Swiss artist Belia Winnerwisser's second album "SODA" is a sugary set of divergent pop experiments influenced by a year without club nights.
Light-hearted and cartoonish, "SODA" blends the clattering IDM of Mouse on Mars or Matmos with vocal pop and muted club elements. 'Ancient Monument' finds videogame leads sprouting from razortooth beats and ugly digital noizze, while 'So Real' sounds closer to '90s diva pop but backs Winnerwisses vocals with an icy dembow rhythm.
'Peaceful Darkness' is almost like early Arca - tweaky anxious electronics and jubilant vocals that teeters on the edge of beautiful and ominous. It's vivid music that dances around genre tropes with a haphazard energy and sense of fun.
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Swiss artist Belia Winnerwisser's second album "SODA" is a sugary set of divergent pop experiments influenced by a year without club nights.
Light-hearted and cartoonish, "SODA" blends the clattering IDM of Mouse on Mars or Matmos with vocal pop and muted club elements. 'Ancient Monument' finds videogame leads sprouting from razortooth beats and ugly digital noizze, while 'So Real' sounds closer to '90s diva pop but backs Winnerwisses vocals with an icy dembow rhythm.
'Peaceful Darkness' is almost like early Arca - tweaky anxious electronics and jubilant vocals that teeters on the edge of beautiful and ominous. It's vivid music that dances around genre tropes with a haphazard energy and sense of fun.
Swiss artist Belia Winnerwisser's second album "SODA" is a sugary set of divergent pop experiments influenced by a year without club nights.
Light-hearted and cartoonish, "SODA" blends the clattering IDM of Mouse on Mars or Matmos with vocal pop and muted club elements. 'Ancient Monument' finds videogame leads sprouting from razortooth beats and ugly digital noizze, while 'So Real' sounds closer to '90s diva pop but backs Winnerwisses vocals with an icy dembow rhythm.
'Peaceful Darkness' is almost like early Arca - tweaky anxious electronics and jubilant vocals that teeters on the edge of beautiful and ominous. It's vivid music that dances around genre tropes with a haphazard energy and sense of fun.
Swiss artist Belia Winnerwisser's second album "SODA" is a sugary set of divergent pop experiments influenced by a year without club nights.
Light-hearted and cartoonish, "SODA" blends the clattering IDM of Mouse on Mars or Matmos with vocal pop and muted club elements. 'Ancient Monument' finds videogame leads sprouting from razortooth beats and ugly digital noizze, while 'So Real' sounds closer to '90s diva pop but backs Winnerwisses vocals with an icy dembow rhythm.
'Peaceful Darkness' is almost like early Arca - tweaky anxious electronics and jubilant vocals that teeters on the edge of beautiful and ominous. It's vivid music that dances around genre tropes with a haphazard energy and sense of fun.
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Swiss artist Belia Winnerwisser's second album "SODA" is a sugary set of divergent pop experiments influenced by a year without club nights.
Light-hearted and cartoonish, "SODA" blends the clattering IDM of Mouse on Mars or Matmos with vocal pop and muted club elements. 'Ancient Monument' finds videogame leads sprouting from razortooth beats and ugly digital noizze, while 'So Real' sounds closer to '90s diva pop but backs Winnerwisses vocals with an icy dembow rhythm.
'Peaceful Darkness' is almost like early Arca - tweaky anxious electronics and jubilant vocals that teeters on the edge of beautiful and ominous. It's vivid music that dances around genre tropes with a haphazard energy and sense of fun.