Skelektikon
MARCUS FJELLSTROM
Skelektikon
Boomkat Product Review:
Brilliant album from Marcus Fjellstrom returning after a 5 year absence with an oneiric masterpiece that strongly recalls the low key brilliance of his strings of pearls released by Lampse and Miasmah between 2005-2011. It's a tense, highly atmospheric take on modern classical, highly recommended if you're into Kreng, Nate Young or Deaf Center.
Fjellstrom's natural abilities in narrative detailing and layered sound design seem to have grown exponentially, but with no sacrifice to his music’s ghostly, intangible appeal. He’s spent the last several years working intently on an A/V opera, Boris Christ whose necessary dramaturgical elements and sense of direction are central to the rich array of sound imagery conjured up across Skelektikon - impish funny-bones characters, mythical fauna, backdrops of dark green velvet, grasping forests and carmine lighting.
It’s the sort of music you play late at night, in solitary mouse-catcher mode, to encourage those moments of what the fxck was that over in the corner? whilst you drift off into reveries about pagan things until the hypnic jerks kick in, or don’t, and you’re either petrified, awake, or unconscious and on the other side.
If you’ve ever been seduced by the eyrie worlds of Nurse With Wound, or like the idea of melting into your favourite noir score, Skelektikon is shivering with expectation for you.
Highly Recommended.
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Boomkat Product Review:
Brilliant album from Marcus Fjellstrom returning after a 5 year absence with an oneiric masterpiece that strongly recalls the low key brilliance of his strings of pearls released by Lampse and Miasmah between 2005-2011. It's a tense, highly atmospheric take on modern classical, highly recommended if you're into Kreng, Nate Young or Deaf Center.
Fjellstrom's natural abilities in narrative detailing and layered sound design seem to have grown exponentially, but with no sacrifice to his music’s ghostly, intangible appeal. He’s spent the last several years working intently on an A/V opera, Boris Christ whose necessary dramaturgical elements and sense of direction are central to the rich array of sound imagery conjured up across Skelektikon - impish funny-bones characters, mythical fauna, backdrops of dark green velvet, grasping forests and carmine lighting.
It’s the sort of music you play late at night, in solitary mouse-catcher mode, to encourage those moments of what the fxck was that over in the corner? whilst you drift off into reveries about pagan things until the hypnic jerks kick in, or don’t, and you’re either petrified, awake, or unconscious and on the other side.
If you’ve ever been seduced by the eyrie worlds of Nurse With Wound, or like the idea of melting into your favourite noir score, Skelektikon is shivering with expectation for you.
Highly Recommended.
Boomkat Product Review:
Brilliant album from Marcus Fjellstrom returning after a 5 year absence with an oneiric masterpiece that strongly recalls the low key brilliance of his strings of pearls released by Lampse and Miasmah between 2005-2011. It's a tense, highly atmospheric take on modern classical, highly recommended if you're into Kreng, Nate Young or Deaf Center.
Fjellstrom's natural abilities in narrative detailing and layered sound design seem to have grown exponentially, but with no sacrifice to his music’s ghostly, intangible appeal. He’s spent the last several years working intently on an A/V opera, Boris Christ whose necessary dramaturgical elements and sense of direction are central to the rich array of sound imagery conjured up across Skelektikon - impish funny-bones characters, mythical fauna, backdrops of dark green velvet, grasping forests and carmine lighting.
It’s the sort of music you play late at night, in solitary mouse-catcher mode, to encourage those moments of what the fxck was that over in the corner? whilst you drift off into reveries about pagan things until the hypnic jerks kick in, or don’t, and you’re either petrified, awake, or unconscious and on the other side.
If you’ve ever been seduced by the eyrie worlds of Nurse With Wound, or like the idea of melting into your favourite noir score, Skelektikon is shivering with expectation for you.
Highly Recommended.
Boomkat Product Review:
Brilliant album from Marcus Fjellstrom returning after a 5 year absence with an oneiric masterpiece that strongly recalls the low key brilliance of his strings of pearls released by Lampse and Miasmah between 2005-2011. It's a tense, highly atmospheric take on modern classical, highly recommended if you're into Kreng, Nate Young or Deaf Center.
Fjellstrom's natural abilities in narrative detailing and layered sound design seem to have grown exponentially, but with no sacrifice to his music’s ghostly, intangible appeal. He’s spent the last several years working intently on an A/V opera, Boris Christ whose necessary dramaturgical elements and sense of direction are central to the rich array of sound imagery conjured up across Skelektikon - impish funny-bones characters, mythical fauna, backdrops of dark green velvet, grasping forests and carmine lighting.
It’s the sort of music you play late at night, in solitary mouse-catcher mode, to encourage those moments of what the fxck was that over in the corner? whilst you drift off into reveries about pagan things until the hypnic jerks kick in, or don’t, and you’re either petrified, awake, or unconscious and on the other side.
If you’ve ever been seduced by the eyrie worlds of Nurse With Wound, or like the idea of melting into your favourite noir score, Skelektikon is shivering with expectation for you.
Highly Recommended.
Back in stock - Red vinyl. Edition of 200 copies only, includes instant download.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Brilliant album from Marcus Fjellstrom returning after a 5 year absence with an oneiric masterpiece that strongly recalls the low key brilliance of his strings of pearls released by Lampse and Miasmah between 2005-2011. It's a tense, highly atmospheric take on modern classical, highly recommended if you're into Kreng, Nate Young or Deaf Center.
Fjellstrom's natural abilities in narrative detailing and layered sound design seem to have grown exponentially, but with no sacrifice to his music’s ghostly, intangible appeal. He’s spent the last several years working intently on an A/V opera, Boris Christ whose necessary dramaturgical elements and sense of direction are central to the rich array of sound imagery conjured up across Skelektikon - impish funny-bones characters, mythical fauna, backdrops of dark green velvet, grasping forests and carmine lighting.
It’s the sort of music you play late at night, in solitary mouse-catcher mode, to encourage those moments of what the fxck was that over in the corner? whilst you drift off into reveries about pagan things until the hypnic jerks kick in, or don’t, and you’re either petrified, awake, or unconscious and on the other side.
If you’ve ever been seduced by the eyrie worlds of Nurse With Wound, or like the idea of melting into your favourite noir score, Skelektikon is shivering with expectation for you.
Highly Recommended.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Boomkat Product Review:
Brilliant album from Marcus Fjellstrom returning after a 5 year absence with an oneiric masterpiece that strongly recalls the low key brilliance of his strings of pearls released by Lampse and Miasmah between 2005-2011. It's a tense, highly atmospheric take on modern classical, highly recommended if you're into Kreng, Nate Young or Deaf Center.
Fjellstrom's natural abilities in narrative detailing and layered sound design seem to have grown exponentially, but with no sacrifice to his music’s ghostly, intangible appeal. He’s spent the last several years working intently on an A/V opera, Boris Christ whose necessary dramaturgical elements and sense of direction are central to the rich array of sound imagery conjured up across Skelektikon - impish funny-bones characters, mythical fauna, backdrops of dark green velvet, grasping forests and carmine lighting.
It’s the sort of music you play late at night, in solitary mouse-catcher mode, to encourage those moments of what the fxck was that over in the corner? whilst you drift off into reveries about pagan things until the hypnic jerks kick in, or don’t, and you’re either petrified, awake, or unconscious and on the other side.
If you’ve ever been seduced by the eyrie worlds of Nurse With Wound, or like the idea of melting into your favourite noir score, Skelektikon is shivering with expectation for you.
Highly Recommended.
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