Since 2006, Ryan Teague has walked an unpredictable musical path, treading and blurring the lines between classical, electronic, acoustic and soundtrack influences.
"His latest album Site Specific is yet another twist and turn on this intriguing journey. Still present are the minimalist polyrhythms, electro-acoustic instrumentation and cinematic ambience that have come to define his style, but this time - incorporating a full band - the themes are framed through a lens which also takes in improvisation and minimal jazz. Key collaborators include Gareth Davis (bass clarinet) and Dan Nicholls (Rhodes piano), who weave subtle melodies and textures throughout.
The resulting soundscapes echo the timeless feel of In A Silent Way era Miles (1969), channeled through a contemporary palette. The music is at once expressive, dynamic and exciting whilst demonstrating sensitive restraint appropriate to its minimalist objectives. Glitchy ambient opener "Wide Angle" sets the tone perfectly and makes way for the likes of "Second Scene", with its brooding bass, dark drums and minimal melodies. Elsewhere, "Surface Tension" takes a fragmented string loop on an epic cinematic journey, whilst title track "Site Specific" sets agitated drum rhythms and cutting bass against freeform Rhodes and echoing horns in an intense showdown.
Ryan has demonstrated time and again that he is unafraid to try something new and Site Specific is no exception. But there's a newfound sense of focus and energy here and something genuinely fresh and exciting seems to have emerged.”
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Since 2006, Ryan Teague has walked an unpredictable musical path, treading and blurring the lines between classical, electronic, acoustic and soundtrack influences.
"His latest album Site Specific is yet another twist and turn on this intriguing journey. Still present are the minimalist polyrhythms, electro-acoustic instrumentation and cinematic ambience that have come to define his style, but this time - incorporating a full band - the themes are framed through a lens which also takes in improvisation and minimal jazz. Key collaborators include Gareth Davis (bass clarinet) and Dan Nicholls (Rhodes piano), who weave subtle melodies and textures throughout.
The resulting soundscapes echo the timeless feel of In A Silent Way era Miles (1969), channeled through a contemporary palette. The music is at once expressive, dynamic and exciting whilst demonstrating sensitive restraint appropriate to its minimalist objectives. Glitchy ambient opener "Wide Angle" sets the tone perfectly and makes way for the likes of "Second Scene", with its brooding bass, dark drums and minimal melodies. Elsewhere, "Surface Tension" takes a fragmented string loop on an epic cinematic journey, whilst title track "Site Specific" sets agitated drum rhythms and cutting bass against freeform Rhodes and echoing horns in an intense showdown.
Ryan has demonstrated time and again that he is unafraid to try something new and Site Specific is no exception. But there's a newfound sense of focus and energy here and something genuinely fresh and exciting seems to have emerged.”
Since 2006, Ryan Teague has walked an unpredictable musical path, treading and blurring the lines between classical, electronic, acoustic and soundtrack influences.
"His latest album Site Specific is yet another twist and turn on this intriguing journey. Still present are the minimalist polyrhythms, electro-acoustic instrumentation and cinematic ambience that have come to define his style, but this time - incorporating a full band - the themes are framed through a lens which also takes in improvisation and minimal jazz. Key collaborators include Gareth Davis (bass clarinet) and Dan Nicholls (Rhodes piano), who weave subtle melodies and textures throughout.
The resulting soundscapes echo the timeless feel of In A Silent Way era Miles (1969), channeled through a contemporary palette. The music is at once expressive, dynamic and exciting whilst demonstrating sensitive restraint appropriate to its minimalist objectives. Glitchy ambient opener "Wide Angle" sets the tone perfectly and makes way for the likes of "Second Scene", with its brooding bass, dark drums and minimal melodies. Elsewhere, "Surface Tension" takes a fragmented string loop on an epic cinematic journey, whilst title track "Site Specific" sets agitated drum rhythms and cutting bass against freeform Rhodes and echoing horns in an intense showdown.
Ryan has demonstrated time and again that he is unafraid to try something new and Site Specific is no exception. But there's a newfound sense of focus and energy here and something genuinely fresh and exciting seems to have emerged.”
