Two hour-long workouts from percussionist Hamid Drake and his long-time collaborator bassist William Parker, alongside London's Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Blistering!
Damn this is deep; "Some Good News" is a trans-Atlantic collaboration that finds a sweet spot between Hamid Drake and William Parker's legendary rhythms, Black Top's experimental electronics and Elaine Mitchener's avant garde vocal runs. The group clearly enjoys performing with each other as they broach calypso forms and Sarahan rhythms with a sense of humor and hypnotic, spiritual sense of timing. 'Put the Brakes On' winds from psychedelic organ and xylophone into off-planet synth fx and guttural vocal tricks from Mitchener. 'Some Good News' is even wilder, as Black Top duet with Mitchener, mimicking her screams with chirping synth sounds as Drake and Parker thump alongside.
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Two hour-long workouts from percussionist Hamid Drake and his long-time collaborator bassist William Parker, alongside London's Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Blistering!
Damn this is deep; "Some Good News" is a trans-Atlantic collaboration that finds a sweet spot between Hamid Drake and William Parker's legendary rhythms, Black Top's experimental electronics and Elaine Mitchener's avant garde vocal runs. The group clearly enjoys performing with each other as they broach calypso forms and Sarahan rhythms with a sense of humor and hypnotic, spiritual sense of timing. 'Put the Brakes On' winds from psychedelic organ and xylophone into off-planet synth fx and guttural vocal tricks from Mitchener. 'Some Good News' is even wilder, as Black Top duet with Mitchener, mimicking her screams with chirping synth sounds as Drake and Parker thump alongside.
Two hour-long workouts from percussionist Hamid Drake and his long-time collaborator bassist William Parker, alongside London's Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Blistering!
Damn this is deep; "Some Good News" is a trans-Atlantic collaboration that finds a sweet spot between Hamid Drake and William Parker's legendary rhythms, Black Top's experimental electronics and Elaine Mitchener's avant garde vocal runs. The group clearly enjoys performing with each other as they broach calypso forms and Sarahan rhythms with a sense of humor and hypnotic, spiritual sense of timing. 'Put the Brakes On' winds from psychedelic organ and xylophone into off-planet synth fx and guttural vocal tricks from Mitchener. 'Some Good News' is even wilder, as Black Top duet with Mitchener, mimicking her screams with chirping synth sounds as Drake and Parker thump alongside.
Two hour-long workouts from percussionist Hamid Drake and his long-time collaborator bassist William Parker, alongside London's Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Blistering!
Damn this is deep; "Some Good News" is a trans-Atlantic collaboration that finds a sweet spot between Hamid Drake and William Parker's legendary rhythms, Black Top's experimental electronics and Elaine Mitchener's avant garde vocal runs. The group clearly enjoys performing with each other as they broach calypso forms and Sarahan rhythms with a sense of humor and hypnotic, spiritual sense of timing. 'Put the Brakes On' winds from psychedelic organ and xylophone into off-planet synth fx and guttural vocal tricks from Mitchener. 'Some Good News' is even wilder, as Black Top duet with Mitchener, mimicking her screams with chirping synth sounds as Drake and Parker thump alongside.
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Two hour-long workouts from percussionist Hamid Drake and his long-time collaborator bassist William Parker, alongside London's Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Blistering!
Damn this is deep; "Some Good News" is a trans-Atlantic collaboration that finds a sweet spot between Hamid Drake and William Parker's legendary rhythms, Black Top's experimental electronics and Elaine Mitchener's avant garde vocal runs. The group clearly enjoys performing with each other as they broach calypso forms and Sarahan rhythms with a sense of humor and hypnotic, spiritual sense of timing. 'Put the Brakes On' winds from psychedelic organ and xylophone into off-planet synth fx and guttural vocal tricks from Mitchener. 'Some Good News' is even wilder, as Black Top duet with Mitchener, mimicking her screams with chirping synth sounds as Drake and Parker thump alongside.