Pioneering electronic x shoegaze legends Seefeel hail their first new material in years with a fleeting taste of Sarah Peacock’s dream-pop thizz, buoyed by Mark Clifford’s signature, roomy production.
‘Sky Hooks’ is the typically lush lead song from ‘Everything Squared’, Seefeel’s first original recordings since 2011. It reprises a brand of etheric magick known and beloved by a generation who grew up with their run of enduringly classic ‘90s albums for Too Pure, Warp, and Rephlex between 1993-1996, which would in turn spawn classic remixes by the likes of Aphex Twin and Autechre.
Whilst they’ve been quieter since then, only turning out a 2011 album for Warp, and a 2021 collaboration with KMRU, they still hold to a classic form of mutant electronics at the edges of ambient and post-rock with a timeless finesse, as heard here. Sarah Peacock’s naif vocal is perfectly balanced and framed by the weighty but tactile pressure of Mark Clifford’s production, diffusing her almost feline refrain with windswept bass and flyaway flutes that take us with them somewhere more idyllic, saving licks of textured noise for its swooning 2nd half.
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Pioneering electronic x shoegaze legends Seefeel hail their first new material in years with a fleeting taste of Sarah Peacock’s dream-pop thizz, buoyed by Mark Clifford’s signature, roomy production.
‘Sky Hooks’ is the typically lush lead song from ‘Everything Squared’, Seefeel’s first original recordings since 2011. It reprises a brand of etheric magick known and beloved by a generation who grew up with their run of enduringly classic ‘90s albums for Too Pure, Warp, and Rephlex between 1993-1996, which would in turn spawn classic remixes by the likes of Aphex Twin and Autechre.
Whilst they’ve been quieter since then, only turning out a 2011 album for Warp, and a 2021 collaboration with KMRU, they still hold to a classic form of mutant electronics at the edges of ambient and post-rock with a timeless finesse, as heard here. Sarah Peacock’s naif vocal is perfectly balanced and framed by the weighty but tactile pressure of Mark Clifford’s production, diffusing her almost feline refrain with windswept bass and flyaway flutes that take us with them somewhere more idyllic, saving licks of textured noise for its swooning 2nd half.
Pioneering electronic x shoegaze legends Seefeel hail their first new material in years with a fleeting taste of Sarah Peacock’s dream-pop thizz, buoyed by Mark Clifford’s signature, roomy production.
‘Sky Hooks’ is the typically lush lead song from ‘Everything Squared’, Seefeel’s first original recordings since 2011. It reprises a brand of etheric magick known and beloved by a generation who grew up with their run of enduringly classic ‘90s albums for Too Pure, Warp, and Rephlex between 1993-1996, which would in turn spawn classic remixes by the likes of Aphex Twin and Autechre.
Whilst they’ve been quieter since then, only turning out a 2011 album for Warp, and a 2021 collaboration with KMRU, they still hold to a classic form of mutant electronics at the edges of ambient and post-rock with a timeless finesse, as heard here. Sarah Peacock’s naif vocal is perfectly balanced and framed by the weighty but tactile pressure of Mark Clifford’s production, diffusing her almost feline refrain with windswept bass and flyaway flutes that take us with them somewhere more idyllic, saving licks of textured noise for its swooning 2nd half.
Pioneering electronic x shoegaze legends Seefeel hail their first new material in years with a fleeting taste of Sarah Peacock’s dream-pop thizz, buoyed by Mark Clifford’s signature, roomy production.
‘Sky Hooks’ is the typically lush lead song from ‘Everything Squared’, Seefeel’s first original recordings since 2011. It reprises a brand of etheric magick known and beloved by a generation who grew up with their run of enduringly classic ‘90s albums for Too Pure, Warp, and Rephlex between 1993-1996, which would in turn spawn classic remixes by the likes of Aphex Twin and Autechre.
Whilst they’ve been quieter since then, only turning out a 2011 album for Warp, and a 2021 collaboration with KMRU, they still hold to a classic form of mutant electronics at the edges of ambient and post-rock with a timeless finesse, as heard here. Sarah Peacock’s naif vocal is perfectly balanced and framed by the weighty but tactile pressure of Mark Clifford’s production, diffusing her almost feline refrain with windswept bass and flyaway flutes that take us with them somewhere more idyllic, saving licks of textured noise for its swooning 2nd half.