Kyoka and Eomac (Lakker) forge a restlessly rugged style under the fictional moniker Lena Andersson in a striking debut for the Raster stronghold.
Merging their respective styles Kyoka and Eomac patently make a strong studio pairing under their imagined avatar. Stemming from a back and forth session on the Buchla modular synth system at EMS Stockholm, the project has really come into its own with Eomac exacting razor sharp edits on Kyoka’s blend of spiky, freeform textures, sugared vocals and broad palette of field recordings.
There was previously a degree of familiarity between them as Kyoka remixed Lakker’s ‘Tundra’ for R&S in 2015, but here transcend their respective solo work to realise a wickedly sinuous, amorphous body of experimental electronica and crunchy dance trax which, if we weren’t told otherwise, we may never have guessed was made by these two artists.
Taking strong cues from prevailing dembow rhythm trends, the duo work out a range of spiky, crimped dancehall-techno mutations, getting into it alongside Seiki & Mike Watt with the brittle but squirming shape of ‘Middle of Everywhere’, and running thru big highlights in what sounds like Batu and Low Jack getting gritty on ‘Bazu’ and ’37 Years Later’, tucking it where the sun don’t shine in the dark grind of ‘Con Un Cuchillo’ and the cyber-bogle of ‘Anarchy - Joy’, or like some hyper-clipped Amazondotcom or Paul Marmota piece in ‘I Want Her (You) To Call Me Baby.’
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Kyoka and Eomac (Lakker) forge a restlessly rugged style under the fictional moniker Lena Andersson in a striking debut for the Raster stronghold.
Merging their respective styles Kyoka and Eomac patently make a strong studio pairing under their imagined avatar. Stemming from a back and forth session on the Buchla modular synth system at EMS Stockholm, the project has really come into its own with Eomac exacting razor sharp edits on Kyoka’s blend of spiky, freeform textures, sugared vocals and broad palette of field recordings.
There was previously a degree of familiarity between them as Kyoka remixed Lakker’s ‘Tundra’ for R&S in 2015, but here transcend their respective solo work to realise a wickedly sinuous, amorphous body of experimental electronica and crunchy dance trax which, if we weren’t told otherwise, we may never have guessed was made by these two artists.
Taking strong cues from prevailing dembow rhythm trends, the duo work out a range of spiky, crimped dancehall-techno mutations, getting into it alongside Seiki & Mike Watt with the brittle but squirming shape of ‘Middle of Everywhere’, and running thru big highlights in what sounds like Batu and Low Jack getting gritty on ‘Bazu’ and ’37 Years Later’, tucking it where the sun don’t shine in the dark grind of ‘Con Un Cuchillo’ and the cyber-bogle of ‘Anarchy - Joy’, or like some hyper-clipped Amazondotcom or Paul Marmota piece in ‘I Want Her (You) To Call Me Baby.’
Kyoka and Eomac (Lakker) forge a restlessly rugged style under the fictional moniker Lena Andersson in a striking debut for the Raster stronghold.
Merging their respective styles Kyoka and Eomac patently make a strong studio pairing under their imagined avatar. Stemming from a back and forth session on the Buchla modular synth system at EMS Stockholm, the project has really come into its own with Eomac exacting razor sharp edits on Kyoka’s blend of spiky, freeform textures, sugared vocals and broad palette of field recordings.
There was previously a degree of familiarity between them as Kyoka remixed Lakker’s ‘Tundra’ for R&S in 2015, but here transcend their respective solo work to realise a wickedly sinuous, amorphous body of experimental electronica and crunchy dance trax which, if we weren’t told otherwise, we may never have guessed was made by these two artists.
Taking strong cues from prevailing dembow rhythm trends, the duo work out a range of spiky, crimped dancehall-techno mutations, getting into it alongside Seiki & Mike Watt with the brittle but squirming shape of ‘Middle of Everywhere’, and running thru big highlights in what sounds like Batu and Low Jack getting gritty on ‘Bazu’ and ’37 Years Later’, tucking it where the sun don’t shine in the dark grind of ‘Con Un Cuchillo’ and the cyber-bogle of ‘Anarchy - Joy’, or like some hyper-clipped Amazondotcom or Paul Marmota piece in ‘I Want Her (You) To Call Me Baby.’
Kyoka and Eomac (Lakker) forge a restlessly rugged style under the fictional moniker Lena Andersson in a striking debut for the Raster stronghold.
Merging their respective styles Kyoka and Eomac patently make a strong studio pairing under their imagined avatar. Stemming from a back and forth session on the Buchla modular synth system at EMS Stockholm, the project has really come into its own with Eomac exacting razor sharp edits on Kyoka’s blend of spiky, freeform textures, sugared vocals and broad palette of field recordings.
There was previously a degree of familiarity between them as Kyoka remixed Lakker’s ‘Tundra’ for R&S in 2015, but here transcend their respective solo work to realise a wickedly sinuous, amorphous body of experimental electronica and crunchy dance trax which, if we weren’t told otherwise, we may never have guessed was made by these two artists.
Taking strong cues from prevailing dembow rhythm trends, the duo work out a range of spiky, crimped dancehall-techno mutations, getting into it alongside Seiki & Mike Watt with the brittle but squirming shape of ‘Middle of Everywhere’, and running thru big highlights in what sounds like Batu and Low Jack getting gritty on ‘Bazu’ and ’37 Years Later’, tucking it where the sun don’t shine in the dark grind of ‘Con Un Cuchillo’ and the cyber-bogle of ‘Anarchy - Joy’, or like some hyper-clipped Amazondotcom or Paul Marmota piece in ‘I Want Her (You) To Call Me Baby.’
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Kyoka and Eomac (Lakker) forge a restlessly rugged style under the fictional moniker Lena Andersson in a striking debut for the Raster stronghold.
Merging their respective styles Kyoka and Eomac patently make a strong studio pairing under their imagined avatar. Stemming from a back and forth session on the Buchla modular synth system at EMS Stockholm, the project has really come into its own with Eomac exacting razor sharp edits on Kyoka’s blend of spiky, freeform textures, sugared vocals and broad palette of field recordings.
There was previously a degree of familiarity between them as Kyoka remixed Lakker’s ‘Tundra’ for R&S in 2015, but here transcend their respective solo work to realise a wickedly sinuous, amorphous body of experimental electronica and crunchy dance trax which, if we weren’t told otherwise, we may never have guessed was made by these two artists.
Taking strong cues from prevailing dembow rhythm trends, the duo work out a range of spiky, crimped dancehall-techno mutations, getting into it alongside Seiki & Mike Watt with the brittle but squirming shape of ‘Middle of Everywhere’, and running thru big highlights in what sounds like Batu and Low Jack getting gritty on ‘Bazu’ and ’37 Years Later’, tucking it where the sun don’t shine in the dark grind of ‘Con Un Cuchillo’ and the cyber-bogle of ‘Anarchy - Joy’, or like some hyper-clipped Amazondotcom or Paul Marmota piece in ‘I Want Her (You) To Call Me Baby.’