Since 2006, Ryan Teague has walked an unpredictable musical path, treading and blurring the lines between classical, electronic, acoustic and soundtrack influences.
"His latest album Site Specific is yet another twist and turn on this intriguing journey. Still present are the minimalist polyrhythms, electro-acoustic instrumentation and cinematic ambience that have come to define his style, but this time - incorporating a full band - the themes are framed through a lens which also takes in improvisation and minimal jazz. Key collaborators include Gareth Davis (bass clarinet) and Dan Nicholls (Rhodes piano), who weave subtle melodies and textures throughout.
The resulting soundscapes echo the timeless feel of In A Silent Way era Miles (1969), channeled through a contemporary palette. The music is at once expressive, dynamic and exciting whilst demonstrating sensitive restraint appropriate to its minimalist objectives. Glitchy ambient opener "Wide Angle" sets the tone perfectly and makes way for the likes of "Second Scene", with its brooding bass, dark drums and minimal melodies. Elsewhere, "Surface Tension" takes a fragmented string loop on an epic cinematic journey, whilst title track "Site Specific" sets agitated drum rhythms and cutting bass against freeform Rhodes and echoing horns in an intense showdown.
Ryan has demonstrated time and again that he is unafraid to try something new and Site Specific is no exception. But there's a newfound sense of focus and energy here and something genuinely fresh and exciting seems to have emerged.”
**180g vinyl, and digital download code redeemable from the label**
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Since 2006, Ryan Teague has walked an unpredictable musical path, treading and blurring the lines between classical, electronic, acoustic and soundtrack influences.
"His latest album Site Specific is yet another twist and turn on this intriguing journey. Still present are the minimalist polyrhythms, electro-acoustic instrumentation and cinematic ambience that have come to define his style, but this time - incorporating a full band - the themes are framed through a lens which also takes in improvisation and minimal jazz. Key collaborators include Gareth Davis (bass clarinet) and Dan Nicholls (Rhodes piano), who weave subtle melodies and textures throughout.
The resulting soundscapes echo the timeless feel of In A Silent Way era Miles (1969), channeled through a contemporary palette. The music is at once expressive, dynamic and exciting whilst demonstrating sensitive restraint appropriate to its minimalist objectives. Glitchy ambient opener "Wide Angle" sets the tone perfectly and makes way for the likes of "Second Scene", with its brooding bass, dark drums and minimal melodies. Elsewhere, "Surface Tension" takes a fragmented string loop on an epic cinematic journey, whilst title track "Site Specific" sets agitated drum rhythms and cutting bass against freeform Rhodes and echoing horns in an intense showdown.
Ryan has demonstrated time and again that he is unafraid to try something new and Site Specific is no exception. But there's a newfound sense of focus and energy here and something genuinely fresh and exciting seems to have emerged.”
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Since 2006, Ryan Teague has walked an unpredictable musical path, treading and blurring the lines between classical, electronic, acoustic and soundtrack influences.
"His latest album Site Specific is yet another twist and turn on this intriguing journey. Still present are the minimalist polyrhythms, electro-acoustic instrumentation and cinematic ambience that have come to define his style, but this time - incorporating a full band - the themes are framed through a lens which also takes in improvisation and minimal jazz. Key collaborators include Gareth Davis (bass clarinet) and Dan Nicholls (Rhodes piano), who weave subtle melodies and textures throughout.
The resulting soundscapes echo the timeless feel of In A Silent Way era Miles (1969), channeled through a contemporary palette. The music is at once expressive, dynamic and exciting whilst demonstrating sensitive restraint appropriate to its minimalist objectives. Glitchy ambient opener "Wide Angle" sets the tone perfectly and makes way for the likes of "Second Scene", with its brooding bass, dark drums and minimal melodies. Elsewhere, "Surface Tension" takes a fragmented string loop on an epic cinematic journey, whilst title track "Site Specific" sets agitated drum rhythms and cutting bass against freeform Rhodes and echoing horns in an intense showdown.
Ryan has demonstrated time and again that he is unafraid to try something new and Site Specific is no exception. But there's a newfound sense of focus and energy here and something genuinely fresh and exciting seems to have emerged.”