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Boomkat Product Review:
Shenzhou is next up in Biosphere’s album reissue schedule.
Original issued in 2000, it finds the Norwegian artist following the wistful loops of Cirque farther down the rabbit hole, leaving behind the purely electronic contours and beat-driven elements of his early work for a subtler, textured electro-acoustic style comparable with The Caretaker and Leyland Kirby or William Basinski’s faded tape loops. Your attention is required to the mesmerising string swells of Houses On The Hill, the cinematic midnight jazz gesture of Path Leading to the High Grass, and the Deathprod-alike gloam of Lorry Shuttle Shaft.