a wig, back in circulation.
You certainly get a lot of Bogner for your buck on Sonne = Blackbox, with 15 tracks showcasing faux-primitive electronic composition and tape manipulation from the imagined archive. On 'Or Dor Melanor', 'Shepard Monde' and the title track, Broadcast and Stereolab come to mind, while the eerie synthetic ramble of 'Trabant' is like Ghost Box relocated from Belbury to Berlin.
'Signalfluss' and 'Uranotypie' mesh droning, minimal electronics with Teutonic spoken word, while the playful, impish quality of 'Der Chor Der Oktaven' and 'Permutationen' invoke the BBC Radiophonic Workshop's John Baker and Delia Derbyshire on a jolly. The giveaway is Jelinek's use of subs though, the attendant sense of space and dub aesthetic is hard to imagine in late 60s and early 70s Germany. Good stuff though!
2022 Re-press.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Germany's answer to Daphne Oram or more likely Jan Jelinek in a wig, back in circulation.
You certainly get a lot of Bogner for your buck on Sonne = Blackbox, with 15 tracks showcasing faux-primitive electronic composition and tape manipulation from the imagined archive. On 'Or Dor Melanor', 'Shepard Monde' and the title track, Broadcast and Stereolab come to mind, while the eerie synthetic ramble of 'Trabant' is like Ghost Box relocated from Belbury to Berlin.
'Signalfluss' and 'Uranotypie' mesh droning, minimal electronics with Teutonic spoken word, while the playful, impish quality of 'Der Chor Der Oktaven' and 'Permutationen' invoke the BBC Radiophonic Workshop's John Baker and Delia Derbyshire on a jolly. The giveaway is Jelinek's use of subs though, the attendant sense of space and dub aesthetic is hard to imagine in late 60s and early 70s Germany. Good stuff though!