DFA serve a straight killer from NDF aka Bruno Pronsato and Sergio Giogini, backed with an entrancing Ricardo Villalobos remix! 'Since We Last Met' is a departure of sorts for the label's retro house and disco fetish, both sides embracing modernist tech-house minimalism with great results. It's probably fair to say that NDF's original is actually heavily influenced by the man on the remix, from the shaven Latin drums to those plump subs, while the chords and breezy house freshness are at once classic and up-to-date. No doubt, it's the Herr Villalobos mix that gets us going though, taking a sweet 12 mins+ to worm himself deep into the groove, splaying the drums with a deeply trippy psychoacoustic quality so they dart from the foreground to circle in stereo formation and return to slap on the ass with a sprightly cheek. In classic style he constantly morphs his loops into fluctuating, unsteady shapes, equal parts loose and driving with almost subliminal sub undulations keeping adding that elastic swing. Sublime, captivating and so, so good.
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DFA serve a straight killer from NDF aka Bruno Pronsato and Sergio Giogini, backed with an entrancing Ricardo Villalobos remix! 'Since We Last Met' is a departure of sorts for the label's retro house and disco fetish, both sides embracing modernist tech-house minimalism with great results. It's probably fair to say that NDF's original is actually heavily influenced by the man on the remix, from the shaven Latin drums to those plump subs, while the chords and breezy house freshness are at once classic and up-to-date. No doubt, it's the Herr Villalobos mix that gets us going though, taking a sweet 12 mins+ to worm himself deep into the groove, splaying the drums with a deeply trippy psychoacoustic quality so they dart from the foreground to circle in stereo formation and return to slap on the ass with a sprightly cheek. In classic style he constantly morphs his loops into fluctuating, unsteady shapes, equal parts loose and driving with almost subliminal sub undulations keeping adding that elastic swing. Sublime, captivating and so, so good.
DFA serve a straight killer from NDF aka Bruno Pronsato and Sergio Giogini, backed with an entrancing Ricardo Villalobos remix! 'Since We Last Met' is a departure of sorts for the label's retro house and disco fetish, both sides embracing modernist tech-house minimalism with great results. It's probably fair to say that NDF's original is actually heavily influenced by the man on the remix, from the shaven Latin drums to those plump subs, while the chords and breezy house freshness are at once classic and up-to-date. No doubt, it's the Herr Villalobos mix that gets us going though, taking a sweet 12 mins+ to worm himself deep into the groove, splaying the drums with a deeply trippy psychoacoustic quality so they dart from the foreground to circle in stereo formation and return to slap on the ass with a sprightly cheek. In classic style he constantly morphs his loops into fluctuating, unsteady shapes, equal parts loose and driving with almost subliminal sub undulations keeping adding that elastic swing. Sublime, captivating and so, so good.
DFA serve a straight killer from NDF aka Bruno Pronsato and Sergio Giogini, backed with an entrancing Ricardo Villalobos remix! 'Since We Last Met' is a departure of sorts for the label's retro house and disco fetish, both sides embracing modernist tech-house minimalism with great results. It's probably fair to say that NDF's original is actually heavily influenced by the man on the remix, from the shaven Latin drums to those plump subs, while the chords and breezy house freshness are at once classic and up-to-date. No doubt, it's the Herr Villalobos mix that gets us going though, taking a sweet 12 mins+ to worm himself deep into the groove, splaying the drums with a deeply trippy psychoacoustic quality so they dart from the foreground to circle in stereo formation and return to slap on the ass with a sprightly cheek. In classic style he constantly morphs his loops into fluctuating, unsteady shapes, equal parts loose and driving with almost subliminal sub undulations keeping adding that elastic swing. Sublime, captivating and so, so good.