Prism-pushing grime mutant Proc Fiskal returns to Hyperdub with a mercurial volley following underground praise in 2018 for the distinctive sound of his debut LP, ‘Insula’
On the ‘Shleekit Doss’ EP the Edinburgh-based producer appears more limber and mutable than ever, tweaking and folding aspects of grime, footwork, jungle, and ghettotech in 6 fractal animations at 160bpm.
The deliquescent fluidity of ‘Satan’ gives a polychromatic rush to start, while ‘Smith’s Deli’ expresses his keen taste for bittersweet licks in a hypertight 2-step, and ‘Pico’ delivers a wicked shot of serpentine jungle breaks and curdled organ pads recalling a psychedelic Sully creation. Like fellow Scots, Rustie, Hud Mo, or Kode 9, he also twists folksy melodies into shiny 8-bit cadence in ‘4 Minutes’, while ‘Prop O Deed’ hits a piquant seam of sino-grime in a style shades away from Slackk or Nammy Wams.
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Prism-pushing grime mutant Proc Fiskal returns to Hyperdub with a mercurial volley following underground praise in 2018 for the distinctive sound of his debut LP, ‘Insula’
On the ‘Shleekit Doss’ EP the Edinburgh-based producer appears more limber and mutable than ever, tweaking and folding aspects of grime, footwork, jungle, and ghettotech in 6 fractal animations at 160bpm.
The deliquescent fluidity of ‘Satan’ gives a polychromatic rush to start, while ‘Smith’s Deli’ expresses his keen taste for bittersweet licks in a hypertight 2-step, and ‘Pico’ delivers a wicked shot of serpentine jungle breaks and curdled organ pads recalling a psychedelic Sully creation. Like fellow Scots, Rustie, Hud Mo, or Kode 9, he also twists folksy melodies into shiny 8-bit cadence in ‘4 Minutes’, while ‘Prop O Deed’ hits a piquant seam of sino-grime in a style shades away from Slackk or Nammy Wams.
Prism-pushing grime mutant Proc Fiskal returns to Hyperdub with a mercurial volley following underground praise in 2018 for the distinctive sound of his debut LP, ‘Insula’
On the ‘Shleekit Doss’ EP the Edinburgh-based producer appears more limber and mutable than ever, tweaking and folding aspects of grime, footwork, jungle, and ghettotech in 6 fractal animations at 160bpm.
The deliquescent fluidity of ‘Satan’ gives a polychromatic rush to start, while ‘Smith’s Deli’ expresses his keen taste for bittersweet licks in a hypertight 2-step, and ‘Pico’ delivers a wicked shot of serpentine jungle breaks and curdled organ pads recalling a psychedelic Sully creation. Like fellow Scots, Rustie, Hud Mo, or Kode 9, he also twists folksy melodies into shiny 8-bit cadence in ‘4 Minutes’, while ‘Prop O Deed’ hits a piquant seam of sino-grime in a style shades away from Slackk or Nammy Wams.
Prism-pushing grime mutant Proc Fiskal returns to Hyperdub with a mercurial volley following underground praise in 2018 for the distinctive sound of his debut LP, ‘Insula’
On the ‘Shleekit Doss’ EP the Edinburgh-based producer appears more limber and mutable than ever, tweaking and folding aspects of grime, footwork, jungle, and ghettotech in 6 fractal animations at 160bpm.
The deliquescent fluidity of ‘Satan’ gives a polychromatic rush to start, while ‘Smith’s Deli’ expresses his keen taste for bittersweet licks in a hypertight 2-step, and ‘Pico’ delivers a wicked shot of serpentine jungle breaks and curdled organ pads recalling a psychedelic Sully creation. Like fellow Scots, Rustie, Hud Mo, or Kode 9, he also twists folksy melodies into shiny 8-bit cadence in ‘4 Minutes’, while ‘Prop O Deed’ hits a piquant seam of sino-grime in a style shades away from Slackk or Nammy Wams.
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Prism-pushing grime mutant Proc Fiskal returns to Hyperdub with a mercurial volley following underground praise in 2018 for the distinctive sound of his debut LP, ‘Insula’
On the ‘Shleekit Doss’ EP the Edinburgh-based producer appears more limber and mutable than ever, tweaking and folding aspects of grime, footwork, jungle, and ghettotech in 6 fractal animations at 160bpm.
The deliquescent fluidity of ‘Satan’ gives a polychromatic rush to start, while ‘Smith’s Deli’ expresses his keen taste for bittersweet licks in a hypertight 2-step, and ‘Pico’ delivers a wicked shot of serpentine jungle breaks and curdled organ pads recalling a psychedelic Sully creation. Like fellow Scots, Rustie, Hud Mo, or Kode 9, he also twists folksy melodies into shiny 8-bit cadence in ‘4 Minutes’, while ‘Prop O Deed’ hits a piquant seam of sino-grime in a style shades away from Slackk or Nammy Wams.