The 1998 CD release now available to download, including the heavily arresting 46 minute abstract narrative emerging from Annea Lockwood’s field recordings on ‘World Rhythms’, and the barely-there somnambulism of ‘I Come Out Of Your Sleep’ by Ruth Anderson
“"This is not an album of environmental sound for relaxation, though listening to it might have a calming effect. Nor is it sonic nostalgia for a tame or even cute nature. Some of these sounds (especially if played loudly on speakers with good bass response) can bite!" --Warren Burt. "World Rhythms" originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies. "i come out of your sleep" follows a tradition of sound poetry, or text-sound, begun in part by Kurt Schwitters' Ursonate and expanded by composers such as John Cage, Charles Amirkhanian, and Jackson Mac Low. The piece is based on the speech vowels in Louise Bogan's poem, "Little Lobelia." The vowels are whispered and elongated; their shapes become breathed melodic arcs and tones, and that breathing becomes the core of a stylized meditation.”
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The 1998 CD release now available to download, including the heavily arresting 46 minute abstract narrative emerging from Annea Lockwood’s field recordings on ‘World Rhythms’, and the barely-there somnambulism of ‘I Come Out Of Your Sleep’ by Ruth Anderson
“"This is not an album of environmental sound for relaxation, though listening to it might have a calming effect. Nor is it sonic nostalgia for a tame or even cute nature. Some of these sounds (especially if played loudly on speakers with good bass response) can bite!" --Warren Burt. "World Rhythms" originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies. "i come out of your sleep" follows a tradition of sound poetry, or text-sound, begun in part by Kurt Schwitters' Ursonate and expanded by composers such as John Cage, Charles Amirkhanian, and Jackson Mac Low. The piece is based on the speech vowels in Louise Bogan's poem, "Little Lobelia." The vowels are whispered and elongated; their shapes become breathed melodic arcs and tones, and that breathing becomes the core of a stylized meditation.”
The 1998 CD release now available to download, including the heavily arresting 46 minute abstract narrative emerging from Annea Lockwood’s field recordings on ‘World Rhythms’, and the barely-there somnambulism of ‘I Come Out Of Your Sleep’ by Ruth Anderson
“"This is not an album of environmental sound for relaxation, though listening to it might have a calming effect. Nor is it sonic nostalgia for a tame or even cute nature. Some of these sounds (especially if played loudly on speakers with good bass response) can bite!" --Warren Burt. "World Rhythms" originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies. "i come out of your sleep" follows a tradition of sound poetry, or text-sound, begun in part by Kurt Schwitters' Ursonate and expanded by composers such as John Cage, Charles Amirkhanian, and Jackson Mac Low. The piece is based on the speech vowels in Louise Bogan's poem, "Little Lobelia." The vowels are whispered and elongated; their shapes become breathed melodic arcs and tones, and that breathing becomes the core of a stylized meditation.”