Boomkat Product Review:
Proc Fiscal does his genre origami with grime, drill, jungle, footwork and vaporous ambient styles in a plush 2nd album for Hyperdub
In pursuit of the mercurial magick previously found on his string of acclaimed, daring 12”s and debut LP ‘Insula’ (2018), he returns with a charmingly effusive new volley of 14 cuts that sparkle with restless, fractious detailing and whirring rhythm mechanics. Like his label mates Lorraine James and Lee Gamble, it’s effectively IDM, as in he can’t help but go to town on his grooves and express a probing “intelligence” or curiosity in the embellishments. The results may be too busy for some straighter club heads, but fizz with ingenuity for others, and surely nobody can argue that he’s not got that classic Scottish feel for funk locked down.
In another time, ‘Siren Spine Sysex’ could have been prime Rephlex material, showing off a devilish mastery of inch-tight drum programming and non-standard electronic tuning in each part as the album cascades and skids between lilting downbeat opener ‘Anti Chesst’ and the salty noise convolutions of ‘Roman Fatigue.’ It finds him filleting drill’s glyding bass and hollow-tipped snares in aerial footwork styles on ‘Convaerge Iana’ and the skittish ‘Met Path Thoth,’ with a crafty cut of R&G vocal thizz in the centrepiece ‘8 Mgapixel See Thru Phone,’ alongside a warped, tangy take on Afrobeats in ‘Thurs Jung Youtz’ and ‘Her In.’ His playful wits are in best effect on ‘The Most Beautiful Irish Song,’ which sounds a bit like Todd Edwards doing a giddy jig, and comes complemented by the Carl Stone-esque levels of glitchy vocal processing on ‘Leith Torn Carnal,’ with the album’s sweetest treats coming in the relatively laid-back but mutant minor key drill swag of ‘Auld Peop.’