Techno mutant Via App joins Break World Records - who’ve released ace LPs by James Feraro and Elysia Crampton in the last 12 months - with a strikingly individual sound in Sixth Stitch, the Brooklyn native’s 3rd and strongest album.
From a background in the Boston noise scene, Via App approaches the outer, avant edges of techno with a gleefully free style coming off like the abstract thoughts of an AI rendered in tensile, ribboning compositions of unstable rhythm, biting-point noise and glistening high register timbres.
If you’re after dancefloor cuts, we’d advise checking her pitching rhythms in Far She for a start, and also the warped chromatic techno of Get In Line or the wildly swung, unpredictable and caustic burn of Con Artist. But, if you’re partial to stranger sensations, you’re recommended to check the head-melting harmonic radiance of Fevered Proviso and her the curdled tang of Withered on the Vine for some strong flavours.
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Techno mutant Via App joins Break World Records - who’ve released ace LPs by James Feraro and Elysia Crampton in the last 12 months - with a strikingly individual sound in Sixth Stitch, the Brooklyn native’s 3rd and strongest album.
From a background in the Boston noise scene, Via App approaches the outer, avant edges of techno with a gleefully free style coming off like the abstract thoughts of an AI rendered in tensile, ribboning compositions of unstable rhythm, biting-point noise and glistening high register timbres.
If you’re after dancefloor cuts, we’d advise checking her pitching rhythms in Far She for a start, and also the warped chromatic techno of Get In Line or the wildly swung, unpredictable and caustic burn of Con Artist. But, if you’re partial to stranger sensations, you’re recommended to check the head-melting harmonic radiance of Fevered Proviso and her the curdled tang of Withered on the Vine for some strong flavours.
Techno mutant Via App joins Break World Records - who’ve released ace LPs by James Feraro and Elysia Crampton in the last 12 months - with a strikingly individual sound in Sixth Stitch, the Brooklyn native’s 3rd and strongest album.
From a background in the Boston noise scene, Via App approaches the outer, avant edges of techno with a gleefully free style coming off like the abstract thoughts of an AI rendered in tensile, ribboning compositions of unstable rhythm, biting-point noise and glistening high register timbres.
If you’re after dancefloor cuts, we’d advise checking her pitching rhythms in Far She for a start, and also the warped chromatic techno of Get In Line or the wildly swung, unpredictable and caustic burn of Con Artist. But, if you’re partial to stranger sensations, you’re recommended to check the head-melting harmonic radiance of Fevered Proviso and her the curdled tang of Withered on the Vine for some strong flavours.
Techno mutant Via App joins Break World Records - who’ve released ace LPs by James Feraro and Elysia Crampton in the last 12 months - with a strikingly individual sound in Sixth Stitch, the Brooklyn native’s 3rd and strongest album.
From a background in the Boston noise scene, Via App approaches the outer, avant edges of techno with a gleefully free style coming off like the abstract thoughts of an AI rendered in tensile, ribboning compositions of unstable rhythm, biting-point noise and glistening high register timbres.
If you’re after dancefloor cuts, we’d advise checking her pitching rhythms in Far She for a start, and also the warped chromatic techno of Get In Line or the wildly swung, unpredictable and caustic burn of Con Artist. But, if you’re partial to stranger sensations, you’re recommended to check the head-melting harmonic radiance of Fevered Proviso and her the curdled tang of Withered on the Vine for some strong flavours.
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Techno mutant Via App joins Break World Records - who’ve released ace LPs by James Feraro and Elysia Crampton in the last 12 months - with a strikingly individual sound in Sixth Stitch, the Brooklyn native’s 3rd and strongest album.
From a background in the Boston noise scene, Via App approaches the outer, avant edges of techno with a gleefully free style coming off like the abstract thoughts of an AI rendered in tensile, ribboning compositions of unstable rhythm, biting-point noise and glistening high register timbres.
If you’re after dancefloor cuts, we’d advise checking her pitching rhythms in Far She for a start, and also the warped chromatic techno of Get In Line or the wildly swung, unpredictable and caustic burn of Con Artist. But, if you’re partial to stranger sensations, you’re recommended to check the head-melting harmonic radiance of Fevered Proviso and her the curdled tang of Withered on the Vine for some strong flavours.