Berlin D&B dynamo Felix K commits to puristic, beat-less sound design in four extended parts intended for full sunken immersion
’Skulpturen Vol. 1-4’ sees K modelling sound with a more impressionistic appeal than his physically powerful and suggestive dancefloor work. As far as we can hear, field recordings (presumably of Berlin) are manipulated into warped figurative shapes that resemble the everyday, but perhaps as heard by a lysergic mind undergoing an out of body experience. Everything feels plasmic and out of reach, voices extruded and smeared into vaporous contrails and indefinite articles of speech, and pooling into aqueous textures or coughed up in splutters of convulsive noise.
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Berlin D&B dynamo Felix K commits to puristic, beat-less sound design in four extended parts intended for full sunken immersion
’Skulpturen Vol. 1-4’ sees K modelling sound with a more impressionistic appeal than his physically powerful and suggestive dancefloor work. As far as we can hear, field recordings (presumably of Berlin) are manipulated into warped figurative shapes that resemble the everyday, but perhaps as heard by a lysergic mind undergoing an out of body experience. Everything feels plasmic and out of reach, voices extruded and smeared into vaporous contrails and indefinite articles of speech, and pooling into aqueous textures or coughed up in splutters of convulsive noise.
Berlin D&B dynamo Felix K commits to puristic, beat-less sound design in four extended parts intended for full sunken immersion
’Skulpturen Vol. 1-4’ sees K modelling sound with a more impressionistic appeal than his physically powerful and suggestive dancefloor work. As far as we can hear, field recordings (presumably of Berlin) are manipulated into warped figurative shapes that resemble the everyday, but perhaps as heard by a lysergic mind undergoing an out of body experience. Everything feels plasmic and out of reach, voices extruded and smeared into vaporous contrails and indefinite articles of speech, and pooling into aqueous textures or coughed up in splutters of convulsive noise.
Berlin D&B dynamo Felix K commits to puristic, beat-less sound design in four extended parts intended for full sunken immersion
’Skulpturen Vol. 1-4’ sees K modelling sound with a more impressionistic appeal than his physically powerful and suggestive dancefloor work. As far as we can hear, field recordings (presumably of Berlin) are manipulated into warped figurative shapes that resemble the everyday, but perhaps as heard by a lysergic mind undergoing an out of body experience. Everything feels plasmic and out of reach, voices extruded and smeared into vaporous contrails and indefinite articles of speech, and pooling into aqueous textures or coughed up in splutters of convulsive noise.
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Berlin D&B dynamo Felix K commits to puristic, beat-less sound design in four extended parts intended for full sunken immersion
’Skulpturen Vol. 1-4’ sees K modelling sound with a more impressionistic appeal than his physically powerful and suggestive dancefloor work. As far as we can hear, field recordings (presumably of Berlin) are manipulated into warped figurative shapes that resemble the everyday, but perhaps as heard by a lysergic mind undergoing an out of body experience. Everything feels plasmic and out of reach, voices extruded and smeared into vaporous contrails and indefinite articles of speech, and pooling into aqueous textures or coughed up in splutters of convulsive noise.