Driftmachine team up with Andreas Ammer for 'Sonic Behaviour', a celebration of sound and noise that pitches poetry (from Ted Milton, Deryn Rees-Jones and Einstürzende Neubauten's Alexander Hacke) against dubby, hypnotic soundscapes and siren wails.
Andreas Gerth and Florian Zimmer lean into the conceptual on this one, playing their wraithlike cosmic dub soundscapes against Ammer's home-made siren organ, an instrument inspired by the revolutionary Russian futurist Arsenij Avranov. It's the first time the duo have integrated voices into their music, so Ammer was an obvious choice for collaborator, seeing as he's best-known for working on radio plays. On 'Song to Noise', they play to a poem from Welsh writer Deryn Rees-Jones, who recites the text in English, while Hacke handles the German translation. The track bookends the album, with an instrumental version finishing it off.
On 'The Siren is a Simple Device', Gerth, Zimmer and Ammer play with clattering percussion and screaming sirens, while 81-year-old poet Milton cheekily recites Ammer's words. And he's back on 'Sonic Sculpture'; "The sound of a piano falling down the stairs," he sneers, against the trio's ghostly electronics that slowly cede to crunching, abrasive noise.
View more
Driftmachine team up with Andreas Ammer for 'Sonic Behaviour', a celebration of sound and noise that pitches poetry (from Ted Milton, Deryn Rees-Jones and Einstürzende Neubauten's Alexander Hacke) against dubby, hypnotic soundscapes and siren wails.
Andreas Gerth and Florian Zimmer lean into the conceptual on this one, playing their wraithlike cosmic dub soundscapes against Ammer's home-made siren organ, an instrument inspired by the revolutionary Russian futurist Arsenij Avranov. It's the first time the duo have integrated voices into their music, so Ammer was an obvious choice for collaborator, seeing as he's best-known for working on radio plays. On 'Song to Noise', they play to a poem from Welsh writer Deryn Rees-Jones, who recites the text in English, while Hacke handles the German translation. The track bookends the album, with an instrumental version finishing it off.
On 'The Siren is a Simple Device', Gerth, Zimmer and Ammer play with clattering percussion and screaming sirens, while 81-year-old poet Milton cheekily recites Ammer's words. And he's back on 'Sonic Sculpture'; "The sound of a piano falling down the stairs," he sneers, against the trio's ghostly electronics that slowly cede to crunching, abrasive noise.
Driftmachine team up with Andreas Ammer for 'Sonic Behaviour', a celebration of sound and noise that pitches poetry (from Ted Milton, Deryn Rees-Jones and Einstürzende Neubauten's Alexander Hacke) against dubby, hypnotic soundscapes and siren wails.
Andreas Gerth and Florian Zimmer lean into the conceptual on this one, playing their wraithlike cosmic dub soundscapes against Ammer's home-made siren organ, an instrument inspired by the revolutionary Russian futurist Arsenij Avranov. It's the first time the duo have integrated voices into their music, so Ammer was an obvious choice for collaborator, seeing as he's best-known for working on radio plays. On 'Song to Noise', they play to a poem from Welsh writer Deryn Rees-Jones, who recites the text in English, while Hacke handles the German translation. The track bookends the album, with an instrumental version finishing it off.
On 'The Siren is a Simple Device', Gerth, Zimmer and Ammer play with clattering percussion and screaming sirens, while 81-year-old poet Milton cheekily recites Ammer's words. And he's back on 'Sonic Sculpture'; "The sound of a piano falling down the stairs," he sneers, against the trio's ghostly electronics that slowly cede to crunching, abrasive noise.
Driftmachine team up with Andreas Ammer for 'Sonic Behaviour', a celebration of sound and noise that pitches poetry (from Ted Milton, Deryn Rees-Jones and Einstürzende Neubauten's Alexander Hacke) against dubby, hypnotic soundscapes and siren wails.
Andreas Gerth and Florian Zimmer lean into the conceptual on this one, playing their wraithlike cosmic dub soundscapes against Ammer's home-made siren organ, an instrument inspired by the revolutionary Russian futurist Arsenij Avranov. It's the first time the duo have integrated voices into their music, so Ammer was an obvious choice for collaborator, seeing as he's best-known for working on radio plays. On 'Song to Noise', they play to a poem from Welsh writer Deryn Rees-Jones, who recites the text in English, while Hacke handles the German translation. The track bookends the album, with an instrumental version finishing it off.
On 'The Siren is a Simple Device', Gerth, Zimmer and Ammer play with clattering percussion and screaming sirens, while 81-year-old poet Milton cheekily recites Ammer's words. And he's back on 'Sonic Sculpture'; "The sound of a piano falling down the stairs," he sneers, against the trio's ghostly electronics that slowly cede to crunching, abrasive noise.
Red colour vinyl LP. Edition of 300 copies.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Driftmachine team up with Andreas Ammer for 'Sonic Behaviour', a celebration of sound and noise that pitches poetry (from Ted Milton, Deryn Rees-Jones and Einstürzende Neubauten's Alexander Hacke) against dubby, hypnotic soundscapes and siren wails.
Andreas Gerth and Florian Zimmer lean into the conceptual on this one, playing their wraithlike cosmic dub soundscapes against Ammer's home-made siren organ, an instrument inspired by the revolutionary Russian futurist Arsenij Avranov. It's the first time the duo have integrated voices into their music, so Ammer was an obvious choice for collaborator, seeing as he's best-known for working on radio plays. On 'Song to Noise', they play to a poem from Welsh writer Deryn Rees-Jones, who recites the text in English, while Hacke handles the German translation. The track bookends the album, with an instrumental version finishing it off.
On 'The Siren is a Simple Device', Gerth, Zimmer and Ammer play with clattering percussion and screaming sirens, while 81-year-old poet Milton cheekily recites Ammer's words. And he's back on 'Sonic Sculpture'; "The sound of a piano falling down the stairs," he sneers, against the trio's ghostly electronics that slowly cede to crunching, abrasive noise.