Silberland Vol 2: The Driving Side Of Kosmische Musik 1974-1984
Bureau B's latest compilation is an examination of the legendary motorik beat, and how it slotted into Germany's kosmische landscape in the '70s and '80s. Featuring Cluster, Conrad Schnitzler, Faust, Asmus Tietchens and plenty more.
The last 'Silberland' comp was an essential compilation of kosmische oddities, and its sequel is just as vital, this time providing evidence that the genre wasn't only a bunch of trippy, beatless flights of fancy. In fact it's quite shocking at times - who else realized that before Asmus Tietchens was making minimalist industrial sound art, he was producing fidgety electroid workouts like 'Bockwurst á la Maîtresse'?
There's heaps of exceptional material here, including plenty of exclusive Bureau B edits of well-known tracks. Harald Grosskopf's 'Oceanheart' standout 'Eve on the Hill' gets trimmed down from over 10 minutes to a slick five, while Dieter Moebius and Conny Plank's gristly 'Feedback 66' just has a minute snipped away. Elsewhere we get to hear rhythmic cuts from the mighty Faust ('Juggernaut') and Conrad Schnitzler, whose 'Elektroklang' foreshadows Drexciya's waterlogged soundscapes.
If you've not come across this material before, prepare to be brought to yr knees.
View more
Bureau B's latest compilation is an examination of the legendary motorik beat, and how it slotted into Germany's kosmische landscape in the '70s and '80s. Featuring Cluster, Conrad Schnitzler, Faust, Asmus Tietchens and plenty more.
The last 'Silberland' comp was an essential compilation of kosmische oddities, and its sequel is just as vital, this time providing evidence that the genre wasn't only a bunch of trippy, beatless flights of fancy. In fact it's quite shocking at times - who else realized that before Asmus Tietchens was making minimalist industrial sound art, he was producing fidgety electroid workouts like 'Bockwurst á la Maîtresse'?
There's heaps of exceptional material here, including plenty of exclusive Bureau B edits of well-known tracks. Harald Grosskopf's 'Oceanheart' standout 'Eve on the Hill' gets trimmed down from over 10 minutes to a slick five, while Dieter Moebius and Conny Plank's gristly 'Feedback 66' just has a minute snipped away. Elsewhere we get to hear rhythmic cuts from the mighty Faust ('Juggernaut') and Conrad Schnitzler, whose 'Elektroklang' foreshadows Drexciya's waterlogged soundscapes.
If you've not come across this material before, prepare to be brought to yr knees.
Bureau B's latest compilation is an examination of the legendary motorik beat, and how it slotted into Germany's kosmische landscape in the '70s and '80s. Featuring Cluster, Conrad Schnitzler, Faust, Asmus Tietchens and plenty more.
The last 'Silberland' comp was an essential compilation of kosmische oddities, and its sequel is just as vital, this time providing evidence that the genre wasn't only a bunch of trippy, beatless flights of fancy. In fact it's quite shocking at times - who else realized that before Asmus Tietchens was making minimalist industrial sound art, he was producing fidgety electroid workouts like 'Bockwurst á la Maîtresse'?
There's heaps of exceptional material here, including plenty of exclusive Bureau B edits of well-known tracks. Harald Grosskopf's 'Oceanheart' standout 'Eve on the Hill' gets trimmed down from over 10 minutes to a slick five, while Dieter Moebius and Conny Plank's gristly 'Feedback 66' just has a minute snipped away. Elsewhere we get to hear rhythmic cuts from the mighty Faust ('Juggernaut') and Conrad Schnitzler, whose 'Elektroklang' foreshadows Drexciya's waterlogged soundscapes.
If you've not come across this material before, prepare to be brought to yr knees.
Bureau B's latest compilation is an examination of the legendary motorik beat, and how it slotted into Germany's kosmische landscape in the '70s and '80s. Featuring Cluster, Conrad Schnitzler, Faust, Asmus Tietchens and plenty more.
The last 'Silberland' comp was an essential compilation of kosmische oddities, and its sequel is just as vital, this time providing evidence that the genre wasn't only a bunch of trippy, beatless flights of fancy. In fact it's quite shocking at times - who else realized that before Asmus Tietchens was making minimalist industrial sound art, he was producing fidgety electroid workouts like 'Bockwurst á la Maîtresse'?
There's heaps of exceptional material here, including plenty of exclusive Bureau B edits of well-known tracks. Harald Grosskopf's 'Oceanheart' standout 'Eve on the Hill' gets trimmed down from over 10 minutes to a slick five, while Dieter Moebius and Conny Plank's gristly 'Feedback 66' just has a minute snipped away. Elsewhere we get to hear rhythmic cuts from the mighty Faust ('Juggernaut') and Conrad Schnitzler, whose 'Elektroklang' foreshadows Drexciya's waterlogged soundscapes.
If you've not come across this material before, prepare to be brought to yr knees.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Bureau B's latest compilation is an examination of the legendary motorik beat, and how it slotted into Germany's kosmische landscape in the '70s and '80s. Featuring Cluster, Conrad Schnitzler, Faust, Asmus Tietchens and plenty more.
The last 'Silberland' comp was an essential compilation of kosmische oddities, and its sequel is just as vital, this time providing evidence that the genre wasn't only a bunch of trippy, beatless flights of fancy. In fact it's quite shocking at times - who else realized that before Asmus Tietchens was making minimalist industrial sound art, he was producing fidgety electroid workouts like 'Bockwurst á la Maîtresse'?
There's heaps of exceptional material here, including plenty of exclusive Bureau B edits of well-known tracks. Harald Grosskopf's 'Oceanheart' standout 'Eve on the Hill' gets trimmed down from over 10 minutes to a slick five, while Dieter Moebius and Conny Plank's gristly 'Feedback 66' just has a minute snipped away. Elsewhere we get to hear rhythmic cuts from the mighty Faust ('Juggernaut') and Conrad Schnitzler, whose 'Elektroklang' foreshadows Drexciya's waterlogged soundscapes.
If you've not come across this material before, prepare to be brought to yr knees.
Available To Order (Estimated Shipping between 7-14 Working Days)
This item is to the best of our knowledge available to us from the supplier and should ship to you within the time-frame indicated. If there are any unforeseen issues with availability we will notify you immediately
Bureau B's latest compilation is an examination of the legendary motorik beat, and how it slotted into Germany's kosmische landscape in the '70s and '80s. Featuring Cluster, Conrad Schnitzler, Faust, Asmus Tietchens and plenty more.
The last 'Silberland' comp was an essential compilation of kosmische oddities, and its sequel is just as vital, this time providing evidence that the genre wasn't only a bunch of trippy, beatless flights of fancy. In fact it's quite shocking at times - who else realized that before Asmus Tietchens was making minimalist industrial sound art, he was producing fidgety electroid workouts like 'Bockwurst á la Maîtresse'?
There's heaps of exceptional material here, including plenty of exclusive Bureau B edits of well-known tracks. Harald Grosskopf's 'Oceanheart' standout 'Eve on the Hill' gets trimmed down from over 10 minutes to a slick five, while Dieter Moebius and Conny Plank's gristly 'Feedback 66' just has a minute snipped away. Elsewhere we get to hear rhythmic cuts from the mighty Faust ('Juggernaut') and Conrad Schnitzler, whose 'Elektroklang' foreshadows Drexciya's waterlogged soundscapes.
If you've not come across this material before, prepare to be brought to yr knees.